In 1945, Tristian and Josie OBrien settle into a perfect haven located in the ancestry town of Roscrea, Irelandunaware that their new home hides a dark and disheartening secret. Five years later, as the once clouded truth of the homes past begins to reveal itself, the OBriens suddenly find themselves witnessing shocking visions of past atrocities. As the couple is plagued by horrifying apparitions that reenact the terrifying struggles and frightening abuse that once took place in their house, their fear begins to grow as they soon realize that the supernatural forces will stop at nothing to achieve total control. A ghostly raven repeatedly scrapes its beak against the window in the dark of the night; a ghostly man stalks a filthy wench while sounds of breaking glass echoes throughout the walls; and a candle bursts, sending hot wax everywhere. The OBriens are living an ethereal nightmare. When they launch an investigation into the fate of the original owners, they rapidly discover that the spirits of the dead will never rest until they receive help from the living.

This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.

This book is a true powerful testimony of how God delivered a woman from bondage into freedom, from a life that seemed it had come to the end of its road. It is the riveting true story of a young girls struggle with abandonmentteen pregnancyabuseand loneliness. This is her personal journey through love, loss and heartbreak. You will join in her curiosity and ultimate experiences with exotic dancing and homosexuality. Youll walk with her as she contemplates suicide following the tragic death of her three year old son. Tired of Crying endeavors to take you through the peaks and valleys of living the high life and yet always knowing deep down that something is missing. One Sunday morning searching for answers, she crossed the threshold, entering the Sanctuary of El Shaddai Christian Church and on that day her life would become forever changed. Tired of Crying will help you recognize that no matter how beat down you may feel in this life, you can always rise above. That weeping may endure for a night, but JOY comes in the morning. This powerful story touches every emotion in the human body.

#1 NEW YORK TIMES BESTSELLER • From the indie rock sensation known as Japanese Breakfast, an unforgettable memoir about family, food, grief, love, and growing up Korean American—“in losing her mother and cooking to bring her back to life, Zauner became herself” (NPR). • CELEBRATING OVER ONE YEAR ON THE NEW YORK TIMES BESTSELLER LIST In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

"For years, I cried, not over my own losses, but at the movies. When bad things happened to me in real life, I didn't react. I seemed cool or indifferent. Yet in the dark and relative safety of the movie theater, I would weep over fictional tragedies, over someone else's tragedy." At age nine, Madelon Sprengnether watched her father drown in the Mississippi River. Her mother swallowed the family's grief whole and no one spoke of the tragedy thereafter. Only years later did Sprengnether react, and in a most unlikely place: in the theater watching the film Pather Panchali, by Satyajit Ray. In the fascinating memoir Crying at the Movies, Sprengnether looks at the sublime connections between happenings in the present, troubling events from the past, and the imagined world of movies. By examining the films she had intense emotional reactions to throughout her adult life--House of Cards, Solaris, Fearless, The Cement Garden, Shadowlands, and Blue--Sprengnether finds a way to work through her own losses, mistakes, and pain.

While staying at her cousin's house, Polly has strange dreams in which she becomes a young girl who lived in the same house long ago.

One of the world’s foremost parenting experts offers a revolutionary guide for translating a crying baby’s urgent messages. Like many new parents, Priscilla Dunstan was at her wit’s end trying to ease the crying of her colicky infant son. Then she made a startling discovery: His sounds varied according to his needs, and she could decipher their meaning by tracking the sound as a physical reflex. Unlike learned languages, Dunstan soon realized, every newborn from birth to three months possesses a natural, reflexive communication system for signaling hunger, tiredness, the need to burp, lower gas, and general discomfort. Thirteen years of research culminated in the Dunstan Baby Language, now made available to all caregivers in Calm the Crying. Helping readers learn to recognize and respond to exactly what their baby needs, Dunstan’s remarkable program covers ten sounds in total that can be identified and used to calm a baby. Brimming with diagrams and photographs, Calm the Crying reduces the frustration of wasted time spent addressing the wrong needs. A baby’s cries are a powerful form of communication—now made even more powerful because the message can be understood loud and clear.

A grieving mother develops a dangerous bond with a haunted painting in this chilling thriller from the author of The Butcher’s Daughter. Clayton and Avril Shaw have lost their little boy and are still mourning when they move into Swallow’s Nest on the Yorkshire moors. In their new house Avril discovers a painting. When she learns that the boy in the painting was deaf, like her dead son, she starts to try to communicate with his ghost. Meanwhile, Clayton finds himself entangled in an equally undesirable friendship with a retired fire chief who knows more about the painting than he is prepared to let on. Is The Crying Boy painting cursed, and can numerous house fires be linked to it? Struggling with their unstable marriage, the couple find themselves in further danger as an increasingly disturbing bond develops between Avril and The Crying Boy. In a twist of events Avril’s irrational behavior is brought to a dramatic halt when she discovers she is pregnant. With her affections once again restored for Clayton, she decides to dispose of the sinister portrait. But the cast off painting wants revenge and its anger towards Avril’s unborn child might just prove immeasurable.

“Equal parts pee-your-pants hilarity and break your heart poignancy- like the perfect brunch date you never want to end!"--America Ferrera, Emmy award-winning actress in Ugly Betty From the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is disarmingly funny Growing up as the daughter of Mexican immigrants in Chicago in the ‘90s, Erika L. Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy and dreamed of an unlikely life as a poet. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her. In these essays about everything from sex to white feminism to debilitating depression to the redemptive pursuits of spirituality, art, and travel, Sánchez reveals an interior life that is rich with ideas, self-awareness, and perception—that of a woman who charted a path entirely of her own making. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best: a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.

The acclaimed author of Revolutionary Road—one of the most important writers of the twentieth century—movingly portrays a man and a woman from their courtship and marriage in the 1950s to their divorce in the 70s, chronicling their heartbreaking attempts to reach their highest ambitions. Michael Davenport dreams of being a poet after returning home from World War II Europe, and at first he and his new wife Lucy enjoy their life together. But as the decades pass and the success of others creates an oppressive fear of failure in both Michael and Lucy, their once bright future gives way to a life of adultery and isolation. With empathy and grace, Yates creates a poignant novel of the desires and disasters of a tragic, hopeful couple.