The Crucifixion in Music studies the musical representation of words and the concepts and contexts to which words refer, examining the way the treatment of a literary text, namely the Crucifixus, coalesces into a recognizable musical tradition that individual composers follow, develop, modify, or ignore.

The Crucifixion and Resurrection of Christ are central events in our salvation. Yet few Christians have a good grasp of the first-century historical and religious context in which the Crucifixion took place, nor of its true significance for the people of that time-and hence for our time as well. Biblical scholar and attorney Dr. Jeannie Constantinou puts modern readers in the center of the events of Christ's Passion, bringing the best of modern scholarship to bear while keeping her interpretation faithful in every particular to the Orthodox Tradition.

A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.

The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.

This beautiful book offers reflections of a medical doctor on the physical and mental anguish Jesus endured in the hours leading up to His death. Enrich your meditation on Christ's passion using prayers and hymns paired with moving commentary and masterpieces of art from artists including Michelangelo, Rubens, Dali, and Siqueiros.

Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.

Gunnar Samuelsson questions our textual basis for our knowledge about the death of Jesus. As a matter of fact, the New Testament texts offer only a brief description of the punishment that has influenced a whole world.

Though Edwards spent most of his life working in local churches, and saw himself primarily as a pastor, his own views on the theology of the church have never been explored in depth. This book presents Edwards's views on ecclesiology by tracking the development of his convictions during the course of his tumultuous career. Drawing on Reformation foundations and the Puritan background of his ministry, Edwards refreshes our understanding of the church by connecting it to a nuanced interpretation of revival, allowing a dynamic view of the place of church in history and new thinking about its institutional structure. Indeed in Edwards's writing the church has an exalted status as the bride of Christ, joined to him forever. Building on the recent completion of the works of Jonathan Edwards, and material newly published online, this book, the first ever on Edwards's ecclesiology, demonstrates his commitment to corporate Christian experience shaped by theological convictions and his aspirations towards the visibility and unity of the Christian church. In a final section, Bezzant discusses topics relating to ecclesiology (such as hymnody, discipline, and polity), that occupied Edwards throughout his ministry. Edwards preached a Gospel concerned with God's purposes for the world, so it is the growth of the church, not merely the conversion of individuals, that is the necessary fruit of his preaching. The church in the West is rediscovering the importance of ecclesiology as it emerges from its Christendom constraints. Edwards's struggle to understand the church and its place within God's cosmic design is a case study that helps us to appreciate the church in the modern world.

A hymnal featuring the greatest hymns of church history and today.