The Carolingian 'Renaissance' of the late eighth and ninth centuries, in what is now France, western Germany and northern Italy, transformed medieval European culture. At the same time it engendered a need to ensure that clergy, monks and laity embraced orthodox Christian doctrine. This book offers a fresh perspective on the period by examining transformations in a major current of thought as revealed through literature and artistic imagery: the doctrine of the Passion and the crucified Christ. The evidence of a range of literary sources is surveyed - liturgical texts, poetry, hagiography, letters, homilies, exegetical and moral tractates - but special attention is given to writings from the discussions and debates concerning artistic images, Adoptionism, predestination and the Eucharist.

"This volume gives an account of the Church in the period from the end of the Sixth Ecumenical Synod in 681 to the Battle of Manzikert in 1071. Although "Greek East" and "Latin West" are becoming distinct entities during this expanse of time, the author treats them in parallel, observing the points at which their destinies coincide or conflict. The author notes developments within the whole of the Church rather than striving simply, or even primarily, to explain the eventual schism between Eastern and Western Christendom. Coveriing events both unique to each part (the Iconoclastic controversy in the East and the rise of the Carolingian Empire in the West) and common to each part (monastic reform, renaissance, and mission) the author skillfully portrays two Christian civilizations that share much in common yet become increasingly incomprehensible to one another. Despite curious synchronisms between East and West, the author demonstrates how two paths diverged from a once common route, and how eventually Byzantine Orthodoxy defined the Greek East over and against the Latin West in theological, religious, cultural, and political terms." -- Provided by publisher.

Traditional Christian theology has generally treated desire as a dark and negative force intimately related to sin something to be restricted and repressed, closeted and controlled. But, according to LeRon Shults and Jan-Olav Henriksen s Saving Desire, we see only part of the picture if we do not also perceive that desire can be a powerful force for great good. Grounding their work firmly in the experiential realm of human life, the eight eminent theologians contributing to this volume celebrate together the positivity, the sociality, and the physicality of saving desire that is, humankind s innate desire not only for the good life but also, more vitally, for the life-transforming goodness of God.

An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England. The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage. This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church. John Munns is a Fellow of MagdaleneCollege, Cambridge.

Drawing on a range of evidence related to royal authority, political events and literate culture, this study traces how kings and emperors involved themselves in the affairs of the Spanish March, and examines how actively people in Catalonia participated in politics centred on the royal court. Rather than setting the political development of the region in terms of Catalonia's future independence as a medieval principality, Cullen J. Chandler addresses it as part of the Carolingian 'experiment'. In doing so, he incorporates an analysis of political events alongside an examination of such cultural issues as the spread of the Rule of Benedict, the Adoptionist controversy, and the educational programme of the Carolingian reforms. This new history of the region offers a robust and absorbing analysis of the nature of the Carolingian legacy in the March, while also revising traditional interpretations of ethnic motivations for political acts and earlier attempts to pinpoint the constitutional birth of Catalonia.

“This erudite history illuminates the social, cultural, as well as theological developments of the cross” through 2000 years of its symbolic evolution (Library Journal). Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix―the cross with the figure of Christ―and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Robin Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.

In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.

Heresy and Dissent in the Carolingian Empire recounts the history of an exceptional ninth-century religious outlaw, Gottschalk of Orbais. Frankish Christianity required obedience to ecclesiastical superiors, voluntary participation in reform, and the belief that salvation was possible for all baptized believers. Yet Gottschalk-a mere priest-developed a controversial, Augustinian-based theology of predestination, claiming that only divine election through grace enabled eternal life. Gottschalk preached to Christians within the Frankish empire-including bishops-and non-Christians beyond its borders, scandalously demanding they confess his doctrine or be revealed as wicked reprobates. Even after his condemnations for heresy in the late 840s, Gottschalk continued his activities from prison thanks to monks who smuggled his pamphlets to a subterranean community of supporters. This study reconstructs the career of the Carolingian Empire's foremost religious dissenter in order to imagine that empire from the perspective of someone who worked to subvert its most fundamental beliefs. Examining the surviving evidence (including his own writings), Matthew Gillis analyzes Gottschalk's literary and spiritual self-representations, his modes of argument, his prophetic claims to martyrdom and miraculous powers, and his shocking defiance to bishops as strategies for influencing contemporaries in changing political circumstances. In the larger history of medieval heresy and dissent, Gottschalk's case reveals how the Carolingian Empire preserved order within the church through coercive reform. The hierarchy compelled Christians to accept correction of perceived sins and errors, while punishing as sources of spiritual corruption those rare dissenters who resisted its authority.

In the thirteenth century, sculptures of Synagoga and Ecclesia - paired female personifications of the Synagogue defeated and the Church triumphant - became a favoured motif on cathedral façades in France and Germany. Throughout the preceding centuries, the Jews of northern Europe prospered financially and intellectually, a trend that ran counter to the long-standing Christian conception of Jews as relics of the prehistory of the Church. In this book, Nina Rowe examines the sculptures as defining elements in the urban Jewish-Christian encounter. She locates the roots of the Synagoga-Ecclesia motif in antiquity and explores the theme's public manifestations at the cathedrals of Reims, Bamberg, and Strasbourg, considering each example in relation to local politics and culture. Ultimately, she demonstrates that royal and ecclesiastical policies to restrain the religious, social, and economic lives of Jews in the early thirteenth century found a material analog in lovely renderings of a downtrodden Synagoga, placed in the public arena of the city square.