Traces Hemingway's critical fortunes over the ninety years of his prominence, telling us something about what we value in literature and why scholarly reputations rise and fall. Hemingway burst on the literary scene in the 1920s with spare, penetrating short stories and brilliant novels. Soon he was held as a standard for modern writers. Meanwhile, he used his celebrity to create a persona like the stoic, macho heroes of his fiction. After a decline during the 1930s and 1940s, he came roaring back with The Old Man and the Sea in 1952. Two years later he received the Nobel Prize. While his popularity waxed and waned during his lifetime, Hemingway's reputation among scholars remained strong as long as traditional scholarship dominated. New approaches beginning in the 1960s brought a sea change, however, finding grave fault with his work and making him a figure ripe for vilification. Yet during this time scholarship on him continued to appear. His works still sell well, and several are staples on high-school and college syllabi. A new scholarly edition of his letters is drawing prominent attention, and there is a resurgence in scholarly attention to - and approbation for - his work. Tracing Hemingway's critical fortunes tells us something about what we value in literature and why reputations rise and fall as scholars find new ways to examine and interpret creative work. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson, Updike, and Matthew Arnold for Camden House's Literary Criticism in Perspective series.

Beards and Masculinity in American Literature is a pioneering study of the symbolic power of the beard in the history of American writing. This book covers the entire breadth of American writing – from 18th century American newspapers and periodicals through the 19th and 20th centuries to recent contemporary engagements with the beard and masculinity. With chapters focused on the barber and the barbershop in American writing, the "need for a shave" in Ernest Hemingway’s fiction, Whitman’s beard as a sanctuary for poets reaching out to the bearded bard, and the contemporary re-engagement with the beard as a symbol of Otherness in post-9/11 fiction, Beards and Masculinity in American Literature underlines the symbolic power of facial hair in key works of American writing.

This is a study of the ways various kinds of injury and trauma affected Ernest Hemingway’s life and writing, from the First World War through his suicide in 1961. Linda Wagner-Martin has written or edited more than sixty books including Ernest Hemingway, A Literary Life. She is Frank Borden Hanes Professor Emerita at the University of North Carolina-Chapel Hill and a winner of the Jay B. Hubbell Medal for Lifetime Achievement.

The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.

A Way to Live Now juxtaposes the dual roles of fiction writer and journalist throughout the career of Ernest Hemingway. Focusing on the author’s appearances in Esquire over forty years, John Fenstermaker traces the evolving nature of Hemingway’s presence in its pages: first as the author of twenty-five essays (1933–1936) and six short stories (1936–1939), then as a popular subject for interactions among editors, subscribers, and critics (1933–1961), a process that continued posthumously with reprintings, miscellanea, and reader commentaries (1961–1973). Developing a friendship and correspondence with founding editor Arnold Gingrich, Hemingway contributed to twenty-eight of the magazine’s first thirty-three issues, including classic pieces such as “On the Blue Water” and “The Snows of Kilimanjaro.” Through Esquire, Fenstermaker finds a portal for tracing a documentary record of Hemingway as both writer and public figure. Filled with incisive commentaries on his roles as reporter, essayist, and fiction writer, A Way to Live Now: How Journalism Shaped Ernest Hemingway offers new perspectives on the eventful life and work of one of the twentieth century’s most influential authors and complicated personalities.

No twentieth-century writer has achieved greater literary success than Ernest Hemingway. His early days in journalism resulted in his trademark lean prose and a compelling writing style that would influence generations of writers to come. A larger-than-life figure, the author pursued adventures that would provide the groundwork for compelling tales of wars, bullfights, and safaris. This insightful guide provides excerpts, quotes, and critical analysis of Hemingway’s novels and short stories in the context of his fascinating and ultimately tragic personal life. Through an in-depth exploration of some of his greatest works, readers will gain a greater understanding of this literary giant.

A Contemporary Classics hardcover edition of Nobel Prize-winner Ernest Hemingway’s landmark first novel—both a tragic love story and a searing group portrait of hapless American expatriates drinking, dancing, and chasing their illusions in post–World War I Europe. The Sun Also Rises tracks the Lost Generation of the 1920s from the nightclubs of Paris to the bullfighting arenas of Spain. The man at its center, world-weary journalist Jake Barnes, is burdened both by a wound acquired in the war and by his utterly hopeless love for the extravagantly decadent Lady Brett Ashley. When Jake, Brett, and their friends leave Paris behind and converge in Pamplona for the annual festival of the running of the bulls, tensions among the various rivals for Brett’s wayward affections build to a devastating climax. Ernest Hemingway, who was awarded the Nobel Prize in Literature in 1954, has exerted a lasting influence on fiction in English. His signature prose style, tersely powerful and concealing more than it reveals, arguably reached its apex in this modernist masterpiece. “His lean, terse style is one of the monumental achievements of twentieth-century prose . . . Hemingway modeled a way to build sentences and paragraphs that vibrated with emotion . . . In The Sun Also Rises he achieved an imaginative insight into his own illusions and disillusions that goes beyond the surfaces of the Jazz Age to the welter of feelings wrapped up in being lost.” —from the Introduction by Nicholas Gaskill Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Introduction -- "Stick to Her Farms and Farmer Folk": World War I and the Origins of Combat Gnosticism -- "Tell It Like It Was": World War II and the Institutional Curation of Memory -- "You Had to Be There": Vietnam and the Veteran's Consolidation of Authority -- "You Don't Have to Be a Veteran": The All-Volunteer Force and the Dispersion of Authority -- "The New Battle": The Civil-Military Gap and the Shock of Coming Home -- "The Other Side of COIN": Counterinsurgency and the Ethics of Memory -- "You Volunteered to Get Screwed": Public Trust and the Literary Representation of the Professional Military -- Appendix: The American Novels of Iraq and Afghanistan through 2020.

Racial passing has fascinated thousands of American readers since the end of the nineteenth century. However, the phenomenon of Jews passing as gentiles has been all but overlooked. This book examines forgotten novels depicting Jewish Americans masquerading as gentiles. Exploring two "waves" of publications of this subgenre—in the 1940s-1950s and 1990s-2000s—this book raises questions about the perceptions of Jewish difference during these periods.Looking at issues such as Whiteness, Americanness, gender, and race, it traces the changes in the representation of Jewish identity during the second half of the twentieth century and the beginning of the new millennium. Ohad Reznick’s Imagined Non-Jews is an important intervention in the scholarship on the literature of passing. This book also makes a significant contribution to Jewish American literary studies through thoughtful close readings of texts from the 1940s and 1950s, many of them little-known today, as well as multi-ethnic American fiction from the turn-of-the-21st-century, all of them featuring characters who conceal their Jewishness in order to pass for gentile. —Lori Harrison-Kahan, Boston College, author of The White Negress: Literature, Minstrelsy, and the Black-Jewish Imaginary