“[This] is one of the great crime mysteries of modern times. It took an author of Caitlin Rother’s caliber to bring it into sharp focus. A riveting read.” —Gregg Olsen, #1 New York Times bestselling author “I got a girl, hung herself in the guest house.” The call came on the morning of July 13, 2011, from the historic Spreckels Mansion, a lavish beachfront property in Coronado, California, owned by pharmaceutical tycoon and multimillionaire Jonah Shacknai. When authorities arrived, they found the naked body of Jonah’s girlfriend, Rebecca Zahau, gagged, her ankles tied and her wrists bound behind her. Jonah’s brother, Adam, claimed to have found Rebecca hanging by a rope from the second-floor balcony. On a bedroom door in black paint were the cryptic words: SHE SAVED HIM CAN YOU SAVE HER. Was this scrawled message a suicide note or a killer’s taunt? Rebecca’s death came two days after Jonah’s six-year-old son, Max, took a devastating fall while in Rebecca’s care. Authorities deemed Rebecca’s death a suicide resulting from her guilt. But who would stage either a suicide ora murder in such a bizarre, elaborate way? Award-winning investigative journalist Caitlin Rother weaves stunning new details into a personal yet objective examination of the sensational case. She explores its many layers—including the civil suit in which a jury found Adam Shacknai responsible for Rebecca’s death, and the San Diego County Sheriff’s Department bombshell decision to reconfirm its original findings. As compelling as it is troubling, this controversial real-life mystery is a classic American tragedy that evokes the same haunting fascination as the JonBenet Ramsey and O.J. Simpson cases. “Rother’s meticulous journalism shines through in this authoritative account of the Rebecca Zahau death incident. If you think you know this case, think again. And read this book.” —Katherine Ramsland, professor of forensic psychology and author of The Psychology of Death Investigations

Haunted by painful childhood events including the early death of his father, LA detective Hayden Glass hides private struggles about his sex addiction while investigating the murder of a politician's daughter by a sexual predator.

"Now a Hallmark Channel original series."--cover.

In this pioneering analysis of diffuse underclass anger that simmers in many societies, Joan Neuberger takes us to the streets of St. Petersburg in 1900-1914 to show us how the phenomenon labeled hooliganism came to symbolize all that was wrong with the modern city: increasing hostility between classes, society's failure to "civilize" the poor, the desperation of the destitute, and the proliferation of violence in public spaces.

Why, even in the same high-crime neighborhoods, do robbery, drug dealing, and assault occur much more frequently on some blocks than on others? One popular theory is that a weak sense of community among neighbors can create conditions more hospitable for criminals, and another proposes that neighborhood disorder—such as broken windows and boarded-up buildings—makes crime more likely. But in his innovative new study, Peter K. B. St. Jean argues that we cannot fully understand the impact of these factors without considering that, because urban space is unevenly developed, different kinds of crimes occur most often in locations that offer their perpetrators specific advantages. Drawing on Chicago Police Department statistics and extensive interviews with both law-abiding citizens and criminals in one of the city’s highest-crime areas, St. Jean demonstrates that drug dealers and robbers, for example, are primarily attracted to locations with businesses like liquor stores, fast food restaurants, and check-cashing outlets. By accounting for these important factors of spatial positioning, he expands upon previous research to provide the most comprehensive explanation available of why crime occurs where it does.

When Mitchell is released from prison after serving three years for a vicious attack he doesn't remember, he reluctantly finds himself caught up with Robert Gant, a ruthless lowlife with violent plans. Attempting to stay out of Gant's way, Mitchell finds work as a handyman at the mansion of a faded movie actress. When she eagerly plies him with cash, cars and sex, Mitch starts to wonder if even this job comes with a catch. But it isn't long before Mitchell's violent past catches up with him. When people close to him start getting hurt, Mitchell is forced to act, and take brutal on revenge on those who've stolen his life...