Travis Hirschi is one of the most cited criminologists of the twentieth century, yet it is remarkable how little is known about his life and career. Known as spokesperson for social control theory, Hirschi has been a controversial figure. He has challenged popular theories in criminal career research as well as the need for longitudinal studies of offenders and criminal justice policies. For Hirschi, ideas are always tied to the mode of investigation and the mode of investigation is always tied to substantive concerns. Thus, substantive theoretical contribution and research methodology have been the twin driving forces throughout his career. John Laub's introduction combines a discerning account of Hirschi's life and work, accompanied by an interview with the author. He divides the volume into four parts. Part 1, "Methodological Issues," includes two essays, "Principles of Causal Analysis" and "False Criteria of Causality in Delinquency Research," coauthored with Hanan C. Selvin, "The Methodological Adequacy of Longitudinal Research on Crime," coauthored with Michael R. Gottfredson, and Hirschi's "Procedural Rules and the Study of Deviant Behavior." Part 2, "Causes and Correlates of Crime and Delinquency," encompasses Hirschi's "A Control Theory of Delinquency," "Causes and Prevention of Delinquency," and "Family Structure and Crime"; with Rodney Stark, "Hellfire and Delinquency"; with Michael J. Hindelang, "Intelligence and Delinquency: A Revisionist Review"; with Michael Gottfredson, "Age and the Explanation of Crime." Part 3, "A General Theory of Crime," consists of "The Distinction between Crime and Criminality," "The Generality of Deviance," "Causes of White Collar Crime," and "Control Theory and the Life Course Perspective," all coauthored with Michael R. Gottfredson. Part 4, "Critiques of Theories and Research in Criminology," consists of Hirschi's "Separate and Unequal is Better," along with "The True Value of Lambda Would Appear to be Zero," "Rethinking the Juvenile Justice System," and "National Crime Control Policies," all coauthored with Michael Gottfredson.

Travis Hirschi is one of the most cited criminologists of the twentieth century. His work has provoked controversy and heated debates about the causes of crime, proper research methods, and the most effective policies to prevent and control crime. Known as a spokesperson for social control theory, Hirschi always ties his ideas to the mode of investigation and the mode of investigation to substantive concerns. Theoretical contributions and research methodology have been twin driving forces throughout his career. This book contains representative selections of Hirshi’s work over many years. It is remarkable how little is known about Hirschi’s life and career. John H. Laub’s introduction combines a discerning account of Hirschi’s life and work, accompanied by an interview with the author. Laub’s volume covers various topics: methodological issues; principles of casual analysis; criteria of causality; longitudinal research on crime; rules and the study of deviant behavior; correlations between crime and delinquency; control theory of delinquency; intelligence, causes, and prevention of delinquency; family structure and crime; theory of crime; crime and criminality; deviance; white collar crime; and juvenile justice systems. Now available in paperback, this is an invaluable text for courses in criminology, as well as a valuable addition to professional libraries.

Criminals attract an audience. People admire the sneakiness and creativity of the profession while cursing the dastardly outcomes. So why not have all of the tricks without the trade? This book brings together illicit behaviour and artistic expression with dark humour in this do-it-yourself project book. This book focuses on original crafts and recipes themed in noir, murder, retro espionage, pulp fiction, mafia, and voodoo. Crafters and mischief lovers alike will love this book of 30 projects revolving around notorious criminals and their activities. From John Dillinger's soap gun to Bonnie Parker's gunshot poetry journal, readers will find themselves both amused and intrigued with the devious creativity. Not to mention how impressed party guests will be when they show up to Flaming Amy cocktails and cocktail bars stashed in violin cases. And just wait until you show off your shiv cozy!

What is the role and value of criminology in a democratic society? How do, and how should, its practitioners engage with politics and public policy? How can criminology find a voice in an agitated, insecure and intensely mediated world in which crime and punishment loom large in government agendas and public discourse? What collective good do we want criminological enquiry to promote? In addressing these questions, Ian Loader and Richard Sparks offer a sociological account of how criminologists understand their craft and position themselves in relation to social and political controversies about crime, whether as scientific experts, policy advisors, governmental players, social movement theorists, or lonely prophets. They examine the conditions under which these diverse commitments and affiliations arose, and gained or lost credibility and influence. This forms the basis for a timely articulation of the idea that criminology’s overarching public purpose is to contribute to a better politics of crime and its regulation. Public Criminology? offers an original and provocative account of the condition of, and prospects for, criminology which will be of interest not only to those who work in the fields of crime, security and punishment, but to anyone interested in the vexed relationship between social science, public policy and politics.

This text recognizes that crimes of the state are far more serious and harmful than crimes committed by individuals, and considers how such crimes may be contested, prevented, challenged or stopped.

Sensory Penalties aims to reinvigorate a conversation about the role of sensory experience in empirical investigation. It explores the visceral, personal reflections buried within forgotten criminological field notes, to ask what privileging these sensorial experiences does for how we understand and research spaces of punishment and social control.

For the last three decades Jock Young's work has had a profound impact on criminology. Yet, in this provocative new book, Young rejects much of what criminology has become, criticizing the rigid determinism and rampant positivism that dominate the discipline today. His erudite and entertaining examination of what's gone wrong with criminology draws on a range of research - from urban ethnography to sexology and criminal victimization studies - to illustrate its failings. At the same time, Young makes a passionate case for a return to criminology's creative and critical potential, partly informed by the new developments in cultural criminology. A late-modern counterpart to C.Wright Mills's classic The Sociological Imagination, this inspirational piece of writing from one of the most brilliant voices in contemporary criminology will command widespread attention. It will be essential reading for anyone who cares about the future of criminology, and the social sciences more generally.

As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, off

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

This book explores the use of handmade crafts as a vehicle for protest. Craftivism has experienced a resurgence in recent years, often in direct response to the social, environment and political concerns of those who engage in the practice. Acts of craftivism raise important questions for criminologists about the use of public space, power, and resistance. McGovern focuses on an example of the ‘craftivist’ movement that has been steadily gaining momentum since the early to mid-2000s: yarn bombing. As an urban craft movement that melds the skills of knitting or crochet with the act of graffiti, yarn bombing has the potential to contribute to criminological understandings of graffiti and street art, particularly on issues of gender, perceptions of and motivations for graffiti, and the commodification of crime. Drawing on interviews with yarn bombers and craftivists, Craftivism and Yarn Bombing explores how such acts can be understood and explored through a criminological lens, and will be of interest to students and scholars across a range of disciplines, including criminology, sociology, cultural studies, gender studies, and urban studies.