He was the friendly, baby-faced, Canadian boy next door. He came from a loving, caring, and well-respected family. Blessed with good looks and back-woods country charm, he was popular with his peers, and although an accident at birth left permanent nerve damage in one of his arms, he excelled in sports. A self-proclaimed "die hard" Calgary Flames fan, he played competitive junior hockey and competed on his school's snowboarding team. And he enjoyed the typical simple pleasures of a boy growing up in the country: camping, hunting, and fishing with family and friends. But he also enjoyed brutally murdering women, and he would become one of the youngest serial killers in Canadian history.

Best known for his unique musical style and blindingly fast hybrid picking technique, English guitarist Albert Lee is often referred to within the music industry as the "guitar player's guitar player," renowned for his work across several genres of music and for the respect that he has garnered from other industry giants. This comprehensive biography tells the entire story of Lee's long career and personal experiences, beginning with his upbringing in south London and his early experimentations with skiffle music (the British equivalent of American rockabilly). It covers Lee's career in Chris Farlowe's Thunderbirds and the British rock and country group Heads, Hands, and Feet, his move to the United States in the 1970s and his subsequent work with Eric Clapton, the Crickets, Emmylou Harris and the Hot Band, the Everly Brothers, and, more recently, with Bill Wyman and with Hogan's Heroes. Lee's career is set against the background of changes in popular music and shows how he, as a British artist with nomadic Romany roots, has influenced traditionally "American" musical genres. The work includes 66 photographs, many from Lee's personal collection, two appendices, and an extensive bibliography.

A chilling account of the murders of two hunters in rural Michigan—a mystery that haunted a community and baffled the police for two decades. In the bitter cold of 1985, two buddies from Detroit embark on a hunting trip to the Michigan wilderness, unaware they will soon become the hunted. The eerie silence surrounding their sudden disappearance is broken after nearly two decades when a relentless investigator inspires a terrified witness to break her silence. The witness narrates a haunting scene that had unfolded years back, pointing fingers at the prime suspects—the Duvall brothers. With no bodies unearthed, the justice system is riveted by the startling revelations during an electrifying trial in 2003. The brothers, Raymond and Donald Duvall, had bragged about the murders, evocatively explaining how they dismembered their victims and fed them to pigs. Despite the shocking confession, the case holds its ground purely on a single witness’s account, taking the courtroom through a labyrinth of dark secrets and sinister acts. This gripping thriller presents a vivid tale of crime that reveals the devastating power of evil.

No-Body Homicides: The Evolution of Investigation and Prosecution examines how police and prosecutors have become more successful in obtaining convictions for homicide when the remains of the victim are unavailable as evidence. Based on an examination of over 600 cases in the United States and Canada, this book shows the length some killers will go to avoid punishment and the determination of police and prosecutors to bring them to justice. For over 300 years, murderers in the United States and Canada could avoid prosecution by successfully disposing of the body of their victim. No-Body Homicides provides the reader with a historical overview of prosecutions in which a killer destroyed or hid the body of the victim. It explains why prosecutions were once extremely rare, and how legal, attitudinal, and technical changes have made them more common. The book also explores how the logic of no-body homicide prosecutions differs from body-present homicides. It allows police and prosecutors to draw on the accumulated experience of hundreds of prosecutions. For criminology students, it provides fascinating insights into the process of investigating and prosecuting homicides – as well as a glimpse into the motivations and practices of killers who are so determined to avoid punishment that they remove the bodies of their victims. No-Body Homicides will be of practical interest to police or prosecutors confronted with a missing person’s case that could be sinister. It is also written to be appropriate as a supplementary text in an undergraduate criminology class or for an aficionado of “True Crime.”

Examines the life of serial killer Kenneth McDuff.

The first book in this thrilling, terrifying series by New York Times bestselling author Barry Lyga is perfect for fans of Dexter. It was a beautiful day. It was a beautiful field. Except for the body. Jazz is a likable teenager. A charmer, some might say. But he's also the son of the world's most infamous serial killer, and for Dear Old Dad, "Take Your Son to Work Day" was year-round. Jazz has witnessed crime scenes the way cops wish they could--from the criminals' point of view. And now, even though Dad has been in jail for years, bodies are piling up in the sleepy town of Lobo's Nod. Again. In an effort to prove murder doesn't run in the family, Jazz joins the police in the hunt for this new serial killer. But Jazz has a secret--could he be more like his father than anyone knows? From acclaimed author Barry Lyga comes a riveting thriller about a teenager trying to control his own destiny in the face of overwhelming odds.

Winner of the 2017 Edgar Award for Best Fact Crime Book! From the internationally bestselling author, a deeply researched and atmospheric murder mystery of late Victorian-era London In the summer of 1895, Robert Coombes (age 13) and his brother Nattie (age 12) were seen spending lavishly around the docklands of East London -- for ten days in July, they ate out at coffee houses and took trips to the seaside and the theater. The boys told neighbors they had been left home alone while their mother visited family in Liverpool, but their aunt was suspicious. When she eventually forced the brothers to open the house to her, she found the badly decomposed body of their mother in a bedroom upstairs. Robert and Nattie were arrested for matricide and sent for trial at the Old Bailey. Robert confessed to having stabbed his mother, but his lawyers argued that he was insane. Nattie struck a plea and gave evidence against his brother. The court heard testimony about Robert's severe headaches, his fascination with violent criminals and his passion for 'penny dreadfuls', the pulp fiction of the day. He seemed to feel no remorse for what he had done, and neither the prosecution nor the defense could find a motive for the murder. The judge sentenced the thirteen-year-old to detention in Broadmoor, the most infamous criminal lunatic asylum in the land. Yet Broadmoor turned out to be the beginning of a new life for Robert--one that would have profoundly shocked anyone who thought they understood the Wicked Boy. At a time of great tumult and uncertainty, Robert Coombes's case crystallized contemporary anxieties about the education of the working classes, the dangers of pulp fiction, and evolving theories of criminality, childhood, and insanity. With riveting detail and rich atmosphere, Kate Summerscale recreates this terrible crime and its aftermath, uncovering an extraordinary story of man's capacity to overcome the past.

With his dying breath, Bobby Lowell begs Ellison Russell, "Tell her I love her." Unable to refuse, Ellison struggles to find the girl the murdered boy loved. Too bad an epically bad blind date, a vindictive graffiti artist, and multiple trips to the emergency room keep getting in the way. Worse, a killer has Ellison in his sights, her newly rebellious daughter is missing, and there's yet another body in her hostas. Mother won't be pleased. Now Ellison must track down not one but two runaway teenagers, keep her promise to Bobby, and elude the killer-all before her next charity gala committee meeting.

"In the remote Bocas del Toro, Panama, William Dathan Holbert, aka 'Wild Bill,' is awaiting trial for the murder of five fellow American ex-patriots. Holbert's first victims were the Brown family, who lived on a remote island in the area's Darklands. There, Holbert turned their home into the 'Jolly Roger Social Club,' using drink- and drug-fueled parties to get to know other ex-pats ... But this is not just a book about what Holbert did and the complex financial and real estate motives behind the killings; it is about why Bocas del Toro turned out to be his perfect hunting ground, and why the community tolerated--even accepted--him for a time"

He was the friendly, baby-faced, Canadian boy next door. He came from a loving, caring, and well-respected family. Blessed with good looks and back-woods charm, he was popular with his peers and he excelled in sports. A self-proclaimed "die hard" Calgary Flames fan, he played competitive junior hockey and competed on his school's snowboarding team. And he enjoyed the typical simple pleasures of a boy growing up in the country: camping, hunting, and fishing with family and friends. But he also enjoyed brutally murdering women, and he became one of the youngest serial killers in Canadian history.