Originally published in 1932, this book contains selected correspondence between Bishop of Worcester Richard Hurd and Reverend William Mason, Precentor of York.

A model edition of the early correspondence of one of George III's favourite bishops. ARCHIVES Richard Hurd is best known to ecclesiastical historians as one of George III's favourite bishops who was offered, and declined, the archbishopric of Canterbury. These letters, therefore, illuminate the early career of one of the most prominent clerics of the late eighteenth century. The letters begin in 1739, just after Hurd had graduated B.A. at Emmanuel College, Cambridge. They chart his gradual climb up the ladder of ecclesiastical preferment, through his time as Fellow at Emmanuel and end with him settled in the comfortable country rectory of Thurcaston in Leicestershire. Hurd had a wide circle of correspondents. He became a close friend of William Warburton, Bishop of Gloucester, perhaps the most prominent controverialist of the period. He was also a member of a literary circle which included the poets Thomas Gray and William Mason. Indeed, Hurd himself is well-known to students of English literatureas the author of Letters on Chivalry and Romanceand as a significant figure among the so-called `pre-romantics'. Hurd's letters reveal the full range of his interests, from theology and university politics, through literature, to painting and sculpture. This edition, therefore, not only tells us about Hurd's early life and career, but also provides a valuable insight into the social life of the Anglican clergy in the eighteenth century.

This volume, the third in the series, discusses the works of 11 British 18th-century writers, providing information on the nature of the MS, date, variant title(s), state of completion, provenance and location, date and first form of publication, any scholarly use of the MS, and the existence of any published facsimiles. Information is drawn from material in libraries, record offices and private collections throughout the world. The listing of each author's manuscripts is preceded by an introduction. The book records many hitherto unrecorded manuscripts.

Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.

This fully annotated edition sheds much light on eighteenth-century British literary and publishing history.

This collection examines the afterlives of early modern English and French rulers. Spanning five centuries of cultural memory, the volume offers case studies of how kings and queens were remembered, represented, and reincarnated in a wide range of sources, from contemporary pageants, plays, and visual art to twenty-first-century television, and from premodern fiction to manga and romance novels. With essays on well-known figures such as Elizabeth I and Marie Antoinette as well as lesser-known monarchs such as Francis II of France and Mary Tudor, Queen of France, Remembering Queens and Kings of Early Modern England and France brings together reflections on how rulers live on in collective memory.

The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing1660-1789 features coverage of the lives and works of almost 500 notable writers based in the British Isles from the return of the British monarchy in 1660 until the French Revolution of 1789. Broad coverage of writers and texts presents a new picture of 18th-century British authorship Takes advantage of newly expanded eighteenth-century canon to include significantly more women writers and labouring-class writers than have traditionally been studied Draws on the latest scholarship to more accurately reflect the literary achievements of the long eighteenth century

Following a brief introduction showing the current state of Cowper scholarship, this book first examines eighteenth-century critical theory, showing how theology and literary analysis frequently overlapped. The next chapters examine Cowper's formative relationship with the satirical culture of the early 1760s, continuing with an explanation of how Cowper was drawn into public satirical debate as a result of his cousin's lengthy and controversial defense of polygamy. Cowper's reputation as a satirist is then juxtaposed with his understanding of gardening as an endeavor rich in political and theological metaphors. The final chapters consider Cowper's fascination with frontiers and with marsh maritime imagery, imagery that represents the defining limits of his imagination. The book concludes by asserting that Cowper's contradictions, inhibitions, and honest insecurities render his body of work peculiarly relevant to a twenty-first-century readership. Conrad Brunstrom is Lecturer in English at the National University of Ireland Maynooth.