This book explores ideas about human physical appearance expressed in French novels of the eighteenth and nineteenth centuries, as well as the pseudoscience of physiognomy that influenced them. Physiognomy, which purports to "read" the body as an index to spiritual, intellectual, or moral qualities, had its greatest proponent in the eighteenth century Swiss theoretician Johann Caspar Lavater. In addition to closely reading the fictional narratives of Marivaux, Balzac, Gautier, and Zola, the author offers a critical reading of Lavater's work. He looks at some of the most compelling and explicit literary treatments of physiognomy in the French canon, suggesting that the ways authors use physiognomical ideas to render the world "hyper-significant" poses fundamental questions about the nature of narrative itself. He also shows how physiognomy serves almost invariably as a tool of sexism as it attempts to ascribe intellectual or moral qualities on the basis of corporal features. Linked by more than their physiognomical themes, these novels share similar dynamics of reading, rhetoric, and representation.

Includes section "Reviews".

A Mexican literary and political figure of the early nineteenth century whose writings present the best existing portrayal of Spanish colonial society.

Do we read character in faces? What information do faces actually provide? What are the social and psychological consequences of reading character in faces? Zebrowitz unmasks the face and provides the first systematic, scientific account of our tendency to judge people by their appearance. Offering an in-depth discussion of two appearance qualities that influence our impressions of others—“baby-faceness” and “attractiveness”—and an analysis of these impressions, Zebrowitz has written an accessible and valuable book for professionals and general readers alike.