"Sure that the award-winning owner of a family-run vineyard was murdered. Bud Anderson, Cait's companion for the weekend, is convinced the woman took her own life. That is, until death strikes once again, in the neat rows of grapevines that clamber up the banks of magnificent Lake Okanagan"--Page 4 of cover

The Women of the WISE Enquiries Agency are back. When the village's prodigal son, Huw Hughes, returns and sets his cap at Annie Parker, village publican Tudor begs Annie's colleagues at the WISE Enquiries Agency to unearth the truth behind Huw having been widowed three times. With Christine enjoying a break at her family's Irish estate - where she and the brooding Alexander face a surprisingly dangerous case of theft ? Mavis and Carol have to work with dowager duchess Althea Twyst to ensure their unsuspecting friend Annie's safety, and possibly the lives of more villagers.

The Women of the WISE Enquiries Agency are back in a witty and intriguing new mystery. The Anwen Morris Dancers are to play a pivotal role in the imminent nuptials of Henry, eighteenth Duke of Chellingworth. But it looks as though the wedding plans might go awry unless Mavis, Annie, Carol and Christine can help Althea, the Dowager Duchess, by finding a missing Morris man and a set of ancient and valuable artefacts in time for her son’s wedding. Anwen-by-Wye might look like an idyllic Welsh village where family values reign and traditions still mean something in a modern world, but what will the WISE women find when they peer behind the respectable net curtains?

“A gratifying contemporary series in the traditional British manner with hilarious repercussions. Cozy fans will anticipate learning more about these WISE ladies” - Library Journal Starred Review Meet the Women of the WISE Enquiries Agency. The first in a new series. Henry Twyst, eighteenth Duke of Chellingworth, is convinced his mother is losing her marbles. She claims to have seen a corpse on the dining-room floor, but all she has to prove it is a bloodied bobble hat. Worried enough to retain the women of the WISE Enquiries Agency – one is Welsh, one Irish, one Scottish and one English – Henry wants the strange matter explained away. But the truth of what happened at the Chellingworth Estate, set in the rolling Welsh countryside near the quaint village of Anwen by Wye, is more complex, dangerous, and deadly, than anyone could have foreseen . . .

A new case for the ladies of the WISE enquiries agency . . . Henry Devereaux Twyst, eighteenth Duke of Chellingworth, is terribly worried about some water damage to the priceless books in his lower library, so retains the services of a local book restorer to tackle much-needed repairs. The antiquarian also runs the Crooks and Cooks bookshop with his daughter – local TV celebrity chef, The Curious Cook. When the book restorer mentions some strange shenanigans going on at the book shop, Dowager Duchess Althea brings the case to her colleagues at the WISE Enquiries Agency. As the WISE women try to unravel one puzzle from their base at stately Chellingworth Hall, they then get embroiled in another when they come across a valuable book of miniatures which seems to be the work of a local famous artist, murdered by her own brother. Are the cases linked and why do both mysteries lead to a nearby old folks’ home? The WISE women are on the case – and nothing will get in their way . . . Or will it?

For some time I have been preparing a general work on primitive superstition and religion. Among the problems which had attracted my attention was the hitherto unexplained rule of the Arician priesthood; and last spring it happened that in the course of my reading I came across some facts which, combined with others I had noted before, suggested an explanation of the rule in question. As the explanation, if correct, promised to throw light on some obscure features of primitive religion, I resolved to develop it fully, and, detaching it from my general work, to issue it as a separate study. This book is the result. Now that the theory, which necessarily presented itself to me at first in outline, has been worked out in detail, I cannot but feel that in some places I may have pushed it too far. If this should prove to have been the case, I will readily acknowledge and retract my error as soon as it is brought home to me. Meantime my essay may serve its purpose as a first attempt to solve a difficult problem, and to bring a variety of scattered facts into some sort of order and system. A justification is perhaps needed of the length at which I have dwelt upon the popular festivals observed by European peasants in spring, at midsummer, and at harvest. It can hardly be too often repeated, since it is not yet generally recognised, that in spite of their fragmentary character the popular superstitions and customs of the peasantry are by far the fullest and most trustworthy evidence we possess as to the primitive religion of the Aryans. Indeed the primitive Aryan, in all that regards his mental fibre and texture, is not extinct. He is amongst us to this day. The great intellectual and moral forces which have revolutionised the educated world have scarcely affected the peasant. In his inmost beliefs he is what his forefathers were in the days when forest trees still grew and squirrels played on the ground where Rome and London now stand.

A book of antiquity for any studying magic and religion by Sir James George Frazer originally. Editing and foreword by Ashira Goddard. A Tapestry Antiquity Publishing Book.

The Golden Bough is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir James George Frazer. The book documents and details the similarities among magical and religious beliefs around the globe. Frazer attempted to define the shared elements of religious belief and scientific thought, discussing fertility rites, human sacrifice, the dying god, the scapegoat, and many other symbols and practices whose influences had extended into 20th-century culture. His thesis is that old religions were fertility cults that revolved around the worship and periodic sacrifice of a sacred king. Frazer proposed that mankind progresses from magic through religious belief to scientific thought. The influence of The Golden Bough on contemporary European literature and thought is substantial.

The Golden Bough is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir James George Frazer. The book documents and details the similarities among magical and religious beliefs around the globe. Frazer attempted to define the shared elements of religious belief and scientific thought, discussing fertility rites, human sacrifice, the dying god, the scapegoat, and many other symbols and practices whose influences had extended into 20th-century culture. His thesis is that old religions were fertility cults that revolved around the worship and periodic sacrifice of a sacred king. Frazer proposed that mankind progresses from magic through religious belief to scientific thought. The influence of The Golden Bough on contemporary European literature and thought is substantial.

"Today there is much discussion of the liberation of women," writes Marie-Louise von Franz, "but it is sometimes overlooked that this can only succeed if there is a change in men as well. Just as women have to overcome the patriarchal tyrant in their own souls, men have to liberate and differentiate their inner femininity. Only then will a better relationship of the sexes be possible." It is this timely theme that Dr. von Franz explores in her psychological study of a classic work of the second century, The Golden Ass by Apuleius of Madaura. The novel recounts the adventures of a young Roman who is transformed into an ass and eventually finds spiritual renewal through initiation into the Isis mysteries. With its many tales within a tale (including the celebrated story of Psyche and Eros), the text as interpreted by Dr. von Franz is a rich source of insights, anecdotes, and scholarly amplification.