The corporeal fantasy is your life, a fantasy created by your senses, mind, and desires. This fantasy has its pleasures and pains, and one fine day comes to an end. Animals live the same life, striving to survive, to procreate and then eventually die. If we don't want to live the life of an animal we need to understand ourselves and the world. This gives us the power to wake up from the fantasy.

Taking an innovative, postcolonial, feminist perspective on transformations in the Philippine nation in the context of globalization, Fantasy-Production provides a theoretical framework for understanding the nationalist and postcolonial capitalist logics shaping the actions of the Philippines as a nation-state. Tadiar probes the consequences of dominant Philippine imaginations by examining a broad range of phenomena which characterize the contemporary Philippine nation, including the mass migration overseas of domestic workers, the 'prostitution economy', urban restructuring, the popular revolt toppling the Marcos dictatorship, as well as various works of art, poetry, historiography, and film. This will be one of the first books available widely in English that provides a sustained theoretical engagement with the cultural dimensions of contemporary socio-political and economic developments in the Philippines.

Lacanian Fantasy addresses the question of how fantasy developed as a psychological concept, particularly as influenced by Sigmund Freud and Jacques Lacan. Kirk Turner moves thematically, from childhood to adulthood, and chronologically, from Freud’s earliest theories to Lacan’s most complex statements on fantasy towards the end of his career. He explores not only the variations that the concept has undergone throughout its history – from Ancient Greek discourse around phantasia to the present day – but also the changing consequences of its applications. Lacanian Fantasy includes further insights on our current predicament: the age of the social media image and fantasy in the uncertain ‘locked down’ world of a pandemic. Spanning numerous examples, both historical and recent, this book explores relatable forms of fantasy life. In bridging psychology and philosophy, as well as gender and sexuality studies, it ultimately opens new perspectives on fantasy. This book will be of interest to psychoanalytic practitioners and humanities scholars, as well as students interested in critical theory.

The Collected Works of Spinoza: Complete Digital Edition, combining volumes I and II, provides for the first time in English, a truly satisfactory edition of all of Spinoza's writings, with accurate and readable translations, based on the best critical editions of the original-language texts, done by a scholar who has published extensively on the philosopher’s work. The first volume contains Spinoza’s single most important work, the Ethics, and four earlier works: the Treatise on the Emendation of the Intellect, the Short Treatise on God, Man, and His Well-Being, Descartes’ "Principles of Philosophy," and Metaphysical Thoughts. Also included are Spinoza’s letters from the periods when these works were being written. The centerpiece of the second volume is Spinoza’s Theological-Political Treatise, a landmark work in the history of biblical scholarship, the first argument for democracy by a major philosopher, and a forceful defense of freedom of thought and expression. This work is accompanied by Spinoza’s later correspondence, much of which responds to criticism of the Theological-Political Treatise. The volume also includes his last work, the unfinished Political Treatise, which builds on the foundations of the Theological-Political Treatise to offer plans for the organization of nontyrannical monarchies and aristocracies. The elaborate editorial apparatus—including prefaces, notes, glossary, and indexes—assists the reader in understanding one of the world’s most fascinating, but also most difficult, philosophers. Of particular interest is the glossary-index, which provides extensive commentary on Spinoza’s technical vocabulary. A milestone of scholarship more than forty-five years in the making, The Collected Works of Spinoza is an essential edition for anyone with a serious interest in Spinoza or the history of philosophy.

This book explores the notions of space and extension of major early modern empiricist philosophers, especially Locke, Berkeley, Hume, and Condillac. While space is a central and challenging issue for early modern empiricists, literature on this topic is sparse. This collection shows the diversity and problematic unity of empiricist views of space. Despite their common attention to the content of sensorial experience and to the analytical method, empiricist theories of space vary widely both in the way of approaching the issue and in the result of their investigation. However, by recasting the questions and examining the conceptual shifts, we see the emergence of a programmatic core, common to what the authors discuss. The introductory chapter describes this variety and its common core. The other contributions provide more specific perspectives on the issue of space within the philosophical literature. This book offers a unique overview of the early modern understanding of these issues, of interest to historians of early modern philosophy, historians and philosophers of science, historians of ideas, and all readers who want to expand their knowledge of the empiricist tradition.

Examining a range of fantasy films released in the past decade, Pheasant-Kelly looks at why these films are meaningful to current audiences. The imagery and themes reflecting 9/11, millennial anxieties, and environmental disasters have furthered fantasy's rise to dominance as they allow viewers to work through traumatic memories of these issues.

I’m Caith Morningstar: bar owner, leather wearer, shoe worshipper, werewolf, Orlando’s resident ass kicker and… Satan’s niece. The dead are rising in the land of that famous mouse and apparently, I’m the one who has to deal with the mess. Forget movie night with my kid. I have to kill ghouls who have decided to make some new undead friends in the morgue. Eh, killing things is easy. Generally. Oddly, these guys have glowing blue eyes and are way too good at butt kicking. Thankfully, I’m better. I manage to get rid of them, but one gets in a shot or two of his own, and now I’ve got a foot-long wound in my side that glows blue. Kinda like the ghoul. Now the dick who made those ghouls is trying to turn me into his puppet, which so isn’t going to happen. My loved ones are trying to cure me, my angel mate is off on some super-secret mission for On High, and I’m stuck in bed “resting.” Not that I’m staying there. I’d rather die than become anyone’s puppet, which might be my only option left. I just hope I can come back from the dead later.

Classical Traditions in Modern Fantasy presents fifteen all-new essays on how fantasy draws on ancient Greek and Roman mythology, philosophy, literature, history, art, and cult practice. Ranging from harpies to hobbits, from Cyclopes to Cthulhu, the comparative study of Classics and fantasy reveals deep similarities between ancient and modern ways of imagining the world.

The texts presented in Proportion Harmonies and Identities (PHI) - INTELLIGENCE, CREATIVITY AND FANTASY were compiled with the intent to establish a multidisciplinary platform for the presentation, interaction and dissemination of research. The aim is also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different visions relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, and their importance and benefits for the sense of both individual and community identity. The idea of modernity has been a significant motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.

Before publishing his landmark Meditations in 1641, Rene Descartes sent his manuscript to many leading thinkers to solicit their objections to his arguments. He included these objections, along with his own detailed replies, as part of the first edition. This unusual strategy gave Descartes a chance to address criticisms in advance and to demonstrate his willingness to consider diverse viewpoints—critical in an age when radical ideas could result in condemnation by church and state, or even death. Descartes and his Contemporaries recreates the tumultuous intellectual community of seventeenth-century Europe and provides a detailed, modern analysis of the Meditations in its historical context. The book's chapters examine the arguments and positions of each of the objectors—Hobbes, Gassendi, Arnauld, Morin, Caterus, Bourdin, and others whose views were compiled by Mersenne. They illuminate Descartes' relationships to the scholastics and particularly the Jesuits, to Mersenne's circle with its debates about the natural sciences, to the Epicurean movements of his day, and to the Augustinian tradition. Providing a glimpse of the interactions among leading 17th-century intellectuals as they grappled with major philosophical issues, this book sheds light on how Descartes' thought developed and was articulated in opposition to the ideas of his contemporaries.