Before she steals the world's heart in Iron Man 2, get caught in the wicked web of Marvel's sexiest and deadliest super-spy! She's been everything from a Russian espionage agent to a Champion to an Avenger, now a skeleton from Natalia Romanova's past is reaching out for those she's loved and lost...and the Black Widow has many victims to choose from! From the frozen streets of Moscow to the upper stratosphere, writer Paul Cornell (CAPTAIN BRITAIN and MI13) and artists Tom Raney (DARK REIGH: HAWKEYE) and John Paul Leon (THE WINTER MEN) deliver a globe-hopping, bone-breaking, high-tech thriller that reveals how Natalia's shadowy past threatens all she now holds dear. Guest-starring the Winter Soldier and Wolverine! COLLECTING: Black Widow: Deadly Origin #1-4

“Total F*cking Godhead brings Chris Cornell, the voice of a generation, alive on the page. Impressively researched and compulsively readable, Godhead pulls no punches in recounting Cornell’s remarkable life and prolific career. It’s an inspired chronicle of an impassioned soul. Read it!” —Greg Renoff, author of Van Halen Rising With input from those who knew and worked with him—together with his own words—Total F*cking Godhead recounts the rise of Chris Cornell and his immortal band Soundgarden as they emerged from the 1980s post-punk underground to dominate popular culture in the ’90s alongside Pearl Jam, Alice In Chains, and Nirvana. “From his days as a struggling Seattle musician at the forefront of the grunge scene to becoming a global icon, Total F*cking Godhead thoroughly chronicles the life story and prolific output of one of the greatest and most influential singers of all time. You will discover the man and his music all over again.” —David de Sola, author of Alice in Chains: The Untold Story Seattle resident and rock writer Corbin Reiff also examines Cornell’s dynamic solo career as well as his time in Audioslave. He delves into his hard-fought battle with addiction, and the supercharged reunion with the band that made him famous before everything came to a shocking end. “For those of us still trying to sort out the tragedy of Chris Cornell's death comes this loving look back at the man's life and music. I wrote my own book about grunge, and I still learned a lot from this excellent biography." —Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge

First published in Warsaw in 1816, Malvina, or the Heart's Intuition has been largely—and unjustly—ignored by the Polish literary canon. Ingeniously structured and vividly related by a Tristram Shandy-esque narrator, Maria Wirtemberska's psychologically complex work is often considered Poland's first modern novel. This splendid translation by Ursula Phillips should restore Wirtemberska to her rightful place in the literary pantheon while providing fertile new ground for the study of the international development of the novel. The romantic story of the young widow Malvina and her mysterious lover Ludomir, Malvina combines several literary styles and influences—from the epistolary to the Gothic. Nobel laureate Czeslaw Milosz argues that Malvina is quintessentially a sentimental novel—a model of the genre whose chief aspiration is to promote a change in sensibility and inspire new forces of feeling and imagination. For this reason Wirtemberska may be compared to her English contemporary, Jane Austen. A work of genuine artistic daring and sophistication, Malvina, or the Heart's Intuition has been overlooked by critics for too long, and readers have been denied the pleasure of reading one of literature's major landmarks—until now.

Lindberg, an accomplished local historian and true crime writer, presents a fascinating story of two contemporaneous serial killers, both weaving marriage and murder in and around Chicago during the 1890s and 1900s. Johann Hoch was a debonair bigamist and wife killer who boasted of having perfected a "scientific technique" to romance and seduction. Belle Gunness was a nesting "Black Widow" whose sprawling farm in Northwest Indiana was a fatal lure for lonely bachelors seeking the comforts of middle-age security by answering matrimonial advertisements placed by Gunness. Notorious in his own day, Hoch had faded into the dark background of Chicago crime history. But, in Heartland Serial Killers, Lindberg brings back vividly the horrors of one of Chicago's first celebrity criminals and uncovers new evidence of a close connection between Hoch and H.H. Holmes, the "Devil in the White City." Unlike Hoch, Belle Gunness, likely the most prolific and infamous female serial killer of the twentiethe century, has remained fascinating to the public. Here, Lindberg presents the most comprehensive and compelling study of the Gunness case to date, including new information regarding ongoing DNA testing of remains found at the site of Gunness' farm in LaPorte, Indiana, which may serve to resolve once and for all the mystery surrounding Gunness' death. Told in alternating chapters and rapidly paced, this book is true crime at its best—gripping, pulpy, and full of sharp historical tidbits. True crime fans, history buffs, and those interested in local lore will delight in this chilling tale of two ruthless killers.

The clarinetist Rebecca Rischin has written a captivating book.... Her research dispels several long-cherished myths about the 1941 premiere.... Rischin lovingly brings to life the other musicians-- tienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist--who played with Messiaen, the pianist at the premiere."--Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.... For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."--Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.... For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."--Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography.