The Vietnam War—a conflict defined by an ever-evolving mixture of conventional and guerrilla warfare and mass politics—has often been called a “war without fronts.” In fact, Vietnam had a multitude of fronts, as insurgents and counterinsurgents wrestled for control throughout 44 provinces, 250 districts, and more than 11,000 hamlets. In The Control War, Martin G. Clemis focuses on South Vietnam, where a highly complex politico-military struggle fragmented the battlefield along countless divergent points of conflict as both sides sought spatial and political hegemony. Complicating the conventional view that the Vietnam War was about winning “hearts and minds,” Clemis argues that both sides were more interested in asserting control over the people—and resources—of the countryside. As in other revolutionary civil conflicts, the key to winning political power in South Vietnam was to control the physical world of territory, population, and resources, as well as the ideational world of political organization and long-term legitimacy. Despite their countervailing purposes, both insurgency and pacification provided the means to exert this control. Proponents of each approach pursued the same goals, relying on a blend of military force, political violence, and socioeconomic policy to achieve them. Revealing the unique spatiality of the Vietnam War, The Control War analyzes the ways that both sides of the conflict conceptualized and used geography and the environment to serve strategic, tactical, and political ends. Clemis shows us that the operational environment of Vietnam, both natural and human-made, was far more than a backdrop to two decades of war.

"The most thoughtful and judicious one-volume history of the war and the American political leaders who presided over the difficult and painful decisions that shaped this history. The book will stand for the foreseeable future as the best study of the tragic mistakes that led to so much suffering."—Robert Dallek Many books have been written on the tragic decisions regarding Vietnam made by the young stars of the Kennedy and Johnson administrations. Yet despite millions of words of analysis and reflection, no historian has been able to explain why such decent, brilliant, and previously successful men stumbled so badly. That changes with Road to Disaster. Historian Brian VanDeMark draws upon decades of archival research, his own interviews with many of those involved, and a wealth of previously unheard recordings by Robert McNamara and Clark Clifford, who served as Defense Secretaries for Kennedy and Johnson. Yet beyond that, Road to Disaster is also the first history of the war to look at the cataclysmic decisions of those in the Kennedy and Johnson administrations through the prism of recent research in cognitive science, psychology, and organizational theory to explain why the "Best and the Brightest" became trapped in situations that suffocated creative thinking and willingness to dissent, why they found change so hard, and why they were so blind to their own errors. An epic history of America’s march to quagmire, Road to Disaster is a landmark in scholarship and a book of immense importance.

From David Puttnam—producer of such modern film classics as Chariots of Fire, The Killing Fields, Midnight Express, and The Mission, and the only European to have run a major Hollywood studio—an insightful and provocative history that explains the personalities and events which shaped film's transformation from a technological curiosity into one of the world's most powerful cultural and economic forces. From the early rivalry between its inventors to the power-brokering and political influence of today's mega-stars; from Zukor and Laemmle to Ovitz and Eisner; from the serendipitous discovery of Los Angeles ("flagstaff no good," wired Cecil B. De Mille. "want authority to rent barn for $75 a month in place called hollywood") to the exploitation and depredation of Europe's film culture in the name of the marketplace, Puttnam captures the urgency and wonder that swept through a young industry and set it spinning on an axis of money and power. Movies and Money chronicles the unprecedented collision between art and commerce, and incisively analyzes its implications in today's global arena. Puttnam's engaging history is also an impassioned polemic: From the moment Thomas Edison stole the first crude attempt at a movie camera from the French scientist Étienne Jules Marey, Hollywood and Europe have existed, the author claims, in a state of undeclared hostility—hostility that has occasionally erupted into open battle for control of the century's most powerful artistic medium. And this battle, he contends, will ultimately determine the nature of Europe's cultural identity. He also argues forcefully for the intelligent application of the language and techniques of cinema to education, urging filmmakers to make films that challenge and inspire as well as entertain. Ten years after his abrupt departure from Columbia, Puttnam re-enters the debate about cinema with characteristic audacity, with the irreverence of an iconoclast and the canniness of a seasoned player. Movies and Money is a book that will change our understanding of the history—and future—of film.

Chemical Warfare during the Vietnam War documents the use of antipersonnel chemical weapons throughout the Vietnam War, and explores their effectiveness under the wide variety of circumstances in which they were employed. The short, readable account follows the US program as it progressed from a focus on the humanitarian aspects of non-lethal chemicals to their use as a means of increasing and enhancing the destructiveness of traditional weapons. It also presents the efforts of the North Vietnamese to both counter US chemical operations and to develop a chemical capability of their own. This largely overlooked facet of the Vietnam War provides an opportunity for students and scholars to examine many of the potential issues surrounding the use of non-lethal chemical agents in modern military operations, and serves as a backdrop to discussion of broader issues associated with chemical warfare, including the power of public perception. Chemical Warfare during the Vietnam War is a comprehensive and thoroughly fascinating examination of riot-control agents during the Vietnam War.

Winner of the 2019 William E. Colby Award "The book I had been waiting for. I can't recommend it highly enough." —Bill Gates The era of autonomous weapons has arrived. Today around the globe, at least thirty nations have weapons that can search for and destroy enemy targets all on their own. Paul Scharre, a leading expert in next-generation warfare, describes these and other high tech weapons systems—from Israel’s Harpy drone to the American submarine-hunting robot ship Sea Hunter—and examines the legal and ethical issues surrounding their use. “A smart primer to what’s to come in warfare” (Bruce Schneier), Army of None engages military history, global policy, and cutting-edge science to explore the implications of giving weapons the freedom to make life and death decisions. A former soldier himself, Scharre argues that we must embrace technology where it can make war more precise and humane, but when the choice is life or death, there is no replacement for the human heart.

A riveting account of how Christian fundamentalists, Orthodox Jews, and conservative Catholics have joined forces in a battle against their progressive counterparts for control of American secular culture.

In May of 1945, the American army, along with those of its Allies, occupied the cities and towns of Hitler’s Third Reich. While most American soldiers wondered how Germany’s citizens were going to feed and shelter themselves, this volume introduces the reader to another group of men who were concerned about a different form of starvation. The men of what was to become the Information Control Division (ICD) in the American Zone were preparing an antidote to 12 years of National Socialist propaganda, which was to be a steady diet of carefully selected bits of information that were calculated to change the way the German people understood the world. It was designed to transform the Germans into staunch defenders of democracy. In addition to providing the first historical overview of the activities of the ICD and the methods they employed, the book offers a unique perspective on how the US occupation utilised psychologists, psychiatrists, anthropologists, sociologists and other academics to vet potential candidates for media licenses in Germany. The narrative takes the reader through the various steps of the process of becoming a literary publisher, newspaperman, magazine editor, radio programmer, and filmmakers, and reveals how the American Military Government in Germany used the establishment of new media empires to attempt the mass re-education of an entire nation.

Do some technologies provoke war? Do others promote peace? Offense-defense theory contends that technological change is an important cause of conflict: leaders will be tempted to launch wars when they believe innovation favors attackers over defenders. Offense-defense theory is perhaps best known from the passionate and intricate debates about first-strike capability and deterrence stability during the cold war, but it has deeper historical roots, remains a staple in international relations theorizing, and drives modern arms control policymaking. In War and the Engineers, the first book systematically to test the logical and empirical validity of offense-defense theory, Keir A. Lieber examines the relationships among politics, technology, and the causes of war. Lieber's cases explore the military and political implications of the spread of railroads, the emergence of rifled small arms and artillery, the introduction of battle tanks, and the nuclear revolution. Lieber incorporates the new historiography of World War I, which draws on archival materials that only recently became available, to challenge many common beliefs about the conflict. The author's central conclusion is that technology is neither a cause of international conflict nor a panacea; instead, power politics remains paramount.