A NPR CONCIERGE BEST BOOK OF THE YEAR "Jane fans rejoice! . . . Exceptional storytelling and a true delight." —Helen Simonson, author of the New York Times bestselling novels Major Pettigrew's Last Stand and The Summer Before the War Mary, the bookish ugly duckling of Pride and Prejudice’s five Bennet sisters, emerges from the shadows and transforms into a desired woman with choices of her own. What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of Janice Hadlow's The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Jane Austen fans. Ultimately, Mary’s journey is like that taken by every Austen heroine. She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love. Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

The explosion of research in the field of ancient and historic glasses has opened up glass studies in recent years. However, our deeper understanding of the technology and provenance of Bronze Age Egyptian and Roman glasses in the Mediterranean has not been mirrored by our studies of glasses and other vitreous materials found in the Late Bronze Age Aegean. There are few studies which collate the material culture of the region and still fewer which explore the patterning of vitreous materials in the landscape. Our knowledge of where the material originated and who used it is still incomplete. Therefore, in 2005 a group of scholars in the fields of glass studies and Aegean prehistory came together as part of the Sheffield Centre for Aegean Archaeology's Round Table discussions to bring the subject up to date. The central themes to this discussion were based upon provenance, occurrence and the role of vitreous materials in the Late Bronze Age Mediterranean. Nine papers are presented from the discussions by experts in Bronze Age glass and faience and Aegean specialists, who examine a fascinating and diverse selection of topics surrounding the production, movement, use and role of vitreous materials in the Late Bronze Age Aegean. The contributions from John Bennet, Karen Foster, Paul Nicholson, George Nightingale, Marina Panagiotaki, Mark Peters, Thilo Rehren, Sue Sherratt and Mike Tite bring together our current understanding of these materials and their role in the societies who used them.