Katerhine Murta Adams, Paul Alexander, Marshall Arisman, Steve Armes, Michael Aspergren, Steven Assel, aka Steven Assael, Rosana Azar, Leslie Bates, Jill Bauman, S.V. Bel, Kimberley Bentley, John Berkey, Richard Bernal, Rick Berry, Simon Bisley, Thomas Blackshear II, Richard Bober, John Bolton, Norman Breyfogle, Gregory Bridges, Brom, Scott Burdick, Jim Burns, Clyde Caldwell, Vincent Cantillion, David Cherry, Joe Chiodo, Russell G. Chong, Alan M. Clark, Newell Convers, Ray-Mel Cornelius, Kinuko Y. Craft, Steven Crisp, Joseph DeVito, Leo & Diane Dillon, Dave Dorman, Les Dorscheid, Thomas Dow, Felipe Echevarria, Les Edwards Bob Eggleton, Francois Escalmel, Tony Frerking, Brian Froud, Nick Gaetano, Donato Giancola, Gary Gianni, Gary Glover, James Gurney, Scott Gustafson, Phil Hale, Lurene Haines, Mark Harrison, Hap Henriksen, Stephen Hickman, Patrick Ho, Daniel Horne, John Howe, Nicholas Jainschigg, Bruce Jensen, Jay Johnson, Gary Kelley, Dave Kramer, Kevin Kreneck, Ray Lago, Jeff Laubenstein, April Lee, Jody A. Lee, Terry Lee, Jerry Lofaro, Kevin Long, Carl Lundgren, Scott Mack, Don Maitz, Gregory Manchess, Sergio Martinez, John Matson, David B. Mattingly, Scott McKowen, Wilson McLean, Oliver McRae, Ken Meyer, Jr., Frank Miller, Ian Miller, Ron Miller, Thomas O. Miller, Lauren Mills, Jeff Miracola, Gary Montalbano, Dean Morrisey, Real Musgrave, Jon J. Muth, Mark Nagata, Bill Nelson, James Nelson, Dennis Nolan, Jean-Pierre Normand, John Jude Palencar, Keith Parkinson, Thomas Pfeiffer, Myles Pinkney, J.K. Potter, John Pound, Don Ivan Punchatz, Omar Rayyan, Luis Royo, Gary Ruddell, Robh Ruppel, John Rush, Barclay Shaw, R. Ward Shipman, Cortney Skinner, Nick Stathapoulos, William Stout, Stu Suchit, Tom Taggart, Jean Pierre Targete, Holly M. Tiberi, Carlos Torres, Ezra Tucker, Dorian Vallejo, Walter Velez, Charles Vess, Ron Walotsky, James Warhola, Greg Weber, Michael Whelan, Jack Whitney, Kent Williams, Janny Wurts, Paul Youll, Stephen Youll, John Zeleznik.

In The Contemporary Fantastic: Reimagining Reality in French Fiction, Amanda Vredenburgh identifies a contemporary shift in the use of fantastic modalities in French fiction, no longer dominated by the desire to escape the disappointments of reality nor the reader’s hesitation about the reality of the novel’s events, but by its innovative confrontation with the real. What could bizarre, uncanny, or supernatural literary representations have to tell us about very urgent, real issues like the environmental crisis, racism, migration, and the formation of egalitarian communities? Through close readings of a selection of novels by Marie Darrieussecq, Marie NDiaye, and Antoine Volodine, Vredenburgh argues that the ability to blur boundaries gives the fantastic both an emancipatory and reparative function in its engagement with contemporary political issues. These authors complicate categories such as human/nonhuman, French/foreign, inclusion/exclusion, and individual/community and shift the focus to the experiential and affective dimensions of these issues, ultimately allowing us to better think and feel with those that are excluded. Vredenburgh concludes that this use of the fantastic has a specific ethical stance, which encourages a community-based approach founded on compassion and inclusion.

"The best-selling Spectrum series--often imitated but never equaled--continues with this lavishly produced 24th annual. Spectrum is the premier showcase for imaginative fantastic arts in the book, comic, film, horror, illustration, sculpture, conceptual art, fine art and video-game genres. With exceptional images by extraordinary creators, this elegant, full-color collection showcases an international cadre of creators working in every style and medium--both traditional and digital. This volume features over 500 works by more than 300 diverse visionaries, including Julie Bell, Brom, Rovina Cai, Terry Dodson, Cory Godbey, J. Anthony Kosar, Anita Kunz, Dave McKean, Tran Nguyen, Karla Ortiz, David Palumbo, Forest Rogers, Dan dos Santos, and Allen Williams. Spectrum 24 continues the freshness and excellence that was established twenty-four years ago"--Verso de la couverture.

The premier showcase for imaginative fantastic arts

The latest entry in the annual collection of science-fiction art--culled from advertisements, books, comics, magazines, and art galleries--is packed with 230 color illustrations by artists such as Michael Whelan, James Christensen, Gregory Manchess, Bob Eggleton, and Alan Lee.

"Featuring over 250 artists including Yoann Lossel, Justin Gerard, Anna & Elena Balbusso."

The best-selling Spectrum series continues with this twenty-sixth lavishly produced annual. Challenging, controversial, educational and irreverent, the award-winning series reinforces both the importance and prevalence of fantastic art in today's culture. With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital. The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction and the surreal, making Spectrum one of the year's most anticipated books. Featured in Spectrum 26 are over 330 diverse visionaries. With art from books, graphic novels, videogames, films, galleries, advertising and the fine arts, Spectrum 26 is both an electrifying art book for fans and an invaluable resource for clients looking for brightnew talent. The entire field is discussed in an invaluable Year in Review found nowhere else. Contact information for each artist is included. Often imitated but never equaled, the latest Spectrum annual continues the freshness and excellence that was established more than twenty-six years ago. The mission of Spectrum is to promote the fantastic arts and provide an annual showcase for contemporary artists. The collection exists to honor the imaginations of very special artists who delight in helping us see the world in a wonderfully different light. It's our job to help them reach a wider appreciative audience.

Arising from the philosophical conviction that our sense of space plays a direct role in our apprehension and construction of reality (both factual and fictional), this book investigates how conceptions of postmodern space have transformed the history of the impossible in literature. Deeply influenced by the work of Jorge Luis Borges and Julio Cortázar, there has been an unprecedented rise in the number of fantastic texts in which the impossible is bound to space — space not as scene of action but as impossible element performing a fantastic transgression within the storyworld. This book conceptualizes and contextualizes this postmodern, fantastic use of space that disrupts the reader’s comfortable notion of space as objective reality in favor of the concept of space as socially mediated, constructed, and conventional. In an illustration of the transnational nature of this phenomenon, García analyzes a varied corpus of the Fantastic in the past four decades from different cultures and languages, merging literary analysis with classical questions of space related to the fields of philosophy, urban studies, and anthropology. Texts include authors such as Julio Cortázar (Argentina), John Barth (USA), J.G. Ballard (UK), Jacques Sternberg (Belgium), Fernando Iwasaki (Perú), Juan José Millás (Spain,) and Éric Faye (France). This book contributes to Literary Theory and Comparative Literature in the areas of the Fantastic, narratology, and Geocriticism and informs the continuing interdisciplinary debate on how human beings make sense of space.

"Featuring over 240 artists including Paul Bonner, Donato Giancola, Yuko Shimizu."