The legendary Judge Dee Renjie returns, in this lyrical combination of mystery, history and ancient Chinese politics from the author of the renowned Inspector Chen mysteries In Tang dynasty China, Empress Wu - seductive, ambitious and vindictive - rules with an iron fist. Her premier minister, Judge Dee Renjie, is honored to be trusted by her. But when she orders him to carry out an urgent investigation into the disappearance of disgraced poet Luo Binwang, he can't see why the matter is of such vital importance. Luo Binwang joined a doomed uprising against Her Majesty, and vanished after the final, bloody battle. Is he missing - or dead? Either way, now that the rebellion has been mercilessly quashed, what harm could a poor, elderly poet do? Traveling out of the great capital of Chang'an, accompanied by his loyal manservant Yang, Judge Dee launches a painstaking investigation, in the hopes of achieving what the empress' secret police could not. But the journey is marred by ill omens, and with death and disaster following his every step, Judge Dee soon begins to wonder if the empress trusts him as much as he thought . . . This powerful mystery, set in ancient China, will appeal to fans of Robert Van Gulik's novels featuring the semi-fictional historical character Judge Dee, and includes an appendix of poems from some of China's finest Tang dynasty poets, newly translated by the author, who is an award-wining poet and critic in his own right.

Conspiracy theories seem to be proliferating today. Long relegated to a niche existence, conspiracy theories are now pervasive, and older conspiracy theories have been joined by a constant stream of new ones – that the USA carried out the 9/11 attacks itself, that the Ukrainian crisis was orchestrated by NATO, that we are being secretly controlled by a New World Order that keep us docile via chemtrails and vaccinations. Not to mention the moon landing that never happened. But what are conspiracy theories and why do people believe them? Have they always existed or are they something new, a feature of our modern world? In this book Michael Butter provides a clear and comprehensive introduction to the nature and development of conspiracy theories. Contrary to popular belief, he shows that conspiracy theories are less popular and influential today than they were in the past. Up to the 1950s, the Western world regarded conspiracy theories as a legitimate form of knowledge and it was therefore normal to believe in them. It was only after the Second World War that this knowledge was delegitimized, causing conspiracy theories to be banished from public discourse and relegated to subcultures. The recent renaissance of conspiracy theories is linked to internet which gives them wider exposure and contributes to the fragmentation of the public sphere. Conspiracy theories are still stigmatized today in many sections of mainstream culture but are being accepted once again as legitimate knowledge in others. It is the clash between these domains and their different conceptions of truth that is fuelling the current debate over conspiracy theories.

Rome, 609 AD Empire is a fading memory. Repeatedly fought over and plundered, the City is falling into ruins. Killers prowl by night. Far off, in Constantinople, the Emperor has other concerns as The Church is beginning to flex its own imperial muscle. Enter Aelric of England: young and beautiful, sexually uninhibited, heroic, if ruthlessly violent - and hungry for the learning of a world that is dying around him. A deadly brawl outside Rome sucks him straight into the high politics of Empire. Soon, Aelric is involved in a race against time to find answers before he ends up as just another corpse in the gutter. Praise for the Novels of Richard Blake 'Fascinating to read, very well written, an intriguing plot and I enjoyed it very much.' - Derek Jacobi, star of I Claudius and Gladiator 'Vivid characters, devious plotting and buckets of gore are enhanced by his unfamiliar choice of period.... Nasty, fun and educational.' - The Daily Telegraph 'He knows how to deliver a fast-paced story and his grasp of the period is impressively detailed.' - The Mail on Sunday 'A rollicking and raunchy read . . . Anyone who enjoys their history with large dollops of action, sex, intrigue and, above all, fun will absolutely love this novel.' - Historical Novels 'It would be hard to over-praise this extraordinary series, a near-perfect blend of historical detail and atmosphere with the plot of a conspiracy thriller, vivid characters, high philosophy and vulgar comedy.' - The Morning Star Richard Blake is a pseudonym for Sean Gabb, who is an historian, writer and university lecturer. He lives in Kent with his wife and daughter.

Conspiracy theories are legion. Conspiracies are rare. And of the few that do exist, fewer are ever discovered, let alone explained. This story is the exception. In 2016, media giant Gawker was forced to declare bankruptcy after a $140 million dollar judgment in court over an illegally recorded sex tape of Hulk Hogan. The case was no accident: it was the result of a nearly decade-long plot masterminded by Facebook and Paypal billionaire Peter Thiel. With exclusive access to all the key players, Ryan Holiday takes us behind the scenes of this extraordinary and at times surreal story, and transforms the events into both a dissection of that controversial methodology - conspiracy - and an eye-opening cautionary tale on the use, abuse and consequences of power and secrecy in the modern age.

Conspiracy theory as a theoretical framework has emerged only in the last twenty years; commentators are finding it a productive way to explain the actions and thoughts of individuals and societies. In this compelling exploration of Latin literature, Pagán uses conspiracy theory to illuminate the ways that elite Romans invoked conspiracy as they navigated the hierarchies, divisions, and inequalities in their society. By seeming to uncover conspiracy everywhere, Romans could find the need to crush slave revolts, punish rivals with death or exile, dismiss women, denigrate foreigners, or view their emperors with deep suspicion. Expanding on her earlier Conspiracy Narratives in Roman History, Pagán here interprets the works of poets, satirists, historians, and orators—Juvenal, Tacitus, Suetonius, Terence, and Cicero, among others—to reveal how each writer gave voice to fictional or real actors who were engaged in intrigue and motivated by a calculating worldview. Delving into multiple genres, Pagán offers a powerful critique of how conspiracy and conspiracy theory can take hold and thrive when rumor, fear, and secrecy become routine methods of interpreting (and often distorting) past and current events. In Roman society, where knowledge about others was often lacking and stereotypes dominated, conspiracy theory explained how the world worked. The persistence of conspiracy theory, from antiquity to the present day, attests to its potency as a mechanism for confronting the frailties of the human condition.

Conspiracy is a thread that runs throughout the tapestry of Roman history. From the earliest days of the Republic to the waning of the Empire, conspiracies and intrigues created shadow worlds that undermined the openness of Rome's representational government. To expose these dark corners and restore a sense of order and safety, Roman historians frequently wrote about famous conspiracies and about how their secret plots were detected and the perpetrators punished. These accounts reassured readers that the conspiracy was a rare exception that would not happen again—if everyone remained vigilant. In this first book-length treatment of conspiracy in Roman history, Victoria Pagán examines the narrative strategies that five prominent historians used to disclose events that had been deliberately shrouded in secrecy and silence. She compares how Sallust, Livy, and Tacitus constructed their accounts of the betrayed Catilinarian, Bacchanalian, and Pisonian conspiracies. Her analysis reveals how a historical account of a secret event depends upon the transmittal of sensitive information from a private setting to the public sphere—and why women and slaves often proved to be ideal transmitters of secrets. Pagán then turns to Josephus's and Appian's accounts of the assassinations of Caligula and Julius Caesar to explore how the two historians maintained suspense throughout their narratives, despite readers' prior knowledge of the outcomes.

Conspiracies are everywhere. they are the lifeblood of politics, business and our daily lives. this truly international and all-embracing encyclopedia explains the details of the world's major popular conspiracies, listing them chronologically under subject matter and cross-referencing them continually (because so many conspiracy theories interact on some level). Conspiracies are often international in their sweep and their impact. the brutal stabbing of Julius Caesar (the conspiracy which has defined political assassinations ever since) plunged the Roman Empire into civil war, which then engulfed much of the known western world. More recently the Cambridge spies (Philby, Blunt, MacLean and Burgess) helped Russia throughout WWII and then re-defined the Cold War afterwards, Philby's defection casting a 30-year shadow over CIA/Anglo-American relations. though conspiracies define our everyday lives, there is no body of serious academic research to understand their role, nature or defining characteristics. Most historians prefer to adhere to the cock-up theory of history, in which everything happens by accident or incompetence. Although this view is favoured by academics and historians, it is rejected by a large part of the general public who prefer the evidence of their own lives. However they consume their media, what they see is a mesh of conspiracies that define the texture of their everyday lives, often for the worst. Most people believe that there is a grain of truth in most theories about conspiracies. this book is for them.

Why, Timothy Melley asks, have paranoia and conspiracy theory become such prominent features of postwar American culture? In Empire of Conspiracy, Melley explores the recent growth of anxieties about thought-control, assassination, political indoctrination, stalking, surveillance, and corporate and government plots. At the heart of these developments, he believes, lies a widespread sense of crisis in the way Americans think about human autonomy and individuality. Nothing reveals this crisis more than the remarkably consistent form of expression that Melley calls "agency panic"—an intense fear that individuals can be shaped or controlled by powerful external forces. Drawing on a broad range of forms that manifest this fear—including fiction, film, television, sociology, political writing, self-help literature, and cultural theory—Melley provides a new understanding of the relation between postwar American literature, popular culture, and cultural theory. Empire of Conspiracy offers insightful new readings of texts ranging from Joseph Heller's Catch-22 to the Unabomber Manifesto, from Vance Packard's Hidden Persuaders to recent addiction discourse, and from the "stalker" novels of Margaret Atwood and Diane Johnson to the conspiracy fictions of Thomas Pynchon, William Burroughs, Don DeLillo, and Kathy Acker. Throughout, Melley finds recurrent anxieties about the power of large organizations to control human beings. These fears, he contends, indicate the continuing appeal of a form of individualism that is no longer wholly accurate or useful, but that still underpins a national fantasy of freedom from social control.

Published in 1864, this is a Northern view of the Southern States actions leading up to and during the Civil War, which the author describes as a conspiracy to overthrow liberty in the United States.

A multifaceted portrait of the early American republic as examined through the lens of the Burr Conspiracy explores the political and cultural forces that influenced public perception and how in spite of vague and conflicting evidence, the former Vice President was arrested and tried for treason. --Publisher.