For 250 planet cycles the elders concealed their secret: they had been exiled from Karna for using their Conrad abilities. Upon settling the planet Aleron they raised their children and continued to evolve as handlers of energy forces. The Conrads of the Light believed their thriving, peaceful world would endure. When ""the children"" learn of the exile, the Conrad utopian world on Aleron disintegrates. Desiring to become the next Conrad leader, Xavier of the House of Baldemar craves vengeance. He convinces several of his peers to follow him on his quest to annihilate the humans of Karna. Meanwhile, Gloria of the House of Vasilis is assailed by guilt over the questions she asked that sparked Xavier's desire for revenge. Forced into a position of leadership, Gloria is sent by the elders to stop Xavier. Gloria doubts her own abilities, especially when her twin sister chooses to follow Xavier.

The third novel in The Conrad Chronicles series finds Gloria of the House of Vasilis married to Ambassador Arsilin Lucas and living on Earth. While she bears and raises three children with the assistance of her loyal friend Hobbs, her brother, Zeplan, is aboard the Galactic Falcon, endeavoring to foil Xavier of the House of Baldemar's plans to eradicate all the humans living on the planet Karna. Unfortunately Gloria and Zeplan don't know that Xavier has located Gloria and arrived on Earth to challenge her to Death Duel in order to absorb her Light-given abilities. What Xavier doesn't know is that The Chosen One, Gloria's youngest child, Lucy, has been born, and that this seven year old girl will change all his plans.

Book 2 in the Conrad Chronicles begins with Xavier locked in a thousand cycle Death Duel with Gloria's twin sister Thera. Gloria, Regal, and the other Conrads of the Light struggle to heal the damage Xavier, his Outcasts, and his Carmine army have caused to the planet Karna and her inhabitants. As the Conrads of the Light work at advancing Karna's decimated technology, they come to learn that during Karna's former years, under the reigning High Kings, ships of people left to colonize other planets and head out to learn more while waiting for the Death Duel to end.

Lucy Gloria Vasilis Lucas struggles to accept her new life. She no longer is seen as the daughter of Ambassador Arsilin Lucas, the child who witnessed her mother's murder, but is now valued as the daughter of Gloria of the House of Vasilis, a Conrad of the Light, and the Chosen One who is destined to defeat Xavier of the House of Baldemar. At the age of eighteen, Lucy has gone from living at Willow Manor on Earth to living aboard the space ship, the Galactic Falcon. Her life has gone from one of surviving the brutality of the adults around her to being presented with a universe full of options. The magnitude of these sudden changes has sent Lucy's mind into shock. As Lucy adjusts to space living, and slowly accepts she is alive and not delusional, she finds herself trying to accept the concept of being a Conrad, a human able to control energy. In addition, she must get to know her Uncle Zeplan, an uncle she never knew existed until the day he rescued her off of Earth.

"Revolution" is a chronicle of a remarkable contest fought between the largest, most powerful army on earth and a motley collection of men and boys, extremely ill equipped and inexperienced in the arts of warfare. It reveals how the radical revolutionaries, revered today as the nation's founding fathers, sometimes barely succeed and more often miserably fail to keep a healthy Continental army and a pusillanimous Continental Congress together. Written in the present tense, as newspaper articles and interviews, "Revolution" is also the story of a civil conflict fought in a divided country where the words "liberty" and "independence" are equally cheered, cursed and ignored.

Detectives, police informers, spies and spymasters, anarchists and terrorists, swindlers: these are the character types explored in Conrad's Popular Fictions. This book shows how Joseph Conrad experimented creatively with genres such as crime and espionage fiction, and sheds new light on the sources and contexts of his work.

This monograph re-evaluates the literary development of 2 Kings 9–10 within the context of the Deuteronomistic History. This undertaking opens with a thorough text and literary critical examination of the pericope, arriving at the conclusion that the narrative of 2 Kings 9–10 represents neither an insertion into the Deuteronomistic corpus, nor an independent literary tradition. Rather, when considering the Greek textual traditions of the biblical narrative (most especially B and Ant.), one can appreciate the narrative of Jehu’s revolution within the literary context of an extensive politically motivated narrative about the Israelite monarchy covering the period from the reigns of Jeroboam I to Jeroboam II. The identification of this pro-Jehuide source within the book of Kings enables a reliable dating into the 8th century BCE for much of the material in Kings focusing on the Northern Kingdom. Comparing this biblical narrative to other (mostly Mesopotamian and Syrian) texts relevant to Israelite history of the period advances the discourse about the veracity of the biblical narrative when contrasted with extrabiblical traditions and permits the plausible reconstruction of Israelite history spanning the 8th and 9th centuries BCE.

The Jack Cade Rebellion of 1450 was an uprising of the commons of England—most of whom were from Kent, Norfolk, and Essex—that culminated in a battle on London Bridge. The rebel force, led by a mysterious man known as Jack Cade, protested King Henry VI’s ineffectiveness as a leader, the over-taxation of the working classes, the crown’s failed attempts to secure French territories, and the corrupt bureaucrats and church officials. This book collects, for the first time, primary documents related to the rebellion that have been translated into Present-Day English or glossed for ease of reading. The sources included in this book comprise the rebels’ petitions, entries from medieval and early modern chronicles, letters and formal correspondences, official government documents, and political poems of the fifteenth century. Students interested in urban history, popular rebellions, medieval and early modern studies, legal studies, criminal justice, Shakespeare, and artistic expressions of protest will find these primary sources invaluable.

There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society.

During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on.