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Three years after the war to end all wars, the German Empire stands as the dominant power in Europe. The United States, isolated, is in a deep slumber reveling in it's relative peace and prosperity. Little did the people of America know, they were being watched, analyzed. In May of 1921 the mighty German war machine launches a furious blitz encompassing the entire eastern seaboard of America, Cities fall like dominos as the troops of Von Hindenburg establishes beachheads on our major seaports as they drive into America's heartland. Brave General Wood leads our tattered and battered army in what could be it's finest hour or it's darkest days. Will America survive? or fall under the heavy boot of Germany for all eternity?

This carefully crafted ebook: "The Collected Works of Cleveland Moffett" is formatted for your eReader with a functional and detailed table of contents. Detective & True Crime Through the Wall (A Novel) The Northampton Bank Robbery The Susquehanna Express Robbery The Pollock Diamond Robbery The Rock Island Express The Destruction of the Renos The American Exchange Bank Robbery Supernatural Tales The Mysterious Card The Mysterious Card Unveiled (Sequel) Speculative War & Invasion Novels The Conquest of America: A Romance of Disaster and Victory Possessed Non-Fiction Careers of Danger and Daring Into the Crater of a Volcano Consider the Moving Staircase Envy—A New Poison

Fear can be more dangerous than the threats we think loom over us—how Germans and German Americans were perceived as a dangerous enemy during World War I. Although Americans have long celebrated their nation's diversity, they also have consistently harbored suspicions of foreign peoples both at home and abroad. In Age of Fear, Zachary Smith argues that, as World War I grew more menacing and the presumed German threat loomed over the United States, many white "Anglo-Saxon" Americans grew increasingly concerned about the vulnerability of their race, culture, and authority. Consequently, they directed their long-held apprehensions over ethnic and racial pluralism onto their German neighbors and overseas enemies whom they had once greatly admired. Smith examines the often racially tinged, apocalyptic arguments made during the war by politicians, propaganda agencies, the press, novelists, and artists. He also assesses citizens' reactions to these messages and explains how the rise of nationalism in the United States and Europe acted as a catalyst to hierarchical racism. Germans in both the United States and Europe eventually took the form of the proverbial "Other," a dangerous, volatile, and uncivilized people who posed an existential threat to the nation and all that Anglo-Saxon Americans believed themselves to be. Exploring what the Great War meant to a large portion of the white American population while providing a historic precedent for modern-day conceptions of presumably dangerous foreign Others, Age of Fear is a compelling look at how the source of wartime paranoia can be found in deep-seated understandings of racial and millennial progress.

The Conning of America examines for the first time from a literary perspective the propaganda writings produced in the United States during the period of World War I. This American propaganda literature was written in two distinct stages: the first stage was written by the pro-War establishment based on the East Coast of the United States before American entry into the conflict. It attempted to vilify Germany and her Allies while at the same time showing England, France, and Russia as the victims of a well-planned organized German plan for world domination—beginning with the invasion of neutral Belgium. The literature urged the United States to prepare for a German invasion of America and to be wary of German-Americans, who most likely were spies in the employ of the Imperial German government. The second stage of propaganda literature occurred when America declared war on the Central Powers in April 1917. While still using the blood thirsty militaristic Hun as a symbol of German inherent evil, the propaganda literature began to portray the Americans as the saviors of European culture. American boys were being sent to Europe on a spiritual mission to purify decadent European culture, while at the same time their sacrifice would rejuvenate and sanctify American values in the fire of the conflict in order for America to take her proper place in the new post-war order.

We live near the edge—whether in a settlement at the core of the Rockies, a gated community tucked into the wilds of the Santa Monica Mountains, a silicon culture emerging in the suburbs, or, in the future, homesteading on a terraformed Mars. In Imagined Frontiers, urban historian and popular culture scholar Carl Abbott looks at the work of American artists who have used novels, film, television, maps, and occasionally even performance art to explore these frontiers—the metropolitan frontier of suburban development, the classic continental frontier of American settlement, and the yet unrealized frontiers beyond Earth. Focusing on writers and artists working during the past half-century, an era of global economic and social reach, Abbott describes the dialogue between historians and social scientists seeking to understand these frontier places and the artists reimagining them in written and visual fictions. This book offers perspectives on such well-known authors as T. C. Boyle and John Updike and on such familiar movies and television shows as Falling Down and The Sopranos. By putting The Rockford Files and the cult favorite Firefly in conversation with popular fiction writers Robert Heinlein and Stephen King and literary novelists Peter Matthiessen and Leslie Marmon Silko, Abbott interweaves the disparate subjects of western history, urban planning, and science fiction in a single volume. Abbott combines all-new essays with others previously published but substantially revised to integrate western and urban history, literary analysis, and American studies scholarship in a uniquely compelling analysis of the frontier in popular culture.