I originally thought of the idea of writing a book whilst I was off work sick, I wanted to write about my life as a drummer, whilst recollecting about the bands I’ve played with, memories from my childhood began to surface, I realised I have many stories to tell. As you read through this book you’ll see how I managed to make good of every situation, every accident, incident or relationship failure, I literally just carried on until the next event. I made it to 48 before the past caught up with me.

It always took longer to clean the inside of the windows...

Sun, sea, sand... oh, and plenty of sex!

Of all the actors and personalities thrown up by that strangest of periods. The 1970s, surely Robin Askwith was one of the most 'of his time'? As star of the infamous CONFESSIONS films, as well as over 25 other movies, Askwith was huge. His cheeky, innocent face, his Mick Jagger lips and more often than not his bare arse -- he, possibly more than anyone else sums up a bygone era remembered fondly by millions. Today, Askwith is a cult figure. The CONFESSIONS films are still regular staples on British TV and around the world, especially in the Commonwealth countries. They are just as funny as they ever were -- classic camp British humour in the same language as the Carry On films. In this brilliant autobiography, the self-deprecating Askwith cuts straight to the chase, starting in the `70s as he auditions for CONFESSIONS OF A WINDOW CLEANER, moving on to CONFESSIONS OF A POP STAR and DRIVING INSTRUCTOR. His career was truly amazing and varied beyond belief. From IF. . . to NICHOLAS AND ALEXANDEF From CONFESSIONS to Zefferelli`s BROTHER SUN, SISTER MOON and Pasolini CANTERBURY TALES. He was also great friends with the late Lindsay Anderson. In the end, Robin is most famous for his sex comedies and isn't embarrassed about it one jot. It`s a rollicking ride. Hold On Tight!

VIOLENCE! MURDER! MASSACRE! This book respectfully submits the incident at Marjorie Stoneman Douglas High School, which took the incredible and most valuable lives of 14 students of my daughter's colleagues and 3 Teachers. This book reveals the heartbreaking real-life histories of innocent school children, teachers and others being massacred for a period in the United States of America along with the inhuman massacre of masses of humanity by heartless dictatorships and violence, and in the name of religion in the world. In this book, discussed on the origin of violence, murder and massacre from the history of humankind, and how they are passed on to us from the demonic power and influence of Lucifer, one time archangel of God became a rebellious, vicious murderous one turned to become the Satan or the evil one. The book so discusses on how humans Adam and Eve fell for Lucifer's enticing powers and obeyed him, all the natures of Satan inflicted or transferred into the humankind. Then it also gives the God given solutions to the problem of the world we acquired through Lucifer's influence, from Biblical perspective.

From rising romance star Wendy Vella comes a Cinderella story of whirlwind passion between a dashing earl and a beautiful countess—and the secret that threatens to tear them apart. Regal, poised, and elegant, Sophie, Countess of Monmouth, is everything that a highborn lady should be. But Sophie is hiding a past that is far from royal. When Patrick, Earl of Coulter, realizes that her story doesn’t add up, he resolves to find out the truth of what Sophie and her sister-in-law are concealing. Although Sophie has every reason to avoid him, the handsome and charismatic Patrick awakens something wicked deep within her soul . . . a powerful need that Sophie must stifle in order to protect her place in society. Despite Sophie’s humble background, the raven-haired beauty has won Patrick’s heart. But what Sophie needs now is an ally. Viscount Myles Dumbly, the disgruntled former heir of Monmouth, is determined to expose Sophie as a fraud to recapture his lost inheritance. Soon Patrick is drawn into a fight for both their lives. Somehow he must find a way not only to rescue Sophie from poverty once and for all, but to keep her in his arms forever. Includes an excerpt from another Loveswept title.

Identifying 'permissive populism', the trickle down of permissiveness into mass consumption, as a key feature of the 1970s, Leon Hunt considers the values of an ostensibly 'bad' decade and analyses the implications of the 1970s for issues of taste and cultural capital. Hunt explores how the British cultural landscape of the 1970s coincided with moral panics, the troubled Heath government, the three day week and the fragmentation of British society by nationalism, class conflict, race, gender and sexuality.

Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975). Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer.

A “wide-ranging and incisive anthology” of articles and essays by the eminent journalist and antiwar activist from the 1960s to the twenty-first century (Publishers Weekly). David Harris is a reporter, an American dissident, and, as these selected pieces reveal, a writer of great character and empathy. As an undergraduate, he gained recognition for his opposition to the Vietnam War and was imprisoned for two years when he refused to comply with the draft. Throughout his long career, his writing has championed outsiders, the downtrodden, and those who demand change. These eighteen pieces of long-form journalism, essays, and opinion writings remain startlingly relevant to the world we face today. This career-spanning collection follows Harris from his early days as a prominent leader of the resistance to the Vietnam War, through regular contributions to many publications, including Rolling Stone and the New York Times. Born in Fresno and elected student body president of Stanford University in 1966, Harris has always had an undeniably Californian point of view—he imagines the future with an open heart and mind and pursues stories out of genuine curiosity, embedding himself among striking farmworkers, marijuana growers, the homeless on LA’s skid row, and occasionally, redwood trees. Inspiring, clarifying, and fearless, his abiding and lucid patriotism insists that our country live up to its own ideals.