Nalin Ranasinghe undertakes the monumentally brash assignment of accusing man and then offering his defense, precisely as Homer does of Odysseus in the Iliad. Odysseus is portrayed as a human being deserving of both. For this reason and Homer's perceptive descriptions, Ranasinghe claims Homer's epic is the cornerstone of Western civilization. The central insights herein compel Ranasinghe to admit the necessity of heeding its lessons today, of minding its characters and seeing them in action off the page and in our own world. Predrag Cicovacki in his indispensable preface to the book, elucidates: "In Ranasinghe's view, Odysseus is both the first recognizable human being and a model of curious and concupiscent human rationality that constantly strives toward the virtues of self-knowledge and moderation. Homer leads us to believe that the cosmos leans toward virtue, although its fundamental truths may be inherently unspeakable. This is the line of thought that Ranasinghe believes was further developed by Socrates, Plato, and Jesus, while being obscured by Aristotle, Augustine, and their followers. Homer's later epic and his central insights are, according to Ranasinghe, the most fertile soil on which a humane civilization can grow and flourish." Yet Ranasinghe ultimately says it best. "Homer must be read as the wisest Greeks did, not for fantastic tales of the Olympians but because his myths reveal eternal constants of the human state: the soul's ruling passions and the possibility of knowing and educating these false gods. Wrestled with thus the Iliad becomes a cautionary tale, not one urging literal reading or mindless mimesis. It may always be that for the few who grasp Homer, many more will obey his gods or imitate his antiheroes; but the Odyssey hints that while its poet sees this potential for misuse, he is willing to take a noble risk and hope that eros can listen to and educate thumos. This faith is implicit in his tale of Achilles and the Trojan War. It is vital today that we see how the West's end resembles its angry origins, as depicted in the Iliad. This is why Homer is said to be as fresh as the morning newspaper. His wisdom may outlive our literacy."

The Iliad: Join Achilles at the Gates of Troy as he slays Hector to Avenge the death of Patroclus. Here is a story of love and war, hope and despair, and honor and glory. The recent major motion picture Helen of Troy staring Brad Pitt proves that this epic is as relevant today as it was twenty five hundred years ago when it was first written. So journey back to the Trojan War with Homer and relive the grandest adventure of all times. The Odyssey: Journey with Ulysses as he battles to bring his victorious, but decimated, troops home from the Trojan War, dogged by the wrath of the god Poseidon at every turn. Having been away for twenty years, little does he know what awaits him when he finally makes his way home. These two books are some of the most import books in the literary cannon, having influenced virtually every adventure tale ever told. And yet they are still accessible and immediate and now you can have both in one binding.

Harry Chapman is not well, and he doesn't like hospitals. Furthermore, Dr Pereira's wonder drug is causing some strange side effects: he can hear more than the usual quotient of voices. First, it is his mother, acerbic and disappointed in him as ever, but then more and more voices add their differing notes and stories to the chorus, squabbling, cajoling and commenting. Friends from childhood, lovers, characters from novels and poetry, Virginia Woolf and a man who wants to sell him T.S Eliot's teeth. Written with a gentle, effortless generosity, full of delicate observation, Chapman's Odyssey is the work of a master; a superbly rendered act of storytelling and ventriloquism that is both witty and deeply moving.

This unique approach to the Iliad and the Odyssey explores the role and function of Hades as a poetic environment in which traditional exposition of heroic values may be subverted in favour of a more personally inflected approach to the epic past, giving rise to a different kind of poetics: the 'poetics of Hades'.

Fifty years of reading Homer—both alone and with students—prepared Eva Brann to bring the Odyssey and the Iliad back to life for today's readers. In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus. Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages." "Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal "Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy "In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas "Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College "For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition "The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?

Awakening to One’s Conscience: Inner Journey into Human Nature {3} by Art Aeon is a fictional narrative poem in the tercet stanza. It unfolds imaginary dialogues between the character Homer-Outis, the bard of The Odyssey, and the character Odysseus, the protagonist of The Odyssey, in a numinous dream of the epic poet. Following Helen’s crucial revelation of the human causes of the Trojan War at her death, Odysseus and Penelope take on intrepid adventures to the ruins of Troy. On the way, they meet the characters Idomeneus in Crete, Diomedes at sea, Chryseis in Thebe, Tecmessa, and Telamon in Troy. Overcoming many formidable adversities, Odysseus and Penelope eventually fulfill Helen’s last wish to be united with Paris in Troy, even as ashes. But they are captured by the new Trojan king, Helenus. In magnanimous foresight, Helenus sets free his worst foe Odysseus to serve Aethon, a holy sage at the shrine in Mt. Ida. Odysseus pursues a new life as a humble hermit with sincere repentance of his past life. Penelope becomes a trusty friend to the queen Andromache in Helenus’s new kingdom. Eventually, Odysseus finds a lad, who is identified as the son of Helen by Paris, called Ganymede. He succeeds to Helenus’s kingdom. After Aethon’s death, Penelope succeeds him as the new spiritual leader in Mount Ida. Odysseus leads an international school in Mount Ida, dedicated to training young future leaders of peoples for enlightenment, peace, and prosperity of humanity. Odysseus relates to Homer-Outis what he and Penelope learned from wise Aethon about the wisdom and theology of ancient Egypt. They realize that personified deities are not real entities but mere wishful illusions, invented by humans in their minds. Eventually, Homer-Outis becomes enlightened; he confesses to Odysseus that he has been misled in proud vanity to follow guileful minstrels who abused hoax ‘muses’ as their poetic conceits to justify their travesties of absurd divine affairs. He vows to sing of the plain truth deep from his pure conscience without the poetic conceit of hoax ‘muses.’ Odysseus and Homer-Outis become mysteriously transfigured into one enlightened being. At this moment, the earnest and conscientious bard Homer-Outis wakes up from his spiritual dream, inspired afresh to write a new epic: Inner Journey into Human Nature.

This #1 New York Times bestseller is a "bold and subversive retelling of the goddess's story" that brilliantly reimagines the life of Circe, formidable sorceress of The Odyssey (Alexandra Alter, TheNew York Times). In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child -- not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power -- the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love. With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world. #1 New York Times Bestseller -- named one of the Best Books of the Year by NPR, the Washington Post, People, Time, Amazon, Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Refinery 29, Buzzfeed, Paste, Audible, Kirkus, Publishers Weekly, Thrillist, NYPL, Self, Real Simple, Goodreads, Boston Globe, Electric Literature, BookPage, the Guardian, Book Riot, Seattle Times, and Business Insider.

This psychological detective novel explores the once largely unacknowledged-not only soldiers get post-traumatic stress disorder: that child abuse whether it is overt or covert incest, is a time bomb. Lily's Odyssey unfolds with the inevitability, impact, and resolution of an ancient Greek play. The dialogue rings true, the journey conveyed with moods and half-tones, to portray fragmented Midwestern characters with poignancy. From child to grandmother, Lily's voyage is told with lyricism, humor, and irony through a poet's voice to distill American life in religion, marriage, and family. A contemporary odyssey without maps by a woman short listed for the 2009 Eric Hoffer Award for Best New Writing, a National Federation of State Poetry Societies Award Winner.