The Complicit Text: Failures of Witnessing in Postwar Fiction identifies the causes of complicity in the face of unfolding atrocities by examining the works of Albert Camus, Milan Kunera, Kazuo Ishiguro, W. G. Sebald, Thomas Pynchon, and Margaret Atwood. Ivan Stacy argues that complicity often stems from narrative failures to bear witness to wrongdoing. However, literary fiction, he contends, can at once embody and examine forms of complicity on three different levels: as a theme within literary texts, as a narrative form, and also as it implicates readers themselves through empathetic engagement with the text. Furthermore, Stacy questions what forms of non-complicit action are possible and explores the potential for productive forms of compromise. Stacy discusses both individual dilemmas of complicity in the shadow of World War II and collective complicity in the context of contemporary concerns, such as the hegemony of neoliberalism and the climate emergency.

A YALSA 2015 Best Fiction for Young Adults Pick Two years ago, fifteen-year-old Jamie Henry breathed a sigh of relief when a judge sentenced his older sister to juvenile detention for burning down their neighbor's fancy horse barn. The whole town did. Because Crazy Cate Henry used to be a nice girl. Until she did a lot of bad things. Like drinking. And stealing. And lying. Like playing weird mind games in the woods with other children. Like making sure she always got her way. Or else. But today Cate got out. And now she's coming back for Jamie. Because more than anything, Cate Henry needs her little brother to know the truth about their past. A truth she's kept hidden for years. A truth she's not supposed to tell. Trust nothing and no one as you race toward the explosive conclusion of the gripping psychological thriller Complicit from Stephanie Kuehn, the William C. Morris Award--winning author of Charm & Strange.

A startling and superbly researched book demythologizing the North’s role in American slavery “The hardest question is what to do when human rights give way to profits. . . . Complicity is a story of the skeletons that remain in this nation’s closet.”—San Francisco Chronicle The North’s profit from—indeed, dependence on—slavery has mostly been a shameful and well-kept secret . . . until now. Complicity reveals the cruel truth about the lucrative Triangle Trade of molasses, rum, and slaves that linked the North to the West Indies and Africa. It also discloses the reality of Northern empires built on tainted profits—run, in some cases, by abolitionists—and exposes the thousand-acre plantations that existed in towns such as Salem, Connecticut. Here, too, are eye-opening accounts of the individuals who profited directly from slavery far from the Mason-Dixon line. Culled from long-ignored documents and reports—and bolstered by rarely seen photos, publications, maps, and period drawings—Complicity is a fascinating and sobering work that actually does what so many books pretend to do: shed light on America’s past.

From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America.

Perpetration and Complicity under Nazism and Beyond analyses perpetration and complicity under National Socialism and beyond. Contributors based in the UK, the USA, Canada, Germany, Israel and Chile reflect on self-understandings, representations and narratives of involvement in collective violence both at the time and later – a topic that remains highly relevant today. Using the notion of 'compromised identities' to think about contentious questions relating to empathy and complicity, this inter-disciplinary collection addresses the complex relationships between people's behaviours and self-understandings through and beyond periods of collective violence. Contributors explore the compromises that individuals, states and societies enter into both during and after such violence. Case studies highlight patterns of complicity and involvement in perpetration, and analyse how people's stories evolve under changing circumstances and through social interaction, using varying strategies of justification, denial and rationalisation. Each chapter also considers the ways in which contemporary responses and scholarly practices may be affected by engagement with perpetrator representations.

An incisive guide that helps up-and-coming economists become successful scholars The Economist's Craft introduces graduate students and rising scholars to the essentials of research, writing, and other critical skills for a successful career in economics. Michael Weisbach enables you to become more effective at communicating your ideas, emphasizing the importance of choosing topics that will have a lasting impact. He explains how to write clearly and compellingly, present and publish your findings, navigate the job market, and more. Walking readers through each stage of a research project, Weisbach demonstrates how to develop research around a theme so that the value from a body of work is more than the sum of its individual papers. He discusses how to structure each section of an academic article and describes the steps that follow the completion of an initial draft, from presenting and revising to circulating and eventually publishing. Weisbach reveals how to get the most out of graduate school, how the journal review process works, how universities decide promotions and tenure, and how to manage your career and continue to seek out rewarding new opportunities. A how-to guide for the aspiring economist, The Economist's Craft covers a host of important issues rarely taught in the graduate classroom, providing readers with the tools and insights they need to succeed as professional scholars.

Throughout history, women have participated in and sometimes initiated rebellions to defend the welfare of their family, community, class, race or ethnic group. This volume presents original research on women's activism in Asia, Europe, Australia and Latin America. It explores how women have advanced social change and their influence on, and response to, existing transformations in society. Using an interdisciplinary approach, the authors examine women's activities and conditions in diverse social and political contexts, from revolutionary societies, to status quo societies, to societies in decline. With its primary focus on agency and social change, this book deconstructs patriarchal discourses and unearths aspects of female agency in an array of cultural, historical and geopolitical contexts. Chapters on movements in China, Japan, Australia, Croatia, Russia and a range of other countries both contribute to our understanding of change in those societies and seek to locate women at the center of politically aware movements. Although not exclusively a book about feminist activism, this essential collection is motivated by the feminist desire to restore to history a range of women's experiences. This book introduces new ways of thinking across boundaries, identities and complexities in a still essentially patriarchal world. It will be of great interest to students and researchers in the fields of gender studies, activism and comparative politics.

Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the "practical ethnography" of directing foreign language productions to writing for theoretical stages to the "radical deaf theater" of Aaron Sawyer's The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.

In Scotland, a self-appointed executioner dispenses justice to fit the crime. Thus the lenient judge who let a rapist go is punished by being raped, while a man who killed is killed in turn. By the author of The Wasp Factory.

"James Fujii's Complicit Fictions is the first genuinely convincing study of the crucial relationship between the production of literature and the experience of history in the making of modern Japan. He has brilliantly, and with great intellectual originality, liberated the reading of modern Japanese prose narratives from an earlier, formalistic practice which had assimilated them to the requirements of the European realist novel, and thereby robbed them of their own particularity. As a replacement for the earlier critical program, he proposes a strategy that promises to restore the historical moment inscribed in the very act of narrative production. In making this move, he has, I believe, managed to bring these fictions back to Japan yet avoid reducing them to expressions of cultural exceptionalism. By showing us how the narratives of Shimazaki Toson, Natsume Soseki and Tokuda Shusei must be read for an enabling history which they invariably sought to repress, their historical unconscious, Fujii has given students of history and literature, in and out of Japan, a magisterial mix of critical sophistication and textual authority, rigorous thinking and stylistic elegance."—Harry Harootunian, University of Chicago "Unlike many literary studies that seek to be theoretical but finally prove merely tautological, Complicit Fictions is both genuinely theoretical and passionately engaged. It explains all that needs explanation, leaving little to quotations or citations. James Fujii is stunningly lucid and persuasively precise. Together with Richard Okada's Figures of Resistance and Naoki Sakai's Voices of the Past, this work will open a new era in the studies of Japanese literature."—Masao Miyoshi, University of California, San Diego