The paperback edition of Volume 19 of The Complete Works of George Orwell.

This Excellent Collection brings together Orwell's longer, major books and a fine selection of shorter pieces. With great originality and wit Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defence of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell's Books created a unique literary manner from the process of thinking aloud and continue to challenge, move and entertain. This Books created and collected in George Orwell's Most important Works illuminate the life and work of one of the most individual writers of the XX century - a man who elevated political writing to an art. This Collection included: · 1984 · ANIMAL FARM · A CLERGYMAN'S DAUGHTER · BURMESE DAYS · COMING UP FOR AIR · DOWN AND OUT IN PARIS AND LONDON · HOMAGE TO CATALONIA · KEEP THE ASPIDISTRA FLYING · LOOKING BACK ON THE SPANISH WAR · THE LION AND THE UNICORN · THE ROAD TO WIGAN PIER

The twelve edited volumes of Orwell's non-fiction, collected for the first time in one invaluable ebook. A rich treasure trove of material, this unique collection includes Orwell's reviews, broadcasts, notebooks, wartime diaries, articles on socialism and censorship, correspondence with luminaries such as Arthur Koestler, Anthony Powell and Evelyn Waugh, and famous essays such as 'Politics and the English Language', 'Why I Write' and 'Some Thoughts on the Common Toad'. Edited by Professor Peter Davison, the collection encompasses twelve annotated volumes and ranges across the whole of Orwell's writing life, from 1903 to 1950. As well as providing an unparalleled insight into Orwell's life and works, the volume offers a wonderful overview of the social, literary and political events of the thirties and forties. It will be an invaluable resource for fans, students and scholars alike. Contents: A Kind of Compulsion (1903-36) Facing Unpleasant Facts (1937-39) A Patriot After All (1940-41) All Propaganda is Lies (1941-42) Keeping Our Little Corner Clean (1942-43) Two Wasted Years (1943) I Have Tried to Tell the Truth (1943-44) I Belong to the Left (1945) Smothered Under Journalism (1946) It is What I Think (1947-48) Our Job is to Make Life Worth Living (1949-50) The Lost Orwell

"Publication of The Complete Works of George Orwell is a unique bibliographic event as well as a major step in Orwell scholarship. Meticulous textual research by Dr. Peter Davison has revealed that all the current editions of Orwell have been mutilated to a greater or lesser extent. This authoritative edition incorporates ... all Orwell's known essays, poems, plays, letters, journalism, broadcasts, and diaries, and also letters by his wife Eileen and members of his family. In addition there are very many of the letters in newspapers and magazines of readers' reactions to Orwell's articles and reviews. Where the hand so others have intervened, Orwell's original intentions have been restored" -- Provided by publisher.

In a timely and radically new reappraisal of George Orwell's fiction, Loraine Saunders reads Orwell's novels as tales of successful emancipation rather than as chronicles of failure. Contending that Orwell's novels have been undervalued as works of art, she offers extensive textual analysis to reveal an author who is in far more control of his prose than has been appreciated. Persuasively demonstrating that Orwell's novels of the 1930s such as A Clergyman's Daughter and Keep the Aspidistra Flying are no less important as literature than Animal Farm and Nineteen Eighty-Four, Saunders argues they have been victims of a critical tradition whose practitioners have misunderstood Orwell's narrative style, failed to appreciate Orwell's political stance, and were predisposed to find little merit in Orwell's novels. Saunders devotes significant attention to George Gissing's influence on Orwell, particularly with regard to his representations of women. She also examines Orwell's socialism in the context of the political climate of the 1930s, finding that Orwell, in his successful negotiation of the fine balance between art and propaganda, had much more in common with Charlie Chaplin than with writers like Stephen Spender or W. H. Auden. As a result of Saunders's detailed and accessible analysis, which illuminates how Orwell harmonized allegory with documentary, polyphonic voice with monophonic, and elegy with comedy, Orwell's contributions to the genre of political fiction are finally recognized.

This bold new reading of Orwell's work focuses upon his representation of communities and the myths that shape them. It analyzes his interpretations of class, gender and nationality within the context of the period. The book uses a range of texts to argue that Orwell attempted to integrate 'traditional' communal identities with socialist politics.