The complete romances, including Candide, the Philosophy of History, the Ignorant Philosopher, Dialogues and Philosophic Criticisms. Eight volumes in one.

The inimitable Nancy Mitford’s account of Voltaire’s fifteen-year relationship with the Marquise du Châtelet—the renowned mathematician who introduced Isaac Newton’s revolutionary new physics to France—is a spirited romp in the company of two extraordinary individuals as well as an erudite and gossipy guide to French high society during the Enlightenment. Mitford’s story is as delicious as it is complicated. The marquise was in love with another mathematician, Maupertuis, while she had an unexpected rival for Voltaire’s affections in the future Frederick the Great of Prussia (and later in the philosophe’s own niece). There was, at least, no jealous husband to contend with: the Marquis du Châtelet, Mitford assures us, behaved perfectly. The beau monde of Paris was, however, distraught at the idea of the lovers’ brilliant conversation going to waste on the windswept hills of Champagne, site of the Château de Cirey, where experimental laboratories, a darkroom, and a library of more than twenty-one thousand volumes enabled them to pursue their amours philosophiques. From time to time the threat of impending arrest would send Voltaire scurrying across the border into Holland, but his irrepressible charm—and the interventions of powerful friends—always made it possible for him resume his studies with the cherished marquise.

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Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.

The Enlightenment and Why It Still Matters tells nothing less than the story of how the modern, Western view of the world was born. Cultural and intellectual historian Anthony Pagden explains how, and why, the ideal of a universal, global, and cosmopolitan society became such a central part of the Western imagination in the ferment of the Enlightenment - and how these ideas have done battle with an inward-looking, tradition-oriented view of the world ever since. Cosmopolitanism is an ancient creed; but in its modern form it was a creature of the Enlightenment attempt to create a new 'science of man', based upon a vision of humanity made up of autonomous individuals, free from all the constraints imposed by custom, prejudice, and religion. As Pagden shows, this 'new science' was based not simply on 'cold, calculating reason', as its critics claimed, but on the argument that all humans are linked by what in the Enlightenment were called 'sympathetic' attachments. The conclusion was that despite the many tribes and nations into which humanity was divided there was only one 'human nature', and that the final destiny of the species could only be the creation of one universal, cosmopolitan society. This new 'human science' provided the philosophical grounding of the modern world. It has been the inspiration behind the League of Nations, the United Nations and the European Union. Without it, international law, global justice, and human rights legislation would be unthinkable. As Anthony Pagden argues passionately and persuasively in this book, it is a legacy well worth preserving - and one that might yet come to inherit the earth.

This tragedy was produced in 1730. It marks Voltaire's spirit of daring in treating a subject from which Shakespeare shrank as, perhaps, too painful for representation. When revived during the Revolution it was enthusiastically applauded. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.