This Is A New Release Of The Original 1903 Edition.

American national trade bibliography.

This book examines reason and unreason in the legal and political responses to terrorism. Terrorism is often perceived as sheer madness, unreasonable use of extreme violence and senseless, futile political action. These assertions are challenged by this book. Combining ‘traditional’ thought (by Kaplan) on reason and unreason in terrorism with empirical explorations of post-modern terrorism and its use of communication platforms (by Weimann) the work uses interdisciplinary and cross disciplinary dimensions to provide a multidimensional picture of critical issues in current politics and a deeper examination of their implications than previously available. The book looks at various aspects of modern politics, from terrorism to protest, from decision-making to political discourse, applying the perspective of philosophical thought. To do so, political issues and actions are examined by using concepts such as reason, emotions, madness, magic, morality, absolutism, extremism, psychopathology, rationality and others. The analysis is rooted in theories and concepts derived from history, philosophy, religion, art, sociology, psychology, and political science. This book, which was mostly written by the late Abraham Kaplan, an American philosopher, and edited and updated by Gabriel Weimann, will be of much interest to students of political violence/terrorism, philosophy, war and conflict studies and political science in general.

The sweeping story of the world’s first financial crisis: “an astounding episode from the early days of financial markets that to this day continues to intrigue and perplex historians . . . narrative history at its best, lively and fresh with new insights” (Liaquat Ahamed, Pulitzer Prize–winning author of Lords of Finance) A Financial Times Economics Book of the Year ● Longlisted for the Financial Times/McKinsey Business Book of the Year Award In the heart of the Scientific Revolution, when new theories promised to explain the affairs of the universe, Britain was broke, facing a mountain of debt accumulated in war after war it could not afford. But that same Scientific Revolution—the kind of thinking that helped Isaac Newton solve the mysteries of the cosmos—would soon lead clever, if not always scrupulous, men to try to figure a way out of Britain’s financial troubles. Enter the upstart leaders of the South Sea Company. In 1719, they laid out a grand plan to swap citizens’ shares of the nation’s debt for company stock, removing the burden from the state and making South Sea’s directors a fortune in the process. Everybody would win. The king’s ministers took the bait—and everybody did win. Far too much, far too fast. The following crash came suddenly in a rush of scandal, jail, suicide, and ruin. But thanks to Britain’s leader, Robert Walpole, the kingdom found its way through to emerge with the first truly modern, reliable, and stable financial exchange. Thomas Levenson’s Money for Nothing tells the unbelievable story of the South Sea Bubble with all the exuberance, folly, and the catastrophe of an event whose impact can still be felt today.

Vols. for 1971- include annual reports and statistical summaries.

Aphrodite and Venus in Myth and Mimesis is a broad, flexible source book of comparative literature and cultural studies. It promotes the wide-ranging presence and impact of prominent idiosyncratic personalities in fabled goddess mythology and its emphatic notions of endearment and allure. The book brings together seven hundred acknowledged sources drawn from successive historical, global and literary eras, including principal commentaries, along with factual information and important renditions in art, prose and verse, within and beyond mainstream western culture. A lengthy, detailed introduction presents a copious documented preview of the viable adaptation and mimesis of ‘divine’ characterization and its respective centrality from the long distant past to the present day. Myth, rarely latent, demonstrates varied modes of expression and open-ended flexibility throughout the six comprehensive chapters which illuminate and probe, in turn, aspects of the ideological presence, sensibilities, trials and triumphs and interventions of the goddess, whether sacred or profane. Particular literary extracts and episodes range across ancient cultures alongside quite recent expressions of hermeneutics, blending myth with the contemporary in the multi-layered reception or admonishment of the goddess, whether by one designation or the other. As such, this book is wholly relevant to all stages of the evolution and expansion of a dynamic European literary culture and its leading authors and personalities.

Recognized as a major innovator in the weird story, H. P. Lovecraft (1890–1937) was an author whose influence was felt by nearly every writer of horror, fantasy, and science fiction in the second half of the twentieth century. Considered one of the leading writers of gothic horror, Lovecraft and his work continue to inspire writers today. In Lovecraft and Influence: His Predecessors and Successors, Robert H. Waugh has assembled essays that are vast in scope, ranging from the Bible through the Edwardian period and well into the present. This collection is devoted to authors whose work had an impact on Lovecraft—Alexander Pope, Jonathan Swift, Nathaniel Hawthorne, Edgar Allan Poe, and Lord Dunsany—and those who drew inspiration from him, including William S. Burroughs, Ramsey Campbell, Thomas Ligotti, and Stephen King. A fascinating anthology, Lovecraft and Influence will appeal to aficionados of classic horror, fantasy, and science fiction and those with an interest in modern authors whose works reflect and honor Lovecraft’s enduring legacy.