From the INTRODUCTION by Charlotte Bront�. In looking over my sister Anne's papers, I find mournful evidence that religious feeling had been to her but too much like what it was to Cowper; I mean, of course, in a far milder form. Without rendering her a prey to those horrors that defy concealment, it subdued her mood and bearing to a perpetual pensiveness; the pillar of a cloud glided constantly before her eyes; she ever waited at the foot of a. secret Sinai, listening in her heart to the voice of a trumpet sounding long and waxing louder. Some, perhaps, would rejoice over these tokens of sincere though sorrowing piety in a deceased relative: I own, to me they seem sad, as if her whole innocent life had been passed under the martyrdom of an unconfessed physical pain: their effect, indeed, would be too distressing, were it not combated by the certain knowledge that in her last moments this tyranny of a too tender conscience was overcome; this pomp of terrors broke up, and, passing away, left her dying hour unclouded. Her belief in God did not then bring to her dread, as of a stem Judge -- but hope, as in a Creator and Saviour: and no faltering hope was it, but a sure and steadfast conviction, on which, in the rude passage from Time to Eternity, she threw the weight of her human weakness, and by which she was enabled to bear what was to be borne, patiently -- serenely -- victoriously....

This Is A New Release Of The Original 1920 Edition.

In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Brontë sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in my sister Emily's handwriting....I looked it over, amd something more than surprise seized me -- a deep conviction that these were not common effusions, nor at all like the poetry women generally write. I thought them condensed and terse, vigorous and genuine. To my ear they had also a peculiar music -- wild, melancholy, and elevating." The renowned Hatfield edition of The Complete Poems of Emily Jane Brontë includes the poetry that captivated Charlotte Brontë a century and a half ago, a body of work that continues to resonate today. This incomparable volume includes Emily's verse from Poems by Currer, Ellis and Acton Bell as well as 200 works collected from various manuscript sources after her death in 1848. Some were deited and preserved by Charlotte and Arthur Bell Nichols; still others were discovered years later by Brontë scholars. Originally released in 1923, Hatfield's collection was the result of a remarkable attempt over twenty years to isolate Emily's poems from her sisters' and to achieve chronological order. Accompanied by an interpretive preface on "The Gondal Story" by Miss Fannie E. Ratchford, author of The Brontë's Web of Childhood, the edition is the definitive collection of Emily Brontë's poetical works.

Bonded Leather binding

The youngest of the well-known Bronte siblings, Anne Bronte (1820-1849) grew up drawing and writing poetry in secret. As a child, Anne spent countless hours on the Yorkshire moors with her sister, Emily, creating an imaginary world called Gondal. Anne attended school at age fifteen, and there she experienced an episode of spiritual crisis, which is evidenced in many of her poems. She later worked as a governess before collaborating with her sisters, Emily and Charlotte, on a collection of poetry in 1846. The sisters used pen names to publish their work - Anne wrote as Acton Bell - to avoid unfair judgment as women writers. Although the collection sold poorly, Anne found a market for her own poetry, and was published in Fraser's Magazine. Unfortunately, her deeply insightful collection of work was cut short by an early death, and is therefore often overshadowed by that of her sisters.

Originally published in 1903. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks, notations and other marginalia present in the original volume.

In looking over my sister Anne's papers, I find mournful evidence that religious feeling had been to her but too much like what it was to Cowper; I mean, of course, in a far milder form. Without rendering her a prey to those horrors that defy concealment, it subdued her mood and bearing to a perpetual pensiveness; the pillar of a cloud glided constantly before her eyes; she ever waited at the foot of a. secret Sinai, listening in her heart to the voice of a trumpet sounding long and waxing louder. Some, perhaps, would rejoice over these tokens of sincere though sorrowing piety in a deceased relative: I own, to me they seem sad, as if her whole innocent life had been passed under the martyrdom of an unconfessed physical pain: their effect, indeed, would be too distressing, were it not combated by the certain knowledge that in her last moments this tyranny of a too tender conscience was overcome; this pomp of terrors broke up, and, passing away, left her dying hour unclouded. Her belief in God did not then bring to her dread, as of a stem Judge -- but hope, as in a Creator and Saviour: and no faltering hope was it, but a sure and steadfast conviction, on which, in the rude passage from Time to Eternity, she threw the weight of her human weakness, and by which she was enabled to bear what was to be borne, patiently -- serenely -- victoriously....