The Picatrix is the most famous grimoire of astrological magic and one of the most important works of medieval and Renaissance magic. With all four books of the Latin Picatrix complete in one volume, translated & annotated by the noted scholars, magicians and astrologers John Michael Greer & Christopher Warnock, Picatrix takes its rightful place as an essential occult text. Picatrix is an encyclopedic work with over 300 pages of Hermetic magical philosophy, ritual, talismanic and natural magic. Greer & Warnock's complete translation is lucid and well annotated and was created by astrologers and magicians for astrologers and magicians. Greer & Warnock's translation was intended to make this incredible grimoire accessible to practitioners and has made an important contribution to the revival of traditional astrological magic.

The Picatrix is the most famous grimoire of astrological magic and one of the most important works of medieval and Renaissance magic. With all four books, the complete text, in one volume, translated and annotated by the noted scholars, magicians and astrologers John Michael Greer and Christopher Warnock, Picatrix takes its rightful place as an essential occult text for modern esotericists. The Illustrated Picatrix contains over 120 illustrations, with images of the 7 planets and 28 Mansions of the Moon by Nigel Jackson as well as images of the 36 decans and 12 signs by Renaissance artists. This is an authentic ancient magical text, lucidly translated and fully annotated with over 400 footnotes.

The Picatrix is the most notorious grimoires of astrological magic and one of the most important works of medieval and Renaissance magic. With all four books of the Spanish translation circa 1256, Picatrix takes its rightful place as an essential occult text. Picatrix is an encyclopaedic work with over 400 pages of Hermetic magical philosophy, ritual, talismanic and natural magic. Picatrix is a composite work that synthesizes older works on magic and astrology. One of the most influential interpretations suggests it is to be regarded as a ""handbook of talismanic magic Edited and translated into English by Edmund Kelly Picatrix is a Grimoire that holds its place in occult literature.

Picatrix, known in Arabic as the Ghayat al-Hikam, the Goal of the Wise, is the most important grimoire of astrological magic. Written in Arabic circa AD 1000 and translated into Latin in 1256, the Picatrix explains both the philosophy and practice involved in the creation of astrological talismans. This clear and coherent English translation of books I & II of the four books of the Pingree critical edition of the Latin Picatrix is a key text for both the practitioner and scholar of medieval and Renaissance magic and includes instructions for hundreds of talismans for love, wealth, health, success and protection.

Traces the legend of Atlantis from the original stories found in the works of Plato to the latest scientific debates and discoveries, and argues that the threat of global warming may lead modern society to the same fate.

Written by two veteran ritualists with 20 years of experience apiece, this text describes magic in terms of spiritual healing, and is especially written for contemporary astrologers who want a more hands-on, ritualized, and astrologically based spirituality to complement their chart-reading practices.

A manual for constructing talismans, mixing magical compounds, summoning planetary spirits, and determining astrological conditions, Picatrix is a cornerstone of Western esotericism. It offers important insights not only into occult practices and beliefs but also into the transmission of magical ideas from antiquity to the present. Dan Attrell and David Porreca’s English translation opens the world of this vital medieval treatise to modern-day scholars and lay readers. The original text, Ghāyat al-Ḥakīm, was compiled in Arabic from over two hundred sources in the latter half of the tenth century. It was translated into Castilian Spanish in the mid-thirteenth century, and shortly thereafter into Latin. Based on David Pingree’s edition of the Latin text, this translation captures the spirit of Picatrix’s role in the European tradition. In the world of Picatrix, we see a seamless integration of practical magic, earnest piety, and traditional philosophy. The detailed introduction considers the text’s reception through multiple iterations and includes an enlightening statistical breakdown of the rituals described in the book. Framed by extensive research on the ancient and medieval context that gave rise to the Latin version of the text, this translation of Picatrix will be an indispensable volume for students and scholars of the history of science, magic, and religion and will fascinate anyone interested in the occult.

Planetary magick lies at the root of all astrological, alchemical, and Qabalistic lore. Although the planetary powers of the cosmos are far beyond our intervention, their correspondences in the depths of the psyche are within our reach through certain special meditative and ritual methods.

Secrets of Planetary Ritual is the first English translation of the authentic planetary invocations of the Harranian Sabians from the most famous of astrological grimoires, the Picatrix. It contains full instructions for the ritual conjuration of the seven planets. Translated by John Michael Greer and Christopher Warnock from Pingree's Latin critical edition it also contains the Arabic spirit names from the Ritter & Plessner's German translation of Picatrix. Authentic and magically potent, Secrets of Planetary Ritual provides the perfect ceremonial invocations for the creation of planetary talismans.

Inspired by the work of eminent scholar Richard Kieckhefer, The Sacred and the Sinister explores the ambiguities that made (and make) medieval religion and magic so difficult to differentiate. The essays in this collection investigate how the holy and unholy were distinguished in medieval Europe, where their characteristics diverged, and the implications of that deviation. In the Middle Ages, the natural world was understood as divinely created and infused with mysterious power. This world was accessible to human knowledge and susceptible to human manipulation through three modes of engagement: religion, magic, and science. How these ways of understanding developed in light of modern notions of rationality is an important element of ongoing scholarly conversation. As Kieckhefer has emphasized, ambiguity and ambivalence characterize medieval understandings of the divine and demonic powers at work in the world. The ten chapters in this volume focus on four main aspects of this assertion: the cult of the saints, contested devotional relationships and practices, unsettled judgments between magic and religion, and inconclusive distinctions between magic and science. Freshly insightful, this study of ambiguity between magic and religion will be of special interest to scholars in the fields of medieval studies, religious studies, European history, and the history of science. In addition to the editor, the contributors to this volume are Michael D. Bailey, Kristi Woodward Bain, Maeve B. Callan, Elizabeth Casteen, Claire Fanger, Sean L. Field, Anne M. Koenig, Katelyn Mesler, and Sophie Page.