In John the Balladeer, Manly Wade Wellman created one of the great characters in all of horror and fantasy literature. Armed with his silver-stringed guitar and an endless trove of folk songs, John travels the backwoods of Appalachia, battling supernatural evil with his own brand of down-home charm and endless resourcefulness. In these tales, John wanders the Southern mountains, encountering hoodoo men and witch women, strange supernatural beasts, malevolent spirits, and even George Washington's ghost. Edited by horror legend Karl Edward Wagner, this volume contains the complete John the Balladeer stories in their original, unaltered form, as they first appeared in magazines and anthologies between 1951 and 1987. Also featured are a foreword by Wellman's friend and literary executor David Drake and an introduction by Wagner. "Just as J. R. R. Tolkien brilliantly created a modern British myth cycle, so did Manly Wade Wellman give to us an imaginary world of purely American fact, fantasy and song." - Karl Edward Wagner "This is the real thing-a book of haunting fantasies with their roots going down deep into the American folk tradition." - Robert Silverberg Cover by Ilan Sheady

"Manhattan playboy and dilettante John Thunstone is a serious student of the occult and a two-fisted brawler ready to take on any enemy. He is armed with potent charms and a silver sword-cane as he stalks supernatural perils, seeking out deadly sorcery wherever he discovers it"--Page 4 of cover.

In The Last Balladeer, author Gregg Akkerman skillfully reveals the life-long achievements and occasional missteps of Johnny Hartman as an African-American artist dedicated to his craft. In the first full-length biography and discography to chronicle the rhapsodic life and music of Johnny Hartman, the author completes a previously missing dimension of vocal-jazz history by documenting Hartman as the balladeer who crooned his way into so many hearts. Backed by impeccable research but conveyed in a conversational style, this book will interest not only musicians and scholars but any fan of the Great American Songbook and the singers who brought it to life.

In the wilds of Southern Appalachia lies Wolter Mountain--a sarced place for the Indians and for their predecessors. But the land atop the mountain, taken over by two Englishmen, Brummitt and Hooper Voth, is undergoing frightening changes.

In the 1930s, a very unusual tale appeared in the influential Amazing Stories magazine. Unlike the usual yarns of robots and interstellar travel, this "Battle in the Dawn" featured the brutal exploits of Hok, the first hero of humanity, in his struggles against the savage Neanderthals. Written by rising pulpster Manly Wade Wellman (Who Fears the Devil?), who would later achieve fame for his American folktales of Silver John and beat out William Faulkner for a prestigious writing award, the story and its brave hero struck a chord with Amazing's readers, and several additional adventures followed, taking Hok through the prehistory of mankind to battle unrelenting cavemen, explore the lost city of Atlantis, discover new technology, and chart a new destiny for humanity. Now, for the first time ever, Planet Stories presents a complete authorized collection of all of Wellman's rare Hok the Mighty tales, packed with unfinished story fragments, all-new illustrations, and a brand-new introduction by Wellman's longtime friend, fantasy author David Drake.

Louisville native John Jacob Niles (1892–1980) is considered to be one of our nation’s most influential musicians. As a composer and balladeer, Niles drew inspiration from the deep well of traditional Appalachian and African American folk songs. At the age of sixteen Niles wrote one of his most enduring tunes, “Go ’Way from My Window,” basing it on a song fragment from a black farm worker. This iconic song has been performed by folk artists ever since and may even have inspired the opening line of Bob Dylan’s “It Ain’t Me Babe.” In I Wonder as I Wander: The Life of John Jacob Niles, the first full-length biography of Niles, Ron Pen offers a rich portrait of the musician’s character and career. Using Niles’s own accounts from his journals, notebooks, and unpublished autobiography, Pen tracks his rise from farm boy to songwriter and folk collector extraordinaire. Niles was especially interested in documenting the voices of his fellow World War I soldiers, the people of Appalachia, and the spirituals of African Americans. In the 1920s he collaborated with noted photographer Doris Ulmann during trips to Appalachia, where he transcribed, adapted, and arranged traditional songs and ballads such as “Pretty Polly” and “Black Is the Color of My True Love’s Hair.” Niles’s preservation and presentation of American folk songs earned him the title of “Dean of American Balladeers,” and his theatrical use of the dulcimer is credited with contributing to the popularity of that instrument today. Niles’s dedication to the folk music tradition lives on in generations of folk revival artists such as Jean Ritchie, Joan Baez, and Oscar Brand. I Wonder as I Wander explores the origins and influences of the American folk music resurgence of the 1950s and 1960s, and finally tells the story of a man at the forefront of that movement.

John, the guitar-picking wanderer, has been assigned, by a high government agency, the task of looking into a remote community to see if devil worship is practiced there -- and he finds that the rumor is terribly true.