A collection of stories which feature Spider-Man battling alongside such heroes as Daredevil and the Fantastic Four.

Frank Miller took the comics industry by storm, rede- fining iconic characters, obliterating creative boundaries and inspiring a generation of readers and creators. While most know Miller as the man who remade Daredevil and created Elektra, he contributed his talents to many Marvel titles - and this incomparable Omnibus brings those stories together in one complete collection! From Miller's fi rst Marvel work to his extensive array of covers and rare pinups, this painstakingly restored collection is the Millerphile's be-all and end-all. Featuring Miller's iconoclastic take on Spider-Man, Captain America, Wolverine, the Thing, Doc Samson, Captain Marvel, Karma, Power Man and Iron Fist - and many more! COLLECTING: PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) 27-28; MARVEL TWO-IN-ONE (1974) 51; MARVEL SPOTLIGHT (1979) 8; AMAZING SPIDER-MAN ANNUAL 14-15; MARVEL TEAM-UP ANNUAL 4; WOLVERINE (1982) 1-4; MARVEL FANFARE (1982) 18; MATERIAL FROM MARVEL PREVIEW 23; MARVEL TEAM-UP (1972) 100; POWER MAN AND IRON FIST (1978) 76; INCREDIBLE HULK ANNUAL 11; OHOTMU (1983) 2-6, 8, 10

There's a deadly menace somewhere in Empire City, and The Fixer only has until dawn to save his town - and civilization as we know it! This title features the desperate and brutal quest of a hero as he is forced to run down an army of murderous zealots in order to stop a crime against humanity.

Collects Peter Parker, the Spectacular Spider-Man #27-28, and Daredevil #158-161 and #163-172.

Collects Wolverine #1-4 [Author]; Uncanny X-Men #172 [Author]; #173.

The unforgettable world of Frank Miller’s Dark Knight saga—reimagined by the comics industry’s greatest artists with a collection of variant cover art—is brought to life in this hardcover title, BATMAN: THE ART OF THE DARK KNIGHT: MASTER RACE. No comic has shaped the future of superhero storytelling like Frank Miller’s THE DARK KNIGHT RETURNS. Even 30 years later, the iconic story of an aged Batman in a strange dystopian future still sets the gold standard for what a comic book can be. So when Miller’s highly anticipated third installment of the series, BATMAN: THE DARK KNIGHT: MASTER RACE, hit comics shops, it was accompanied by DC’s most ambitious variant cover program ever—over 150 variant covers produced by an all-star roster of artists, from veteran industry legends to the hottest rising stars. This special edition collects all the covers, variant covers and mini-comic covers from MASTER RACE, along with never-before-seen sketch material and an introduction by longtime Miller collaborator and Dark Knight saga inker, Klaus Janson. FEATURING STUNNING ARTWORK BY Frank Miller, Andy Kubert, Klaus Janson, Jim Lee, Rafael Albuquerque, Neal Adams, Michael Allred, John Cassaday, J. Scott Campbell, Greg Capullo, Darwyn Cooke, Tim Sale, Brian Bolland, Gary Frank, Ivan Reis, Francis Manapul, David Finch and many more!

Collects Amazing Spider-Man (1963) #213-223 and Annual #15. New York City has always been a defining element in Spider-Man’s world, but it’s going to drive him crazy — if it doesn’t kill him first. From an NYC Marathon assassination plot to Peter Parker’s paper-thin apartment walls, and from a merged Hydro-Man/Sandman menace to running into his ex-girlfriend’s new beau, Biff Rifkin, the City That Never Sleeps just won’t give Spidey a break! And the hits keep coming when Peter Parker is accused of causing a prison break — and thrown in the slammer himself! Also featuring Moon Knight, a team-up with Sub-Mariner against the Frightful Four and the Aunt May solo “adventure” you demanded! And it’s all topped off with an iconic Dennis O’Neil/Frank Miller Annual pitting Spider-Man and the Punisher against Doc Ock!

This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel's mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication's title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel-related publications to 2005, while two other appendices provide selected lists of Marvel-related game books and unpublished Marvel titles.

2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.