DIVHow to construct and manipulate puppets, build little theaters, set up and furnish a stage, light scenes, and more. Over 200 illustrations. /div

Making and Manipulating Marionettes is a comprehensive guide to the design, construction and control of string puppets, a craft and performance art that has fascinated audiences for over two thousand years. Topics covered include: An introduction to the marionette tradition and the principles and practicalities of marionette design Advice on materials and methods for carving, modelling and casting puppet parts Step-by-step instructions for the construction of human and animal marionettes using traditional techniques and latest materials Detailed explanations for marionette control, stringing and manipulation Secrets for achieving a wide range of special effects and traditional acts, tricks and transformations

Expert guide explains how to construct several types of puppets and presents exercises for developing distinctive voices, learning puppet movement. Includes stage design, writing plays, directing productions, more. Over 150 black-and-white illustrations.

"Highly recommended." — Library Journal Marionettes, those beguiling, animated little actors on strings, have endeared themselves to puppet show lovers for generations. Constructed to approximate most nearly the movement and appearance of humans and animals, the jointed figures appear today in a variety of places — in the theater, motion pictures, schools, and even as an advertising medium. This instructive and engaging guide, written by professionals with a passion for their art, provides everyone from beginners to veteran performers with all the information needed to create these beloved figures and the stages on which they perform. Enhanced with more than 200 sequenced photographs and diagrams, the comprehensive manual contains valuable advice for making heads, bodies, wigs, and puppet clothing and includes entire chapters on how to manipulate the puppet, set up and furnish a stage, light scenes, and even how to build miniature pieces of furniture. A production chapter tells how to incorporate music, put on sketches, parody celebrities, and arrange programs. There's even a complete script for Beauty and the Beast, as well as a section on the history of puppeteering.

Valerie Darkmore's entire life has been building up to this moment-her initiation into the Marionettes, the prestigious league of witches sworn to serve the vampires. As one of the last remaining blood witches, her spot is almost guaranteed. At least, so she'd thought. The academy is full of sabotage and secrets as the tasks begin, and Valerie quickly realizes she has more than her spot on the line. Her survival seems just as uncertain. The closer she gets to the final trial, the more she learns everything-and everyone-around her isn't quite what it seems. The Marionettes is the first in a series.

Marionettes are loved by puppeteers and audiences for what they can do on stage, but they can be challenging to design, make and perform. This beautiful book clearly explains the process from making the puppets to putting them on strings and bringing them alive. Detailed step-by-step instructions are given to make three marionettes - a walking bird, a dancer and a wooden man - each using different tools and materials, with progressively trickier techniques. Written by a leading puppeteer, it celebrates the art of the marionette. This book includes a showcase of marionettes from around the world to illustrate the variety, and richness of this ancient art which are superbly illustrated by 247 colour images with step-by-step instructions.

While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.

Provides detailed instructions for inventing and constructing string puppets and staging a marionette production.

"Originally published in 2015 by Allen Lane, an imprint of Penguin Books, Great Britain"--Title page verso.