The coronavirus pandemic of 2019-20 and its associated global economic collapse has bluntly revealed that decision makers everywhere are ill-equipped to identify the innovative capacities of modern societies and, in particular, deploy managers to harness such capabilities. Getting the problem of management right is a voyage to the heart of human experience. Indeed, the perennial questions that haunt our existence almost invariably prompt answers that invoke conceptions of work, transformative effort and realisation of ideas. One way or another, all such endeavour requires management. It is often overlooked that more than any other discipline, management history brings into focus humanity’s most pressing questions. At the time of writing, these queries come with a disquieting urgency. What is management? How do its modern methods differ from those in pre-industrial societies? How does the management that emerged in Western Europe and North America in the nineteenth century differ from forms practiced in the twentieth? In what ways do Asian, African and South American societies have distinctive managerial philosophies? Perhaps most importantly, what don’t we know or don’t do very well? It is to these fundamental questions that the Palgrave Handbook of Management History speaks. The work’s 63 chapters – authored by 27 of the world’s leading management and business thinkers – explore virtually every aspect of management globally as well as across millennia. The series explores the theoretical contributions of classical Western business and management scholars (Adam Smith, Frederick Taylor, Elton Mayo, Peter Drucker, Alfred Chandler, etc.) as well as commentaries from critical theorists such as Michel Foucault, Jacques Derrida and Hayden White. The Handbook is also practical. For example, its content addresses the day to day experience of management in ancient Greece and Rome as well as the contemporary approaches of China, France, South Africa, India, Denmark, Australia, South America, New Zealand and the Middle East. In short, the Palgrave Handbook provides students of economics, management, business theory and practice, and critical studies with a single comprehensive and in-depth point of reference.

Major account of the fourteenth-century crisis which saw a series of famines, revolts and epidemics transform the medieval world.

For the first time, the Middle Passage—the experience of slaves on the trans-Atlantic ships—receives a full reference treatment in an encyclopedia. This A-to-Z reference consists of 226 signed entries arranged alphabetically, exhaustively covering the Middle Passage from a variety of perspectives for student research and browsing. Each essay entry concludes with suggestions for further reading. The encyclopedia includes an introductory overview of the trans-Atlantic slave trade as well as illustrations, bibliography, and chronology. As a handy ready-reference, the Encyclopedia of the Middle Passage is the first of its kind. As schools continue to incorporate slavery in their curriculums, the volume will prove to be an essential reference for high school reports and research in History and Social Studies, as well as for college students and general readers. Its subject is of continuing interest, as evidenced by the extraordinary popularity of the film Amistad and the recent HBO special, The Middle Passage. Sample entries: Abolitionism, Asante, Barracoons, Black Sailors, Cargoes, Christianity, Credit and Finance, Door of No Return, Eric Williams Thesis, Gold Coast, Import Records, Islam and Muslims, Museums, Oral History, Rape and Sexual Abuse, Seasoning, Suicide, Triangular Trade, William Wilberforce, Women

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.