Michael Williams, in Melbourne’s The Age, wrote of this award-winning, dazzling debut collection, “By turns horrific and beautiful . . . Humanity at its most fractured and desolate . . . Often moving, frequently surprising, even blackly funny . . . Things We Didn’t See Coming is terrific.” This is just one of the many rave reviews that appeared on the Australian publication of these nine connected stories set in a not-too-distant dystopian future in a landscape at once utterly fantastic and disturbingly familiar. Richly imagined, dark, and darkly comic, the stories follow the narrator over three decades as he tries to survive in a world that is becoming increasingly savage as cataclysmic events unfold one after another. In the first story, “What We Know Now”—set in the eve of the millennium, when the world as we know it is still recognizable—we meet the then-nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown. The remaining stories capture the strange—sometimes heartbreaking, sometimes funny—circumstances he encounters in the no-longer-simple act of survival; trying to protect squatters against floods in a place where the rain never stops, being harassed (and possibly infected) by a man sick with a virulent flu, enduring a job interview with an unstable assessor who has access to all his thoughts, taking the gravely ill on adventure tours. But we see in each story that, despite the violence and brutality of his days, the narrator retains a hold on his essential humanity—and humor. Things We Didn’t See Coming is haunting, restrained, and beautifully crafted—a stunning debut.

'She's going to die. I think we both know that. What's coming out of her is too big, too powerful, and it's going to tear her apart. I just hope it doesn't tear me apart as well...'Your best friend gets all the attention. Now she's pregnant with the Antichrist, religious maniacs are trying to kill her, and she wants to get an abortion. How do you compete with that, persuade her to keep the baby, and at the same time hold down your job as a bookshop assistant while trying not to think too much about decapitated Chihuahuas and the unpleasantness at the clinic? It's not easy.From the acclaimed author of Suckers, Stiff Lips and The Ex comes an everyday story of female friendship versus suave assassins, pushy tabloid reporters, and the End of Days.

Pulse is not about dance music, not about heart rates—and not about electromagnetic fields. What it does describe is a sea change in human affairs, a vast and fundamental shift that is about to transform every aspect of our lives. Written in lively prose for lay readers, Pulse shows how ideas that have shaped Western science, industry, and culture for centuries are being displaced by the rapid and dramatic rise of a "new biology"—by human systems and machines that work like living things. In Pulse, Robert Frenay details the coming world of • emotional computers • ships that swim like fish • hard, soft, and wet artificial life • money that mimics the energy flows in nature • evolution at warp speed And these are not blue-sky dreams. By using hundreds of vivid and concrete examples of cutting-edge work, Frenay showcases the brilliant innovations and often colorful personalities now giving birth to a radical new future. Along the way, he also offers thoughtful conclusions on the promises—and dangers—of our transformation to the next great phase of "human cultural evolution."

A musician facing the untimely end of his career. An end-of-life doula with everything, and nothing, to lose. A Star Is Born meets Me Before You in this powerful novel by the author of A Million Reasons Why. "Grab the tissues." - People Magazine As an end-of-life doula, Nova Huston’s job—her calling, her purpose, her life—is to help terminally ill people make peace with their impending death. Unlike her business partner, who swears by her system of checklists, free-spirited Nova doesn’t shy away from difficult clients: the ones who are heartbreakingly young, or prickly, or desperate for a caregiver or companion. When Mason Shaylor shows up at her door, Nova doesn’t recognize him as the indie-favorite singer-songwriter who recently vanished from the public eye. She knows only what he’s told her: That life as he knows it is over. His deteriorating condition makes playing his guitar physically impossible—as far as Mason is concerned, he might as well be dead already. Except he doesn’t know how to say goodbye. Helping him is Nova’s biggest challenge yet. She knows she should keep clients at arm’s length. But she and Mason have more in common than anyone could guess... and meeting him might turn out to be the hardest, best thing that’s ever happened to them both. Jessica Strawser's The Next Thing You Know is an emotional, resonant story about the power of human connection, love when you least expect it, hope against the odds, and what it really takes to live life with no regrets.

First published in The Gettysburg Review, Wilson's novella takes us into an odd office world of the temporary employee where the work makes no sense, where catching up can bring about the end of an assignment but unemployment can come anyway in an instant with a wrong word or gesture, where tomorrow is never the same.

This volume contains a series of predictions made by H. G. Wells as to the ramifications of World War I, covering such areas as politics, economics, border changes, education, media, law, and more. Contents include: "Forecasting The Future", "The End Of The War", "Nations In Liquidation", "Braintree, Bocking, And The Future Of The World", "How Far Will Europe Go Toward Socialism?", "Lawyer And Press", "The New Education", "What The War Is Doing For Women", "The New Map Of Europe", et cetera. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.

In Strangers Tend to Tell Me Things--her follow-up memoir to the NYT bestselling The Mighty Queens of Freeville--America's most popular advice columnist, "Ask Amy," shares her journey of family, second chances, and finding love. By peeling back the curtain of her syndicated advice column, Amy Dickinson reveals much of the inspiration and motivation that has fueled her calling. Through a series of linked essays, this moving narrative picks up where her earlier memoir left off. Exploring central themes of romance, death, parenting, self-care, and spiritual awakening, this touching and heartfelt homage speaks to all who have faced challenges in the wake of life's twists and turns. From finding love in middle-age to her storied experience with stepparenting to overcoming disordered eating to her final moments spent with her late mother, Dickinson's trademark humorous tone delivers punch and wit that will empower, entertain, and heal.

Don’t miss the #1 New York Times bestselling blockbuster and Reese Witherspoon Book Club Pick that’s sold 3 million copies strong—now an Apple TV+ limited series starring Jennifer Garner! The “page-turning, exhilarating” (PopSugar) and “heartfelt thriller” (Real Simple) about a woman who thinks she’s found the love of her life—until he disappears. Before Owen Michaels disappears, he smuggles a note to his beloved wife of one year: Protect her. Despite her confusion and fear, Hannah Hall knows exactly to whom the note refers—Owen’s sixteen-year-old daughter, Bailey. Bailey, who lost her mother tragically as a child. Bailey, who wants absolutely nothing to do with her new stepmother. As Hannah’s increasingly desperate calls to Owen go unanswered, as the FBI arrests Owen’s boss, as a US marshal and federal agents arrive at her Sausalito home unannounced, Hannah quickly realizes her husband isn’t who he said he was. And that Bailey just may hold the key to figuring out Owen’s true identity—and why he really disappeared. Hannah and Bailey set out to discover the truth. But as they start putting together the pieces of Owen’s past, they soon realize they’re also building a new future—one neither of them could have anticipated. With its breakneck pacing, dizzying plot twists, and evocative family drama, The Last Thing He Told Me is a “page-turning, exhilarating, and unforgettable” (PopSugar) suspense novel.