Presenting more than 100 traditional, colorful puppets and masks used in Malian puppet theater, this book documents a collection that has been widely exhibited. One of the largest published surveys of Malian Bamana and Bozo puppet theater, it includes numerous pictures of puppets and masks in performance as well as detailed information on their size and construction. The text offers a historical overview of puppetry, focused on Africa, and a description of the cultural tradition that gave rise to and sustains Malian Sogo B puppet theatre, a community-based, multi-media spectacle. This is an excellent reference for anyone interested in puppetry, performance theater, masquerade, African music and dance, and African sculpture.

There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that “critical fashion” is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change.

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.

This volume explores the cultural history and lore of African headwear - from spectacular hats for special events to informal everyday examples - and the vital role such headwear plays in reinforcing societal norms, announcing important rituals, recalling historical events, and celebrating an individual's achievements. The human head is traditionally held by African cultures to be the seat of individual power, spirit, and intelligence. Through this examination of African headwear, notions of status and accumulation in the Lega and Kuba societies are compared, and connections between Africa and the Americas are explored. The history, manufacturing technology, symbolism, and provenance of 12 hats are examined in depth.

"Accompanied by photographs of 266 masks, the largest representation of traditional polychrome masks from the Temne people of Sierra Leone and the Anang (Ibibio) people of Nigeria are documented here, as well as one of the largest published collections of articulated masks from the Ogoni people of Nigeria. Also illustrated is a wide range of traditional masks used by other peoples of West and Central Africa, including masks from the nations of Guinea Bissau, Guinea, Liberia, Ivory Coast, Ghana, Mali, Burkina Faso, Cameroon, Gabon, Equatorial Guinea, Democratic Republic of Congo, and Angola"--Jacket.

Explore the relationship between music and society around the world This comprehensive introductory text creates a panoramic experience for beginner students by exposing them to the many musical cultures around the globe. Each chapter opens with a musical encounter in which the author introduces a key musical culture. Through these experiences, students are introduced to key musical styles, musical instruments, and performance practices. Students are taught how to actively listen to key musical examples through detailed listening guides. The role of music in society is emphasized through chapters that focus on key world cultural groups.

The first comparative study in English of all aspects of puppetry in nineteenth-century Europe.

Comedy / Characters: 7 male, 5 female Set Requirements: Interior Produced in New York City. Three young men and three young women share an apartment in all innocence; they are would be stage folk and they are doing this for economic security. Their apartment is immediately above that of a Broadway producer who is about to cast a road company. They rehearse the play but how can they get him upstairs to see it? It happens that the producer is an amateur chef and, right in the middle of a culi

African design encompasses colours, textures, patterns, styles and traditions varied enough to fuel a range of dazzling home decorating looks. Detailed captions identify the design elements in each photograph, offering readers ideas for their own home