Written between the years 1798 and 1801, The Lucy Poems is a charming, pocket-sized collection of William Wordsworth’s Lucy poems, first published in one of his best-known works, Lyrical Ballads. The lyrical poetry in this volume explores nature motifs alongside melancholic themes of grief and unrequited love, surrounding a young English girl’s death. Lucy’s identity continues to be unknown and she is commonly thought to be figurative, a literary device for Wordsworth to reflect his own feelings of longing and loss on to. This collection includes all five of Wordsworth’s Lucy poems: - ‘Stange fits of passion I have known’ - ‘She dwelt among the untrodden ways’ - ‘I travelled among unknown men’ - ‘Three years she grew in sun and shower’ - ‘A slumber did my spirit seal’ Wordsworth was traveling Germany with his sister, Dorothy, at the time of writing this series. His growing irritation at his traveling companion and his desire to be reunited with his close friend, Samuel Taylor Coleridge, is evident in the works. Four of the five poems were first published in the collection Lyrical Ballads, composed by Wordsworth and Coleridge, that went on to form part of the early Romantic movement in England. This small edition of Wordsworth’s Lucy poems has been republished by Read & Co. Books Ragged Hand, complete with introductory excerpts from Thomas De Quincey and Thomas Carlyle. The Lucy Poems is an ideal collection for lovers of Romantic era poetry and Wordsworth’s beautiful nature imagery - the perfect companion for those who love reading poetry on the go.

Reproduction of the original: The Collected Writings of Thomas De Quincey by David Masson

The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.