Uri Savir was the Israeli negotiator at the secret Oslo talks with the PLO. He was Director General of the Israeli Foreign Ministry. In this book he gives the background to the difficult and secret meetings leading to the momentous occasion when peace was agreed with the PLO. A fascinating story told for the first time by the leading Israeli player.

A collection of writings from American socialist-turned-Communist John Reed. Contains "Ten Days that Shook the World," Reed's classic eyewitness account of the October Revolution in Russia, as well as "War in Paterson," his account of the 1913 silk workers strike in New Jersey, "The Trader's War," Reed's argument against American involvement in the First World War, and other essays.

An impassioned firsthand account of the Russian Revolution An American journalist and revolutionary writer, John Reed became a close friend of Lenin and was an eyewitness to the 1917 revolution in Russia. Ten Days That Shook the World is Reeds extraordinary record of that event. 'It flashed upon me suddenly: they were going to shoot me!' This electrifying eyewitness account of the Russian Revolution, written by an American journalist in St Petersburg as the Bolsheviks seized power in 1917, is an unsurpassed record of history in the making. John Reed (1887-1920) American journalist and poet-adventurer whose colorful life as a revolutionary writer ended in Russia but made him the hero of a generation of radical intellectuals. Reed became a close friend of V.I. Lenin and was an eyewitness to the 1917 October revolution. He recorded this historical event in his best-known book TEN DAYS THAT SHOOK THE WORLD (1920). Reed is buried with other Bolshevik heroes beside the Kremlin wall.

Still the South.

'A magnificent, thoughtful, moving book. Written with poetic sweep, it+ re-creates a vital era of American history and restores John Reed, the legend, to life. Romantic Revolutionary will long be read as the definitive work about a man who lived an epic life in quest of an ideal.' --Dorothy Samachson, Chicago Daily News

Poetry. Literary Nonfiction. Hybrid Genre. FREE BOAT: COLLECTED LIES AND LOVE POEMS selects from a sequence of sonnets written from 2008-2015. Reed, the author of five previous books (three novels and two "stunts") lends his voice and eclectic abilities to this singular work, which, in addition to being a book of sonnets, is part love letter, part literary ode, and part delusion. Evolving the classical sonnet, a form which still captures our spirits, Reed summons our contemporary yearning: sugar sweet to splash of acid. "Come to me," writes Reed in sonnet #6, "like tomorrow to a child." Sonnet #41, in contrast, offers the lyrical confession, "All I want to do is stab people." With his plaintive lines, Reed gives expression to the inner ghost of the Twenty-First Century; sonnet #65, a valentine, wonders "Momma, are there other wooden children?" FREE BOAT: COLLECTED LIES AND LOVE POEMS spans 54+ sonnets, and that's a lot of sonnets, but Reed's stylistic ease guides his audience through an experience more akin to reading a photo essay. Indeed, of the 23 images in FREE BOAT: COLLECTED LIES AND LOVE POEMS, 9 are photographs by the author. Rhapsody, serenade, picaresque, FREE BOAT would be as comfortably tabled with Nadja by Andr� Breton, as it would be with The Dream Songs by John Berryman, Delta of Venus by Ana�s Nin, or Under the Net by Iris Murdoch.

True stories of totally undeserved suffering. Spectacularly depressing. Nobody gets their just deserts. Crushing defeats. No happy endings. Abject misery. Pointless, endless grief. No lessons of temperance or moderation. No saving grace. No divine intervention. No salvation. Sin, suffering, redemption. That's the movie, that's the front page news, that's the story of popular culture-of American culture. A ray of hope. A comeuppance. An all-for-the-best. Makes it easier to deal with the world's misery-to know that there's a reason behind it, that it'll always work out in the end, that people get what they deserve. The fact: sometimes people suffer for no reason. No sin, no redemption-just suffering, suffering, suffering. Tales of Woe compiles today's most awful narratives of human wretchedness. This is not Hollywood catharsis (someone overcomes something and the viewer is uplifted), this is the katharsis of Ancient Greece: you watch people suffer horribly, and then feel better about your own life. Tales of Woe tells stories of murder, accident, depravity, cruelty, and senseless unhappiness: and all true. The Tales: strange, unexpected, morbidly enticing. Told straight-with elegance, restraint, and simplicity. The design: a one-of-kind white text on black paper, fluidly readable, and coupled with fifty pages of full-color art.

A spellbinding novel of love and war from "a young writer of great promise." -- Paul Auster Written with a storyteller's grace and a poet's touch, John Reed's powerful first novel is a true adventure of the heart -- at once a passionate love story and a sweeping historical saga set against a vivid backdrop of the Civil War.... The year is 1859 as seven-year-old Alma Flynt arrives in the Kentucky town of Cotterpin Creek to begin a new life. There, Alma will have as friends, neighbors, and benefactors the magnificent Cleveland family. With their sprawling mansion and gleaming thoroughbred horses, the Clevelands are a wonder. But from the beginning, one Cleveland draws all of Alma's attention: the youngest son, John Warren. Alma knew they were meant for each other from their first meeting. But everything changes as war descends on Cotterpin Creek, taking John Warren to battle and sweeping his family into the chaos. Against this turbulent backdrop, Alma will come of age. And when the fighting is over, the story of a brave young man riding off to battle becomes a haunting journey of vengeance and redemption. And for Alma, yet another journey begins on the day a tormented young soldier staggers back into her life.