Excerpt from The Collected Poems of Isabella Valancy Crawford This volume contains eighty-six poems of superior merit, of which fifty-two appear for the first time in book form; the remainder appeared originally in a collection entitled "Old Spookses' Pass, Malcolm's Katie, and Other Poems," published by James Bain & Son, Toronto, in 1884. This unassuming volume, issued at the author's special request in cheap paper covers, attracted but little general interest, and, strange as it seems in view of the worth of its contents, has so meagre a sale as to entail financial lass. And yet the unpretentious little book won praise in high quarters. The London Athenceum compared certain of the poems with the work of standard English poets; the Spectator referred to Miss Crawford's blank verse as "indeed of no ordinary kind - vigorous, powerful"; the Illustrated London News described her verse as "abounding in noble sentiments, picturesque narration glowing language and pathetic touches combined with simple, impressive dignity"; the Graphic declared the humorous poems "equal to anything Colonel Hay had ever published," and characterized the book as "throughout a delightful one." Lord Dufferin's kindly tribute, in a letter written from the British Embassy at Constantinople, is reproduced in facsimile in the present volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This volume established Isabella Valancy Crawford as one of Canada's principal poets. Coupled with an introductory collage of viewpoints and reactions to her work by James Reaney its provides a vivid glimpse into the literary past of this country. Although her poetry reflects the patterns of her time, Isabella Valancy Crawford was able to accept the raw and vigorous Canadian landscape on its own terms. She was the first of our poets for whom it became the setting for struggle, passion, love, and death. She celebrated the young land with an imagery enriched by allusions to North American Indian lore reflected in such lines as these: From his far wigwam sprang the strong North Wind And rushed with war-cry down the steep ravine, And wrestled with the giants of the woods; And with his ice-club beat the swelling crests Of the deep water courses into death. 'These verses bear the stamp of genius and show a true poetic instinct,' said a critic in The Canadian Magazine in 1895. The poetry of Isabella Valancy Crawford forms a vital part of the body of Canadian writing.

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