This first volume of The Collected Plays of Neil Simon contains the triumphs that put his unique brand of comic genius on the American stage, and made him the most successful playwright of his generation. This volume includes: • Come Blow Your Horn • Barefoot in the Park • The Odd Couple • Plaza Suite • The Star-Spangled Girl • Promises, Promises • Last of the Red Hot Lover • And an Introduction by the author: “Portrait of the Writer as a Schizophrenic” Neil Simon’s mixture of verbal wit and beautifully crafted farce, ethnic humor and insight into universal foible, and above all compassion and understanding, make even his sharpest barbs touch the heart as well as the funny bone. These seven plays, beginning with his unforgettable debut, Come Blow Your Horn, make us laugh uproariously even as we indelibly identify with the objects of our laughter.

Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama. In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.

Brings together the texts of Simon's plays, including Barefoot in the Park, The Odd Couple, California Suite, God's Favorite, The Sunshine Boys, and The Prisoner of Second Avenue.

Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.

Gathers highlights from the season's ten best plays and information on plays produced in the United States