In her last years she watched with dismay the emergence of fascism.".

This volume contains 189 hitherto unpublished letters by Edwin Arlington Robinson. They were written between 1897 and 1930 to one of his first admirers, Edith Brower of Pennsylvania. The letters begin when the twenty-seven-year-old poet writes gratefully to the stranger who has expressed appreciation of his first, privately printed, book of poems, The Torrent and the Night Before. Soon he was carrying on an intense correspondence, baring his soul--safely, he believed, because the woman he described as "infernally bright and not at all ugly," with "something of a literary reputation," was "too old to give me a chance to bother myself with any sentimental uneasiness." (She was twenty-one years his senior.) Continually reflecting his laconic, self-deprecating Yankee spirit, the letters range from the uncontrollable outpourings of a lonely individual, desperate for encouragement and understanding, to brief words of greeting or farewell. Without reserve, Robinson--who was eventually awarded the Pulitzer prize for poetry three times--confides his reactions to people and places, his thoughts about his own work, and his personal opinions of such writers as Browning, Dickens, Hardy, Moody, and Pater. Mr. Cary has included Miss Brower's unpublished memoir on the poet's character and literary career, "Memories of Edwin Arlington Robinson," and her penetrating review of The Children of the Night. In addition to an informative Introduction, he contributes full explanatory notes, a list of Robinson's works, and an index.

Alex, whose birthday it is, hijacks a story about Birthday Bunny on his special day and turns it into a battle between a supervillain and his enemies in the forest--who, in the original story, are simply planning a surprise party.

Miller and Sharp provide the game-changing tools and information teachers and administrators need to dramatically increase children's access to and engagement with books.

Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.

At the time of his death in 1935, Edwin Arlington Robinson was regarded as the leading American poet-the equal of Frost and Stevens. In this biography, Scott Donaldson tells the intriguing story of this poet's life, based in large part on a previously unavailable trove of more than 3,000 personal letters, and recounts his profoundly important role in the development of modern American literature. Born in 1869, the youngest son of a well-to-do family in Gardiner, Maine, Robinson had two brothers: Dean, a doctor who became a drug addict, and Herman, an alcoholic who squandered the family fortune. Robinson never married, but he fell in love as many as three times, most lastingly with the woman who would become his brother Herman's wife. Despite his shyness, Robinson made many close friends, and he repeatedly went out of his way to give them his support and encouragement. Still, it was always poetry that drove him. He regarded writing poems as nothing less than his calling-what he had been put on earth to do. Struggling through long years of poverty and neglect, he achieved a voice and a subject matter all his own. He was the first to write about ordinary people and events-an honest butcher consumed by grief, a miser with "eyes like little dollars in the dark," ancient clerks in a dry goods store measuring out their days like bolts of cloth. In simple yet powerful rhetoric, he explored the interior worlds of the people around him. Robinson was a major poet and a pivotal figure in the course of modern American literature, yet over the years his reputation has declined. With his biography, Donaldson returns this remarkable talent to the pantheon of great American poets and sheds new light on his enduring legacy.