[16:19:22] Jadles (Jamie): Early Japanese Coins is an up-to-date catalogue of pre-Meiji copper, gold and silver coins. As well as official issues, the often decorative provincial issues are covered. A selection of the intriguing Japanese amulets known as E-sen is also included. It replaces Munro and other western works. It is designed to be used both by advanced collectors who have some knowledge of characters, and beginners who will find the layout easy to follow and will quickly gain a knowledge of this coinage. It draws on historical, as well as the latest western and Japanese numismatic sources, and describes the circumstances under which many of the coins were issued and used. Guides to the Japanese language are given, and maps and lists of era names and rulers add to the background information. There is a description of how the coins were made, illustrated from a contemporary document. A Finding Guide is provided for the difficult Kanei Tsuho series, which will enable these coins to be readily attributed from the differences in their calligraphy. A rarity guide, linked to an approximate value, is provided for each coin. The author has been studying and collecting Far Eastern coins for over fifty years, and has also written the prize winning Cast Chinese Coins, and the definitive Qing Cash.

A Bowl for a Coin is the first book in any language to describe and analyze the history of all Japanese teas from the plant’s introduction to the archipelago around 750 to the present day. To understand the triumph of the tea plant in Japan, William Wayne Farris begins with its cultivation and goes on to describe the myriad ways in which the herb was processed into a palatable beverage, ultimately resulting in the wide variety of teas we enjoy today. Along the way, he traces in fascinating detail the shift in tea’s status from exotic gift item from China, tied to Heian (794–1185) court ritual and medicinal uses, to tax and commodity for exchange in the 1350s, to its complete nativization in Edo (1603–1868) art and literature and its eventual place on the table of every Japanese household. Farris maintains that the increasing sophistication of Japanese agriculture after 1350 is exemplified by tea farming, which became so advanced that Meiji (1868–1912) entrepreneurs were able to export significant amounts of Japanese tea to Euro-American markets. This in turn provided the much-needed foreign capital necessary to help secure Japan a place among the world’s industrialized nations. Tea also had a hand in initiating Japan’s “industrious revolution”: From 1400, tea was being drunk in larger quantities by commoners as well as elites, and the stimulating, habit-forming beverage made it possible for laborers to apply handicraft skills in a meticulous, efficient, and prolonged manner. In addition to aiding in the protoindustrialization of Japan by 1800, tea had by that time become a central commodity in the formation of a burgeoning consumer society. The demand-pull of tea consumption necessitated even greater production into the postwar period—and this despite challenges posed to the industry by consumers’ growing taste for coffee. A Bowl for a Coin makes a convincing case for how tea—an age-old drink that continues to adapt itself to changing tastes in Japan and the world—can serve as a broad lens through which to view the development of Japanese society over many centuries.

The British Museum's collection of Japanese coins is one of the best outside Japan. Many of the coins were originally in the collection of Japan's renowned numismatist and collector, Kutsuki Masatsuna (1750-1802), and were acquired by the British Museum in the 1880s. At the same time as Kutsuki Masatsuna was building up his collection, European scholars were also visiting Japan, and paying particular attention to coins as they sought to gain knowledge and understanding. This is the first catalogue of the British Museum's collection of Japanese coins. Details of each coin are given in Japanese and English, along with colour illustrations. Joe Cribb is Research Keeper in the Department of Coins and Medals, the British Museum. Nobuhisa Furuta is Former Chief Researcher at the Institute for Oriental Currency, Sapporo. Peter Kornicki is Professor of East Asian Studies, University of Cambridge. Shin'ichi Sakuraki is Professor of Japanese History, Shimonoseki City University. Tim Screech is Professor in the History of Art, School of Oriental and African Studies, London. Helen Wang is Curator of East Asian Money, the British Museum. She has published a catalogue of Chairman Mao badges in the Research Publications Series (no. 169).

In World Trade Systems of the East and West, Geoffrey C. Gunn profiles Nagasaki's historic role in mediating the Japanese bullion trade, especially silver exchanged against Chinese and Vietnamese silk. Founded in 1571 as the terminal port of the Portuguese Macau ships, Nagasaki served as Japan's window to the world over long time and with the East-West trade carried on by the Dutch and, with even more vigor, by the Chinese junk trade. While the final expulsion of the Portuguese in 1646 characteristically defines the “closed” period of early modern Japanese history, the real trade seclusion policy, this work argues, only came into place one century later when the Shogunate firmly grasped the true impact of the bullion trade upon the national economy.

'A cyberpunk coming-of-age tale' Japan Times 'Encapsulates the fin de siècle cultural detonation of Japanese youth' Kirkus Two babies are left in a Tokyo station coin locker and survive against the odds, but their lives are forever tainted by this inauspicious start. Raised amidst the outcasts and misfits of Toxitown, they carve out vastly different paths: one as a bisexual rock star on a desperate search for his mother, the other as an athlete consumed by revenge against the woman who left him behind. When their twisted journeys start to intertwine, this savage and stunning story plunges headlong into a surrealistic whirl of violence. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe. Translated by Stephen Snyder Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. Murakami is also a screenwriter and director; among his films are Tokyo Decadence, Auditionand Because of You. His novels Sixty-Nine, Popular Hits of the Showa Era and From the Fatherland, with Love are also available from Pushkin Press.