THE BOOK OF ST. CYPRIAN: THE SORCERER'S TREASURE is a translation of one of the most complete Portuguese grimoires attributed to St. Cyprian of Antioch, O GRANDE LIVRO DE S.CYPRIANO OU THESOURO DO FEITICEIRO, including extensive commentaries on the history of Western Iberian Bruxaria and Feiticaria, Catholicism, the blood war of Old and New Christians, the slave trade, and the Empire. The Book of Saint Cyprian is revealed as a manifestation of vaster and pre-existent magical and folkloric traditions and is inserted into its proper cultural background, providing the reader with the keys to its unwritten content including the Book's connection to the vast mythical corpus of the Mouras Encantadas. THE BOOK OF ST. CYPRIAN: THE SORCERER'S TREASURE is an essential read for all those interested in folk magic, be it diabolical or saintly, fey traditions, the largely unknown West Iberian magical current and its various traces and manifestations in the modern Ibero-African-American cults of Brazil.

For at least one hundred and twenty years, a small manuscript has rested in the Reserved and Special Collections of the General Library of the University of Coimbra. Given the title 'Various Prayers to Drive Away the Devil', it is in fact a Cyprian Book of treasure-hunting, presenting steps to re-create what had previously become a lost ritual.

The Opuscula Cypriani stands not only as a tour of the past of the book currently known as The Book of St. Cyprian, but it is, much more importantly, an invitation towards the future of a centennial and unregulated magic tradition.

The Immaterial Book of St. Cyprian presents a collection of 31 newly translated Portuguese legends about The Book of St. Cyprian. This text features facing language translations from the Portuguese into English.

The Book of St Cyprian is a massive occult work complete with images from original texts, copious amounts of notes and reference citations and, best of all, information that has only been available in the original Portuguese texts. The author was granted unprecedented access to private collections and studied the original texts in great detail He has taken everything he could from them and compiled what we believe to be the single greatest reference on the subject of the magick of ST. Cyprian. In the author's own words: "This edition brings together the three texts from the fourth century that gave rise to the magical tradition associated with the name of St. Cyprian (Conversion, Confession and Martyrdom), the four most important Iberian grimoires of the nineteenth century (the Portuguese that gave birth to the Brazilian versions and the Spaniards containing the instructions of ceremonial magic) and several other magical texts associated with the Holy Sorcerer. The material was organized in sections that allow a comprehensive analysis of the contents (The Origin of the Book, Vita Cypriani, Magical Art, Talismans and Amulets, The Book of the Spirits, Cyprian Prayers, Exorcisms, Magical Treasures, Magical Secrets). The historical introduction has a broad and detailed description of the origins and development of the tradition from the fourth to the nineteenth century. The edition is enriched with a Preface by Nicholaj De Mattos Frisvold and the Presentation by Felix Castro Vicente."

List of illustrations -- Introduction -- Abbreviations -- Saints: entries A - Z -- Bibliography -- List of Websites -- Glossary -- Lists of National Martyrs.

Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.

Ginzburg, "the preeminent Italian historian of his generation [who] helped create the genre of microhistory" ("New York Times"), ruminates on how perspective affects what we see and understand. 26 illustrations.

Ecclesiastical Vestments: Their Development and History by Robert Alexander Stewart Macalister, first published in 1896, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.