Until the nineteenth century all time was local time. On foot or on horseback, it was impossible to travel fast enough to care that noon was a few minutes earlier or later from one town to the next. The invention of railways and telegraphs, however, created a newly interconnected world where suddenly the time differences between cities mattered. The Clocks Are Telling Lies is an exploration of why we tell time the way we do, demonstrating that organizing a new global time system was no simple task. Standard time, envisioned by railway engineers such as Sandford Fleming, clashed with universal time, promoted by astronomers. When both sides met in 1884 at the International Meridian Conference in Washington, DC, to debate the best way to organize time, disagreement abounded. If scientific and engineering experts could not agree, how would the public? Following some of the key players in the debate, Scott Johnston reveals how people dealt with the contradictions in global timekeeping in surprising ways – from zealots like Charles Piazzi Smyth, who campaigned for the Great Pyramid to serve as the prime meridian, to Maria Belville, who sold the time door to door in Victorian London, to Moraviantown and other Indigenous communities that used timekeeping to fight for autonomy. Drawing from a wide range of primary sources, The Clocks Are Telling Lies offers a thought-provoking narrative that centres people and politics, rather than technology, in the vibrant story of global time telling.

Meeting author Callum Wilde is the catalyst that turns Marianne Fairchild’s fragile sense of identity on its head, evoking demons that will haunt two families. She is seventeen and has spent her life fighting off disturbing memories that can’t possibly belong to her. His twin sister Marion died seventeen years ago. When Cal and his older sister Sarah spot Marianne in the audience of a TV show that Cal is recording, they are stunned by her uncanny resemblance to Marion. They have to find out who she is, but they both soon come to regret the decision to draw her into their lives. Events spiral out of control for all of them, but whilst Cal and Sarah each manage to find a way to move on, Marianne is forced to relinquish the one precious thing that could have given her life some meaning. The book is set in a haunting estuary landscape of mudflats, marshes and the constant resonance of the sea. The Last Time We Saw Marion is the story of two families - but the horrible truth is that two into one won’t go...

"The History of the Fleet Street House": 20 p. at the end of v. 18.