In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not remained static entities. Rather, they have been remodelled constantly since their inception. This book reflects this process within the constancy of traditional Chinese horticulture and reveals Shanghai’s remaining classical gardens as places representing wealth and social status, social and dynastic shifts, through falling family fortunes and political revolutions to search for a recovery of China’s ancient culture in the modern day. “Like a classical Chinese garden, this admirable and beautifully balanced book conjures up wider landscapes from within a small compass. It can be savoured on many levels: poetic and aesthetic no less than scholarly and intellectual. It is the next best thing to being guided through such gardens by Shelly Bryant herself.” —Lynn Pan, author of When True Love Came to China and Shanghai Style

Suzhou, near Shanghai, is among the great garden cities of the world. The city's masterpieces of classical Chinese garden design, built from the eleventh through the nineteenth centuries, attract thousands of visitors each year and continue to influence international design. In The Gardens of Suzhou, landscape architect and scholar Ron Henderson guides visitors through seventeen of these gardens. The book explores UNESCO world cultural heritage sites such as the Master of the Nets Garden, Humble Administrator's Garden, Lingering Garden, and Garden of the Peaceful Mind, as well as other lesser-known but equally significant gardens in the Suzhou region. Unlike the acclaimed religious and imperial gardens found elsewhere in Asia, Suzhou's gardens were designed by scholars and intellectuals to be domestic spaces that drew upon China's rich visual and literary tradition, embedding cultural references within the landscapes. The elements of the gardens confront the visitor: rocks, trees, and walls are pushed into the foreground to compress and compact space, as if great hands had gathered a mountainous territory of rocky cliffs, forests, and streams, then squeezed it tightly until the entire region would fit into a small city garden. Henderson's commentary opens Suzhou's gardens, with their literary and musical references, to non-Chinese visitors. Drawing on years of intimate experience and study, he combines the history and spatial organization of each garden with personal insights into their rockeries, architecture, plants, and waters. Fully illustrated with newly drawn plans, maps, and original photographs, The Gardens of Suzhou invites visitors, researchers, and designers to pause and observe astonishing works from one of the world's greatest garden design traditions.

With dozens of stunning photographs, this modern translation of a Classic text is a masterpiece of classical Chinese gardening. Ji Cheng's great work on garden design, the Yuan Ye or Craft of Gardens, was originally published around 1631 and is the earliest manual of landscape gardening in the Chinese tradition. This is the first complete English translation of Ji Cheng's seminal work. This Chinese gardening book is based on J Cheng's notes and experiences from his career as a garden designer, which he discusses at some length in his introduction> Since architecture is an integral part of the Chinese garden, much of the book is taken up with the design of different types of buildings and the integration of architecture with nature in the garden. Ji Cheng explains the religious and aesthetic principles underlying garden design and the appropriate emotional response to various effects. he then offers a down-to-earth series of instructions about the requirements of different types of sites, building layouts, architectural features, paving, the construction of artificial mountains, selection of rocks, and the use of natural scenery. This delightful book provides not only insights into Chinese gardening but also a unique perspective on Chinese culture and society in the late Ming dynasty. Full notes by the translator explain obscure points and introduce relevant aspects of Chinese culture, while an introduction by Maggie Keswick sets the book firmly in its historical context. Illustrations include not only Ji Cheng's original diagrams but also historical paintings and contemporary photographs of a number of outstanding gardens in the part of East China where Ji Cheng lived and worked.

A lyrical portrait of texture, light and the passage of time at the Suzhou gardens, from the author of The Intimacy of Making In the classical gardens of Suzhou in China, surface transforms into space and walls become landscapes. In her journey through this UNESCO World Heritage Site, London-based Swiss French photographer Hélène Binet (born 1959) captures the traces of environmental influences on built structures. Her impressive series of photography shows how weather and time have turned blank walls into vivid depictions of nature. In Binet's images, architecture becomes the frame for imaginary landscapes. By interweaving foreground and background, the artist tells stories that shift between the two dimensions of the plane and the three dimensions of space. In an accompanying essay, architect and writer Juhani Pallasmaa captures the dreamlike quality of the photographs and emphasizes Binet's skill of balancing precision and vagueness to create images that stimulate the viewer's imagination.

Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this Very Short Introduction, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

You will gain deep insight not only into the art of gardening in China, but into its historical significance within the context of gardening and landscape design worldwide.".

Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.

This book examines urban development and its role in planning in China and other Asian cities. Starting with a substantial narrative on the history, development philosophy, and urban form of ancient Asian cities, it then identifies the characteristics of urban society and different phases of development history. It then discusses urbanization patterns in China with a focus on spatial layout of the city clusters in the Yangtze River Delta since the 20th Century. Lastly, it explores institutional design and the legal system of urban planning in China and other Asian cities. As a textbook for the “Model Course in English” for international students listed by the Ministry of Education in China, it helps international researchers and students to understand urban development and planning in Asian cities.