Content In the aftermath of World War One, Austria faces a severe economic crisis. Unemployment. Fear of decline. However, some people argue that the problem sits deeper. For them, the country's soul is at stake. Finally, people are fed up and demand a solution. And they get what they want. They get their hero. His name is Chancellor Dr. Schwertfeger. The Aryan messiah elected by the masses offers a simple but radical solution: "Out with the Jews!" A word and a blow and soon the whole country celebrates the day the last Jew left Austria. The whole country? No, not everybody is happy. Lives are shattered. Friends, families, and lovers torn apart. And to make matters worse, the economy is not picking up. The gap left by the Jewish exodus is greater than expected. In this time of turmoil, one man is prepared to make a stand. Leo is one of the exiled and had to leave his loved one behind. Now, he is ready to fight for the love of his life and to die for his home country! Will the lovers be reunited? And what will become of Austria? About the Author and the Book With this satirical book, Hugo Bettauer was fighting the violent Anti-Semite movements of the 1920s. But little did he know! He was right and wrong at the same time. He was right, the Anti-Semites were aiming at a final solution to the so called Jewish question. Yet, we all know the course of history - exiling the Jews was not enough for the NAZIs. The converted Christian Hugo Bettauer did not live to witness this human tragedy. After a failed attempt at moving to the US, the Austrian stayed in his home country where he worked as an author and as a correspondent for American newspapers. He wrote one of the first stories about a serial killer, wrote movie scripts, and published a magazine campaigning for progressive ideas such as impunity for homosexuals and women's rights. His articles caused so much sensation that he was taken to court, his magazine was seized and Mr. Bettauer received death threats. On 20th March 1925, Hugo Bettauer was shot and killed by a member of the NAZI party. The killer was released from a psychiatric clinic only 18 months after committing the crime. What is there to learn from this story? It is more than just a piece of history. It was prophetic at the time of its release and its prophetic voice is still valid. As it seems, the demagogues, the dictators, the racists, the fascists, the haters of human rights, the terrorists and Anti-Semites are present here and now, the world over.

Story about the removal of Jews from Vienna.

A groundbreaking reexamination of the Holocaust and how Germans understood their genocidal project: “Insightful [and] chilling.” —Kirkus Reviews Why exactly did the Nazis burn the Hebrew Bible everywhere in Germany on November 9, 1938? The perplexing event has not been adequately accounted for by historians in their large-scale assessments of how and why the Holocaust occurred. In this gripping new analysis, Alon Confino draws on an array of archives across three continents to propose a penetrating new assessment of one of the central moral problems of the twentieth century. To a surprising extent, Confino demonstrates, the mass murder of Jews during the war years was powerfully anticipated in the culture of the prewar years. The author shifts his focus away from the debates over what the Germans did or did not know about the Holocaust and explores instead how Germans came to conceive of the idea of a Germany without Jews. He traces the stories the Nazis told themselves—where they came from and where they were heading—and how those stories led to the conclusion that Jews must be eradicated in order for the new Nazi civilization to arise. The creation of this new empire required that Jews and Judaism be erased from Christian history, and this was the inspiration—and justification—for Kristallnacht. As Germans entertained the idea of a future world without Jews, the unimaginable became imaginable, and the unthinkable became real. “At once so disturbing and so hypnotic to read . . . Deserves the widest possible audience.” —Open Letters Monthly

This lively chronicle of the years 1847­–1947—the century when the Jewish people changed how we see the world—is “[a] thrilling and tragic history…especially good on the ironies and chain-reaction intimacies that make a people and a past” (The Wall Street Journal). In a hundred-year period, a handful of men and women changed the world. Many of them are well known—Marx, Freud, Proust, Einstein, Kafka. Others have vanished from collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich, no chemotherapy. Without Siegfried Marcus, no motor car. Without Rosalind Franklin, genetic science would look very different. Without Fritz Haber, there would not be enough food to sustain life on earth. What do these visionaries have in common? They all had Jewish origins. They all had a gift for thinking in wholly original, even earth-shattering ways. In 1847, the Jewish people made up less than 0.25% of the world’s population, and yet they saw what others could not. How? Why? Norman Lebrecht has devoted half of his life to pondering and researching the mindset of the Jewish intellectuals, writers, scientists, and thinkers who turned the tides of history and shaped the world today as we know it. In Genius & Anxiety, Lebrecht begins with the Communist Manifesto in 1847 and ends in 1947, when Israel was founded. This robust, magnificent, beautifully designed volume is “an urgent and moving history” (The Spectator, UK) and a celebration of Jewish genius and contribution.

Three million Polish Jews were murdered in the Holocaust, wiping out nearly 98 percent of the Jewish population who had lived and thrived there for generations. Night Without End tells the stories of their resistance, suffering, and death in unflinching, horrific detail. Based on meticulous research from across Poland, it concludes that those who were responsible for so many deaths included a not insignificant number of Polish villagers and townspeople who aided the Germans in locating and slaughtering Jews. When these findings were first published in a Polish edition in 2018, a storm of protest and lawsuits erupted from Holocaust deniers and from people who claimed the research was falsified and smeared the national character of the Polish people. Night Without End, translated and published for the first time in English in association with Yad Vashem, presents the critical facts, significant findings, and the unmistakable evidence of Polish collaboration in the genocide of Jews.

This landmark work presaged the so-called literature of the proletarian thirties, and is the quintessential novel of poor Jews. Michael Gold's Jews Without Money tells the story of Jewish poverty in one ghetto, that of New York. The same story could have been told in hundreds of other ghettoes scattered all over the world, especially in Europe, prior to the rise of Nazism. The book went through fifteen printings upon its publication in 1930 and was translated into every major language in the western world. The appearance of the book at this time is ironic as well as timely. In his introduction to the 1935 printing, Gold himself offers the reason why: "It has become necessary now in America to fight against fascist lies. Recently, groups of anti-Semitic demagogies have appeared in this country. They are like Hitler, telling the hungry American people that capitalism is Jewish and that an attack on the Jews is the best way of restoring prosperity. What folly. What criminal deception and bloody fraud. And there are signs that this oldest of swindles will grow in America." Sixty years after this utterance one can say that Gold was indeed prophetic. But the politics of the age--this or any other--dissolve in the face of a brilliant set of vignettes about growing up on the Lower East Side during the heyday of Jewish life there in the 1920s. Here we find a world of struggle--Jews against Gentiles, Jews against each other, a universe of gangsters and rabbis, men and women, children and adults--all told in the first person vernacular of a boy growing to manhood dedicated to making clear his love of a long-suffering mother. The races and religions may differ, but the themes are universal.

"A Land With A People began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area. A Land With A People elevates rarely heard Palestinian and Jewish voices and visions. It brings us the narratives of secular, Muslim, Christian, and LGBTQ Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, Palestinian and LGBTQ Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Stories touch hearts, open minds, and transform our understanding of the "other"-as well as comprehension of our own roles and responsibilities. A Land With a People emerges from this reckoning. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future-one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be"--

To Julie Metz, her mother, Eve, was the quintessential New Yorker. It was difficult to imagine her living anywhere else except the Upper West Side of Manhattan. In truth, Eve had endured a harrowing childhood in Nazi-occupied Vienna, though she rarely spoke about it. Yet after her passing, Julie discovered a keepsake box filled with farewell notes from friends and relatives addressed to a ten-year-old girl named Eva, her mother. This was the first clue to the secret pain that Julie's mother had carried as an immigrant, and it shed light on a family that had to rely on its own perseverance to escape the xenophobia that threatened their survival. A beautiful blend of personal memoir and family history, Metz shows how one woman's search for her mother's lost childhood offers valuable lessons about the sacrifices people make to save their families during some of the darkest times in history.