Mansel Blackford's The Lost Dream explores the history of city planning in five Pacific Coast cities - Seattle, Portland, Oakland, San Francisco, and Los Angeles - during the Progressive Era. Although city planning had diverse roots, Blackford shows that much of the early planning originated with businessmen who viewed it as a way to shape their urban environments both economically and socially. During the opening years of the twentieth century, the business and political leaders in each of these cities began developing comprehensive city plans encompassing harbor improvements, new street and transportation facilities, civic centers, and parks and boulevards. As Blackford shows, businessmen worked through both established political channels and newly formed bodies outside of those channels to become leaders in the planning process. As the planning campaigns evolved, businessmen found themselves both joined and opposed by ever-changing coalitions of professionals, politicians, and workers. The way that businessmen had previously interacted with these other parties greatly affected their success in obtaining their goals, but ultimately, Blackford claims, politics lay at the heart of planning. The proposed plans were accepted or rejected in heated citywide elections in which, to be successful, businessmen had to convince others to vote with them - a feat they achieved in only one city. Nevertheless, these plans were often later adopted in some piecemeal fashion, and Blackford concludes his study with an analysis of the legacy of Progressive Era city planning for later periods. The Lost Dream makes significant contributions to our understanding of city planning in America and particularlyin the American West.

"A history of Floyd McKissick's 1969 plan to build a Black city in North Carolina, examining the story of the idealists who settled there, the obstacles that derailed the project, and what Soul City's saga says about Black opportunity, capitalism, and power then and now"--

Although it was still quiet in the hall, all the ministers and officials knew full well that this was not an illusion.First, Princess Nanliang had gone missing, then, Princess Ling Yu had died. The Fang Noble Consort from Southern Frontier had been forced into the cold palace, then, hearing that the Emperor had personally brought her out of the cold palace, he had told her to return to the Southern Frontier to visit her parents, and demean them both.These ministers who had been officials for many years were extremely shrewd, smelling a political storm ..."

An exhilarating, wondrous middle grade debut about a brother and sister on a quest that “swoops from thrilling to terrifying to heartwarming and back again” (BookPage) to defeat a tyrannical ruler and protect a magical book. “[W]ill appeal to readers of Kelly Barnhill and Lemony Snicket” (Publishers Weekly). Rachel and Robert live a gray, dreary life under the rule of cruel and calculating Charles Malstain. That is, until one night, when their librarian father enlists their help to steal a forbidden book. Before their father is captured, Rachel and Robert are given one mission: find the missing final page. But to uncover the secrets of The Book of Stolen Dreams, the siblings must face darkness and combat many evils to be rewarded with the astonishing, magical truth about the book. Nevertheless, they resolve to do everything in their power to stop it from falling into Charles Malstain’s hands. For if it does, he could rule their world forever.

The stand-along plot of this novel brings a critical new piece to the "Babylon 5" story line. Haunted by the explosive fate of Babylons 1 through 4, the inhabitants of Babylon 5 work together to make the station "our last, best hope for peace".

A post-mortem photographer unearths dark secrets from the past that may hold the key to his future in this “sensual, twisting gothic tale…in the tradition of A.S. Byatt’s Possession, Diane Setterfield’s The Thirteenth Tale, and Emily Bronte’s Wuthering Heights” (BookPage). All love stories are ghost stories in disguise. “This one happily succeeds at both” (Kirkus Reviews, starred review). When famed Byronesque poet Hugh de Bonne is discovered dead in his bath one morning, his cousin Robert Highstead, a post-mortem photographer, is charged with a simple task: transport Hugh’s remains for burial in a chapel. This chapel, a stained-glass folly set on the moors, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams. However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights. As the mystery of Ada and Hugh’s relationship unfolds, so too does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since a tragic accident three years earlier and the origins of his morbid profession that has him seeing things he shouldn’t...things from beyond the grave. Blurring the line between the past and the present, truth and fiction, and ultimately, life and death, The Lost History of Dreams is “a surrealist, haunting tale of suspense where every prediction turns out to be merely a step toward a bigger reveal” (Booklist).

THE STORY: Made up of eighteen monologues and divided into six segments (fantasies, nightmares, hallucinations, sweet dreams, broken reveries and visions), the play uses the voices of real people to convey, with striking effectiveness, a sense of w

"This volume of the Cambridge Fitzgerald Edition includes the original nine stories selected by Fitzgerald for All the Sad Young Men, together with eleven additional stories, published between 1925 and 1928, which were not collected by Fitzgerald during his lifetime." "This edition of All the Sad Young Men is the first of the short-fiction collections in the Cambridge edition to be based on extensive surviving manuscripts and typescripts. The volume contains a scholarly introduction, historical notes, a textual apparatus, illustrations, and appendixes."--BOOK JACKET.