The book presents human history as being a conflict between what Augustine calls the City of Man and the City of God, a conflict that is destined to end in victory of the latter. The City of God is marked by people who forgot earthly pleasure to dedicate themselves to the eternal truths of God, now revealed fully in the Christian faith. The City of Man, on the other hand, consists of people who have immersed themselves in the cares and pleasures of the present, passing world. Though The City of God follows Christian theology, the main idea of a conflict between good and evil follows from Augustine's former beliefs in Manichaeanism. A philosophy based on the idea of primordial conflict between light and darkness or goodness and evil. In the case of City of God, it is the City of God (representing light) and the City of Man (representing darkness). Though his book follows an ideology of Manichaeanism, he still distances himself from them by calling them heretics: ..". I say, so just and fit, which, when piously and carefully weighed, terminates all the controversies of those who inquire into the origin of the world, has not been recognized by some heretics ..." Later, when Augustine converted to Christianity he at one point accepted Neo-Platonism. He ends up adding an idea of Neo-Platonism with a Christian idea in The City of God when he says: "As for those who own, indeed, that it was made by God, and yet ascribe to it not a temporal but only a creational beginning ..."

The searing novel on which the internationally acclaimed hit film was based. “A Scarface-like urban epic . . . punctuated with lyricism and longing” (Publishers Weekly). City of God is a gritty, gorgeous tour de force from one of Brazil’s most notorious slums. Cidade de Deus: a place where the streets are awash with narcotics, where violence can erupt at any moment over drugs, money, and love—but also a place where the samba beat rocks till dawn, where the women are the most beautiful on earth, and where one young man wants to escape his background and become a photographer. When City of God erupted on screens worldwide, it became one of the most critically and commercially successful foreign films of recent years. But few were aware of the story behind the film. Written by Paulo Lins, who grew up in the favela (shantytown) Cidade de Deus in Rio de Janeiro and who spent years researching its gang history, City of God began life as a coruscating, harrowing novelistic account of twenty years in the illicit pursuits of the youth gangs born from the favela. “With plot devices sometimes as minimal as the dawning of a new day, City of God seems more like a mosaic than a novel, but it’s a mosaic with unforgettably vibrant colors.” —Booklist

Paradise is a garden. . .but heaven is a city. From the acclaimed author of Take This Bread and Jesus Freak comes a powerful new account of venturing beyond the borders of religion into the unpredictable territory of faith. On Ash Wednesday, 2012, Sara Miles and her friends left their church buildings and carried ashes to the buzzing city streets: the crowded dollar stores, beauty shops, hospital waiting rooms, street corners and fast-food joints of her neighborhood. They marked the foreheads of neighbors and strangers, sharing blessings with waitresses and drunks, believers and doubters alike. City of God narrates the events of the day in vivid detail, exploring the profound implications of touching strangers with a reminder of common mortality. As the story unfolds, Sara Miles also reflects on life in her city over the last two decades, where the people of God suffer and rejoice, building community amid the grit and beauty of this urban landscape. City of God is a beautifully written personal narrative, rich in complex, real-life characters, and full of the "wild, funny, joyful, raucous, reverent" moments of struggle and faith that have made Miles one of the most enthralling Christian writers of our time.

Étienne Gilson (1884-1978) was a French philosopher and historian of philosophy, as well as a scholar of medieval philosophy. In 1946 he attained the distinction of being elected an "Immortal" (member) of the Académie française. He was nominated for the Nobel Prize in Literature in 1959 and 1964. The appearance of Gilson's Metamorphosis of the City of God, which were originally delivered as lectures at the University of Louvain, Belgium, in the Spring of 1952, coincided with the first steps toward what would become the European Union. The appearance of this English translation coincides with the upheaval of Brexit. Gilson traces the various attempts of thinkers through the centuries to describe Europe's soul and delimit its parts. The Scots, Catalonians, Flemings, and probably others may nod in agreement in Gilson's observation on how odd would be a Europe composed of the political entities that existed two and a half centuries ago. Those who think the European Union has lost its soul may not be comforted by the difficulty thinkers have had over the centuries in defining that soul. Indeed the difficulties that have thus far prevented integrating Turkey into the EU confirm Gilson's description of the conundrum involved even in distinguishing Europe's material components. And yet, the endeavor has succeeded, so that the problem of shared ideals remain inescapable. One wonders which of the thinkers in the succession studied by Gilson might grasp assent and illuminate the EU's path.

For Augustine, the pre-Fall Paradise was a life of tranquil love and joy. The post-Fall world is marked by loss of control over our bodies and emotions. But whatexactly happened in the Fall, and why? How does desire relate to man's disobedience, and is there any sense in which we can recover what Adam and Eve havelost?In treating City 14 as an integral whole, this study explores Augustine's critiquesof the Manichean and Platonist positions that the body is bad or evil, and discusseshis biblical doctrine of emotions in light of the two-cities theme. The entirestudy concerns topics germane to the paradisal situation: the theme of the PrimalFall and the will being 'spontaneous', the exploration of the disobedience ofthe genitals in all forms of sex, including married life, and the workings of Adamand Eve's hypothetical sexual experience in the pre-Fall world.

The City of God is a book of Christian philosophy presenting human history as a conflict between what Augustine calls the Earthly City and the City of God-a conflict that is destined to end in victory for the latter. The City of God is marked by people who forego earthly pleasure to dedicate themselves to the eternal truths of God, now revealed fully in the Christian faith. The Earthly City, on the other hand, consists of people who have immersed themselves in the cares and pleasures of the present, passing world. The City of God was written in response to allegations that Christianity brought about the decline of Rome. It is considered one of Augustine's most important works, standing alongside The Confessions, The Enchiridion, On Christian Doctrine, and On the Trinity. As a work of one of the most influential Church Fathers, The City of God is a cornerstone of Western thought, presenting many profound questions of theology, such as the suffering of the righteous, the existence of evil, the conflict between free will and divine omniscience, and the doctrine of original sin. This case laminate collector's edition includes a Victorian inspired dust-jacket.

This authoritative English-language commentary discusses Books 1-5, in which Augustine argued that Rome suffered worse disasters before Christianity was known; that empire depends on injustice; and that everything depends on the will of the true God, not on the many gods of Roman tradition.

Along with his Confessions, The City of God is undoubtedly St. Augustine's most influential work. In the context of what begins as a lengthy critique of classic Roman religion and a defense of Christianity, Augustine touches upon numerous topics, including the role of grace, the original state of humanity, the possibility of waging a just war, the ideal form of government, and the nature of heaven and hell. But his major concern is the difference between the City of God and the City of Man - one built on love of God, the other on love of self. One cannot but be moved and impressed by the author's breadth of interest and penetrating intelligence. For all those who are interested in the greatest classics of Christian antiquity, The City of God is indispensible. This long-awaited translation by William Babcock is published in two volumes, with an introduction and annotation that make Augustine's monumental work approachable. Books 11-22 offer Augustine's Christian view of history, including the Christian view of human destiny.