The only thing better than one boring building is hundreds of them. Far from the glamorous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But Pretty Vacant dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this inexpensive brick of a book, through scads of photographs of these underappreciated gems, their boundless surfacey charms are soon obvious. Combining funky textures, streamlined sconces, and future-retro ornamentation, these buildings practically define LA vernacular in their optimistic mix of mid-century modishness and darling details. Clive Piercy's photographs provide a streetside glimpse into the curious lives of these buildings, with charming names that range from the regal (Kings Studios) to the space-age (The Galaxie). Assembled in a compact but weighty package with more than 480 images, Pretty Vacant provides a snapshot tour and kitschy homage to this underdog architectural form.

The City Observed by Pallavi Shrivastava reads like dispatches from a battlefront by a seasoned war correspondent. Each chapter is a stimulating vignette of some memorable place, or recently contrived artifact, through which Pallavi unravels counter intuitive conclusions. Pallavi has two eyes and many voices. Those two eyes see things often unnoticed, bringing into focus a collage of real life issues and human circumstances. She has an uncanny ability to conceive of the metropolis as an everyday person would, yet to catalyze unique understandings and conclusions from her choreographies! She navigates the metropolis building narratives out of keen insights, speaking for those without voices; giving eyes to people who have eyes, but no vision. Pallavi's most provocative ability is to reveal contradictions between the emerging urban form and the critical needs of the everyday Mumbaikar, who emerges forgotten in the unfolding scenario. Her written landscapes reveal disturbing images of the bad within the good, and of poverty within plenty. From bright images emerge a sense of charm, tinged by nostalgia for the city's past, yet a warning of pathos in times to come.

"This book is published on the occasion of the exhibition The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960-1980. The Art Institute of Chicago, October 26, 2014-January 11, 2015; Princeton University Art Museum, February 21-June 7, 2015"--Colophon.

Declared one of the most beautiful libraries in the world, Los Angeles Central Library is a monument to fine architecture and artwork'and, of course, its renowned collection of the written word and its world-class special collections. Los Angeles Central Library and its history are as fascinating as any of the storied volumes found on its shelves. City leaders fought for decades to build a landmark structure and later battled to demolish it, yet generations of Angelenos have watched the building stand tall, survive fires, and endure into the twenty-first century, ready to face a high-tech society that thought it could live without books.Year after year Central Library proves its essential place in the heart of Los Angeles. And each year it becomes more important.In Los Angeles Central Library: A History of its Art and Architecture, the Library's beautiful building, paintings, murals, sculptures, decor, and storied tile work are captured by the lens of renowned Hollywood photographer and graphic designer Arnold Schwartzman. And its remarkable story of dramatic visuals and civic involvement is chronicled by architectural historian Stephen Gee. Gee tells the story of the creative minds that shaped the structure: architects Bertram Goodhue, Carleton M. Winslow, Hardy Holzman and Pfeiffer Associates; sculptor Lee Lawrie; muralists Dean Cornwell and Albert Herter; painter Julian Garnsey, philosopher Hartley Burr Alexander, and many more. Schwartzman shows it all in page after page of dramatic color, all juxtaposed with historic images and blueprints, many never before published.

"An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles ... [The author] weaves together the city's art, architecture, and design, juxtaposes its entertainment and literary histories, and moves from restaurant kitchens to recording studios to ultra-secret research and development labs. In the process, he reimagines Los Angeles as simultaneously an exemplar and cautionary tale for the 21st century"--Provided by publisher.

"The most comprehensive guide over published to the man-made environment of Southern California. Contains hundreds of entries plus notes on city history, freeways, murals, and historic preservation. Also, a comprehensive bibliography, a photographic history of Los Angeles architecture, and an unequalled style glossary. David Gebhard and Robert Winter deftly pilot the enthusiast through one of the richest architectural regions in the world. With perception, understanding, and wit, the authors point out the classical monuments, the tacky copies, the sublime, and the bizarre. They lead us to the famous buildings and through the backstreets and alleys to find the unsung treasures. Loaded with maps and photographs."--Back cover.

Recounts the story of Los Angeles. He tells a tale of greed, manipulation, power and prejudice that has made Los Angeles one of the most cosmopolitan and most class-divided cities in the United States.

Los Angeles incarcerates more people than any other city in the United States, which imprisons more people than any other nation on Earth. This book explains how the City of Angels became the capital city of the world's leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernandez unmasks how histories of native elimination, immigrant exclusion, and black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernandez documents the persistent historical bond between the racial fantasies of conquest, namely its settler colonial form, and the eliminatory capacities of incarceration. But City of Inmates is also a chronicle of resilience and rebellion, documenting how targeted peoples and communities have always fought back. They busted out of jail, forced Supreme Court rulings, advanced revolution across bars and borders, and, as in the summer of 1965, set fire to the belly of the city. With these acts those who fought the rise of incarceration in Los Angeles altered the course of history in the city, the borderlands, and beyond. This book recounts how the dynamics of conquest met deep reservoirs of rebellion as Los Angeles became the City of Inmates, the nation's carceral core. It is a story that is far from over.