Michael Degani explores how electricity and its piracy in Dar es Salaam, Tanzania, has become a key site for urban Tanzanians to enact, experience, and debate their social contract with the state.

The extraordinary, unknown story of two giants of American history—Henry Ford and Thomas Edison—and their attempt to create an electric-powered city of tomorrow on the Tennessee River During the roaring twenties, two of the most revered and influential men in American business proposed to transform one of the country’s poorest regions into a dream technological metropolis, a shining paradise of small farms, giant factories, and sparkling laboratories. Henry Ford and Thomas Edison’s “Detroit of the South” would be ten times the size of Manhattan, powered by renewable energy, and free of air pollution. And it would reshape American society, introducing mass commuting by car, use a new kind of currency called “energy dollars,” and have the added benefit (from Ford and Edison's view) of crippling the growth of socialism. The whole audacious scheme almost came off, with Southerners rallying to support what became known as the Ford Plan. But while some saw it as a way to conjure the future and reinvent the South, others saw it as one of the biggest land swindles of all time. They were all true. Electric City is a rich chronicle of the time and the social backdrop, and offers a fresh look at the lives of the two men who almost saw the project to fruition, the forces that came to oppose them, and what rose in its stead: a new kind of public corporation called the Tennessee Valley Authority, one of the greatest achievements of the New Deal. This is a history for a wide audience, including readers interested in American history, technology, politics, and the future.

Describes consumers' shifting habits of fuel consumption, tracing how use of wood led to burning coal and coal gas, to the arrival, to the arrival of the arc lamp, and then the coming of electricity. Shows that the city government and utility brokers faced two problems: how to generate a cheap supply of electricity, and how to sell electrical energy to people who were already enjoying gas services. The solutions were found by Samuel Insull, president of Commonwealth Edison Company, who put electrical technology on a sound economic footing.

Providing a global overview of experiments around the transformation of cities' electricity networks and the social struggles associated with this change, this book explores the centrality of electricity infrastructures in the urban configuration of social control, segregation, integration, resource access and poverty alleviation. Through multiple accounts from a range of global cities, this edited collection establishes an agenda that recognises the uneven, and often historical, geographies of urban electricity networks, prompting attempts to re-wire the infrastructure configurations of cities and predicating protest and resistance from residents and social movements alike. Through a robust theoretical engagement with established work around the politics of urban infrastructures, the book frames the transformation of electricity systems in the context of power and resistance across urban life, drawing links between environmental and social forms of sustainability. Such an agenda can provide both insight and inspiration in seeking to build fairer and more sustainable urban futures that bring electricity infrastructures to the fore of academic and policy attention.

Upstate New York, at the confluence of the great Hudson River and its mighty tributary the Mohawk —from this stunning landscape came the creation of a new world of science. In 1887, Thomas Edison moved his Edison Machine Works here and in 1892, it became the headquarters of a major manufacturing company, giving the town its nickname: Electric City. The peak of Autumn, 1919: The pull of scientific discovery brings Charles Proteus Steimetz, a brilliant mathematician and recent arrival from Ellis Island, to town. His ability to capture lightning in a bottle earns him the title "Wizard of Electric City." Barely four feet tall with a deeply curving spine, Steinmetz's physical deformity belies his great intellect. Allied with his Mohawk friend Joseph Longboat and his adopted eleven–year–old granddaughter Midget, the advancements he makes in Electric City will, quite simply, change the world. The peak of Autumn, 1965: Sophie Levine, the daughter of a company man, one of the many scientists working at The Company, whose electric logo can be seen from everywhere in town. Her family escaped Europe just before World War II, leaving behind a wake of annihilation and persecution. Ensconced in Electric City, Sophie is coming of age just as the town is gasping its last breaths. The town, and America as a whole, is on the cusp of great instability: blackouts, social unrest over Vietnam, and soon the advent of the seventies. Into her orbit drifts Henry Van Curler, the favored son of one of Electric City's founding Dutch families, as well as Martin Longboat, grandson of Joseph Longboat. This new generation of Electric City will face both the history of their town and their own uncertain future, struggling to bridge the gap between the old world and the new. Electric City is a vital, pulsing, epic novel of America, of its great scientific ingenuity and its emotional ambition; one that frames the birth and evolution of its towns against the struggles of its indigenous tribes, the immigrant experience, a country divided, and the technological advancements that ushered in the modern world.

For seven decades the General Electric Company maintained its manufacturing and administrative headquarters in Schenectady, New York. Electric City: General Electric in Schenectady explores the history of General Electric in Schenectady from the company’s creation in 1892 to the present. As one of America’s largest and most successful corporations, GE built a culture centered around the social good of technology and the virtues of the people who produced it. At its core, GE culture posited that engineers, scientists, and craftsmen engaged in a team effort to produce technologically advanced material goods that served society and led to corporate profits. Scientists were discoverers, engineers were designers and problem solvers, and craftsmen were artists. Historian Julia Kirk Blackwelder has drawn on company records as well as other archival and secondary sources and personal interviews to produce an engaging and multi-layered history of General Electric’s workplace culture and its planned (and actual) effects on community life. Her research demonstrates how business and community histories intersect, and this nuanced look at race, gender, and class sets a standard for corporate history.

How electric light created new spaces that transformed the built environment and the perception of modern architecture. In this book, Sandy Isenstadt examines electric light as a form of architecture—as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity—instantaneous, malleable, ubiquitous, evanescent—is modernity's medium. Isenstadt shows how the introduction of electric lighting at the end of the nineteenth century created new architectural spaces that altered and sometimes eclipsed previously existing spaces. He constructs an architectural history of these new spaces through five examples, ranging from the tangible miracle of the light switch to the immaterial and borderless gloom of the wartime blackout. He describes what it means when an ordinary person can play God by flipping a switch; when the roving cone of automobile headlights places driver and passenger at the vertex of a luminous cavity; when lighting in factories is seen to enhance productivity; when Times Square became an emblem of illuminated commercial speech; and when the absence of electric light in a blackout produced a new type of space. In this book, the first sustained examination of the spatial effects of electric lighting, Isenstadt reconceives modernism in architecture to account for the new perceptual conditions and visual habits that followed widespread electrification.

The bestselling author of E=mc2 weaves tales of romance, divine inspiration, and fraud through an account of the invisible force that permeates our universe—electricity—and introduces us to the virtuoso scientists who plumbed its secrets. For centuries, electricity was seen as little more than a curious property of certain substances that sparked when rubbed. Then, in the 1790s, Alessandro Volta began the scientific investigation that ignited an explosion of knowledge and invention. The force that once seemed inconsequential was revealed to be responsible for everything from the structure of the atom to the functioning of our brains. In harnessing its power, we have created a world of wonders—complete with roller coasters and radar, computer networks and psychopharmaceuticals. In Electric Universe, the great discoverers come to life in all their brilliance and idiosyncrasy, including the visionary Michael Faraday, who struggled against the prejudices of the British class system, and Samuel Morse, a painter who, before inventing the telegraph, ran for mayor of New York City on a platform of persecuting Catholics. Here too is Alan Turing, whose dream of a marvelous thinking machine—what we know as the computer—was met with indifference, and who ended his life in despair after British authorities forced him to undergo experimental treatments to “cure” his homosexuality. From the frigid waters of the Atlantic to the streets of Hamburg during a World War II firestorm to the interior of the human body, Electric Universe is a mesmerizing journey of discovery.

The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.

These are short stories about ordinary folk leading seemingly ordinary lives. The power of community, extended family and culture are central to all. Thirteen stories in which the joys of discovery are tempered by the knowledge of a harder, colder world. Sunlight, childhood and nature set against conflict and misunderstanding, in the ever-present shadows of the spirit of the land.