Bringing together scholars from a diverse range of disciplines, The City as Target provides a sustained and critical response to the relationship between the concept of targeting (in its many forms) and notions of understanding, imagining and shaping the urban. Among the many spatial and graphic terms used to describe cities in urban studies, the word target is rarely encountered. Though equally spatial, it differs from these others by implying some motive force, and, more than that, a force with some intentionality. To target is to aim, to project, and ultimately to impact. It suggests a space of violence, or at least action, or movement resulting in displacement, which most other terms do not. In that sense it is useful, underused, and perhaps revelatory. Rather than approach the city as simply a site of growth, processes, and developments, the contributors to this volume treat it as the recipient of attentions. The work draws on a wide variety of geographical sites and historic monuments in order to explore this concept, examining and challenging current urban theories. It seeks to highlight both the power of The Global City and the current vulnerability and fragility of urban culture, exploring the city as a recipient and a culprit in relation to issues including terrorism and urban warfare, the latest cyclical failure of global financial markets, and the relatively new spectre of environmental unsustainability. Offering a unique and relevant contribution to the literature, this work will be of great interest to scholars of urban theory, international relations, postcolonial politics and military studies.

A heartfelt picture book based on the author-illustrator's own experiences, about a boy who moves to the U.S. mainland from Puerto Rico and realizes that New York City might have more in common with San Juan than he initially thought. Miguel's pet frog, Coquí, is always with him: as he greets his neighbors in San Juan, buys quesitos from the panadería, and listens to his abuelo's story about meeting baseball legend Roberto Clemente. Then Miguel learns that he and his parents are moving to the U.S. mainland, which means leaving his beloved grandparents, home in Puerto Rico, and even Coquí behind. Life in New York City is overwhelming, with unfamiliar buildings, foods, and people. But when he and Mamá go exploring, they find a few familiar sights that remind them of home, and Miguel realizes there might be a way to keep a little bit of Puerto Rico with him--including the love he has for Coquí--wherever he goes.

This title takes an in-depth look at the history, development and state of architectural and societal success of cities, including London, Rome, Berlin, Paris and Mexico City.

When a horrifying attack leaves one of the Women's Murder Club struggling for her life, the others fight to keep a madman behind bars before anyone else is hurt. Lindsay Boxer and her new partner in the San Francisco police department are racing to stop a series of kidnappings that has electrified the city: children are being plucked off the streets together with their nannies, but the kidnappers aren't demanding ransom. Amid uncertainty and rising panic, Lindsay juggles the possibility of a new love with an unsolvable investigation, and the knowledge that one member of the club could be on the brink of death. And just when everything appears momentarily under control, the case takes a terrifying turn, putting an entire city in lethal danger. Lindsay must make a choice she never dreamed she'd face-with no certainty that either outcome has more than a prayer of success.

#1 NEW YORK TIMES BESTSELLER • From the author of Killers of the Flower Moon comes a masterpiece of narrative nonfiction that unravels the greatest exploration mystery of the twentieth century—the story of the legendary British explorer who ventured into the Amazon jungle in search of a fabled civilization and never returned. “Suspenseful…rollicking.” —The New York Times In 1925, Percy Fawcett went into the Amazon jungle, in search of a fabled civilization. He never returned. Over the years countless perished trying to find evidence of his party and the place he called “The Lost City of Z.” In this masterpiece, journalist David Grann interweaves the spellbinding stories of Fawcett’s quest for “Z” and his own journey into the deadly jungle. Look for David Grann’s new book, The Wager, coming in April 2023!

When a ring of six elite assassins strikes D. C., Alex Cross teams up with the Secret Service and the FBI to take down a dangerous threat that could destroy America. A leader has fallen, and Alex Cross joins the procession of mourners from Capitol Hill to the White House. Then a sniper's bullet strikes a target in the heart of D.C. Alex Cross's wife, Bree Stone, must either solve the case or lose her position as the city's newly elevated chief of detectives. The Secret Service and the FBI deploy as well in the race to find the shooter. Alex is tasked by the new President to lead an investigation unprecedented in scale and scope. But is the sniper's strike only the beginning of a larger attack on the nation?

MEXICO CITY, with some 20 million inhabitants, is the largest city in the Western Hemisphere. Enormous growth, raging crime, and tumultuous politics have also made it one of the most feared and misunderstood. Yet in the past decade, the city has become a hot spot for international business, fashion, and art, and a magnet for thrill-seeking expats from around the world. In 2002, Daniel Hernandez traveled to Mexico City, searching for his cultural roots. He encountered a city both chaotic and intoxicating, both underdeveloped and hypermodern. In 2007, after quitting a job, he moved back. With vivid, intimate storytelling, Hernandez visits slums populated by ex-punks; glittering, drug-fueled fashion parties; and pseudo-native rituals catering to new-age Mexicans. He takes readers into the world of youth subcultures, in a city where punk and emo stand for a whole way of life—and sometimes lead to rumbles on the streets. Surrounded by volcanoes, earthquake-prone, and shrouded in smog, the city that Hernandez lovingly chronicles is a place of astounding manifestations of danger, desire, humor, and beauty, a surreal landscape of “cosmic violence.” For those who care about one of the most electrifying cities on the planet, “Down & Delirious in Mexico City is essential reading” (David Lida, author of First Stop in the New World).

"A totally engrossing small-town mystery about what happens when you finally dig up long-buried secrets.” —Jessica Goodman, New York Times bestselling author of They'll Never Catch Us A New York Times bestseller! A teen girl disappears from her small town deep in the bayou, where magic festers beneath the surface of the swamp like water rot, in this chilling supernatural thriller for fans of Natasha Preston, Karen McManus, and E. Lockhart. La Cachette, Louisiana, is the worst place to be if you have something to hide. This tiny town, where seventeen-year-old Grey spends her summers, is the self-proclaimed Psychic Capital of the World—and the place where Elora Pellerin, Grey's best friend, disappeared six months earlier. Grey can't believe that Elora vanished into thin air any more than she can believe that nobody in a town full of psychics knows what happened. But as she digs into the night that Elora went missing, she begins to realize that everybody in town is hiding something—her grandmother Honey; her childhood crush Hart; and even her late mother, whose secrets continue to call to Grey from beyond the grave. When a mysterious stranger emerges from the bayou—a stormy-eyed boy with links to Elora and the town's bloody history—Grey realizes that La Cachette's past is far more present and dangerous than she'd ever understood. Suddenly, she doesn't know who she can trust. In a town where secrets lurk just below the surface, and where a murderer is on the loose, nobody can be presumed innocent—and La Cachette's dark and shallow lies may just rip the town apart.

Victor Rios has a vibrant reputation as America s leading ethnographer of Latino youth. His personal storygoing from drug pusher (selling heroin on the streets as a teenager) to a hard worker at a mechanic shop within a matter of weeksshows how he stands in the place of the Latino youths he studies. His story underscores the degree to which delinquent urban youths can become adaptable, fluid, amenable individuals, able to shift their views of the world as well as their actions. Rios rejects the old storyline that said gangs are bad and they do bad things because they are bad people. Kids on the street, he argues, can drift between different identities, indeed, they can shift seamlessly between responsible and deviant displays within a few hours time. The key to understanding gang-associated youth lies in analysis of the way authority figures (teachers and police officers) interact with young people. The kids need caring adults who offer tangible resources. Story and characters are always front-and-center in Rios s narrative: Jorge, Mark, Wilson, and others, are boys we get to know as they negotiate day-to-day life on the streets and across institutional settings. We learn a great deal about Cholo subculture, the clothing and hairstyles, and the argot that are adopted by Latino youth in response to the forces that seek to marginalize or punish them. The crisis of a perceived epidemic of police brutality in our post-Ferguson era is a product of culture in Rios s view: contested symbols, negative interactions, and day-to-day encounters that freeze youth identities as gang-associated, and that freeze authority identities as negative shapers of youth attitudes and actions are the dynamic. Fear of young males of color leads to police misreading and dehumanizing of young black and Latino men. Rios raises our awareness of how this dynamic operates by studying his subjects whole: following young gang members into their schools, their homes, their community organizations, their detention facilities, and watching them interact with police, watching them grow up to become fathers, get jobs, get rap sheets. Get killed. This book will be a landmark contribution to the social psychology of poverty and crime."

The first book in Ross Macdonald's acclaimed Lew Archer series introduces the detective who redefined the role of the American private eye and gave the crime novel a psychological depth and moral complexity only hinted at before. Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping. As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.