From the author of Drowning Ruth, a haunting, atmospheric novel set at the closing of the frontier about a young wife who moves to a far-flung and forbidding lighthouse where she uncovers a life-changing secret. In 1898, a woman forsakes the comfort of home and family for a love that takes her to a remote lighthouse on the wild coast of California. What she finds at the edge of the earth, hidden between the sea and the fog, will change her life irrevocably. Trudy, who can argue Kant over dinner and play a respectable portion of Mozart’s Serenade in G major, has been raised to marry her childhood friend and assume a life of bourgeois comfort in Milwaukee. She knows she should be pleased, but she’s restless instead, yearning for something she lacks even the vocabulary to articulate. When she falls in love with enigmatic and ambitious Oskar, she believes she’s found her escape from the banality of her preordained life. But escape turns out to be more fraught than Trudy had imagined. Alienated from family and friends, the couple moves across the country to take a job at a lighthouse at Point Lucia, California—an unnervingly isolated outcropping, trapped between the ocean and hundreds of miles of inaccessible wilderness. There they meet the light station’s only inhabitants—the formidable and guarded Crawleys. In this unfamiliar place, Trudy will find that nothing is as she might have predicted, especially after she discovers what hides among the rocks. Gorgeously detailed, swiftly paced, and anchored in the dramatic geography of the remote and eternally mesmerizing Big Sur, The Edge of the Earth is a magical story of secrets and self-transformation, ruses and rebirths. Christina Schwarz, celebrated for her rich evocation of place and vivid, unpredictable characters, has spun another haunting and unforgettable tale.

Deftly written and emotionally powerful, Drowning Ruth is a stunning portrait of the ties that bind sisters together and the forces that tear them apart, of the dangers of keeping secrets and the explosive repercussions when they are exposed. A mesmerizing and achingly beautiful debut. Winter, 1919. Amanda Starkey spends her days nursing soldiers wounded in the Great War. Finding herself suddenly overwhelmed, she flees Milwaukee and retreats to her family's farm on Nagawaukee Lake, seeking comfort with her younger sister, Mathilda, and three-year-old niece, Ruth. But very soon, Amanda comes to see that her old home is no refuge--she has carried her troubles with her. On one terrible night almost a year later, Amanda loses nearly everything that is dearest to her when her sister mysteriously disappears and is later found drowned beneath the ice that covers the lake. When Mathilda's husband comes home from the war, wounded and troubled himself, he finds that Amanda has taken charge of Ruth and the farm, assuming her responsibility with a frightening intensity. Wry and guarded, Amanda tells the story of her family in careful doses, as anxious to hide from herself as from us the secrets of her own past and of that night. Ruth, haunted by her own memory of that fateful night, grows up under the watchful eye of her prickly and possessive aunt and gradually becomes aware of the odd events of her childhood. As she tells her own story with increasing clarity, she reveals the mounting toll that her aunt's secrets exact from her family and everyone around her, until the heartrending truth is uncovered. Guiding us through the lives of the Starkey women, Christina Schwarz's first novel shows her compassion and a unique understanding of the American landscape and the people who live on it.

Over a half century, a small Indiana town hosts a circus troupe during the off-seasons in linked stories “as graceful as any acrobat’s high-wire act” (San Francisco Chronicle). A Story Prize Finalist From 1884 to 1939, the Great Porter Circus made the unlikely choice to winter in an Indiana town called Lima, a place that feels as classic as Sherwood Anderson's Winesburg, Ohio, and as wondrous as a first trip to the Big Top. In Lima, an elephant can change the course of a man's life—or the manner of his death. Jennie Dixianna entices men with her dazzling Spin of Death and keeps them in line with secrets locked in a cedar box. The lonely wife of the show’s manager has each room of her house painted like a sideshow banner, indulging her desperate passion for a young painter. And a former clown seeks consolation from his loveless marriage in his post-circus job at Clown Alley Cleaners. In this collection of linked stories spanning decades, Cathy Day follows the circus people into their everyday lives and brings the greatest show on earth to the page. “[An] exquisite story collection.” —The Washington Post “Often funny, always graceful, and rich with a mix of historical and imaginative detail.” —Tim O’Brien, author of The Things They Carried “Sublimely imaginative and affecting.” —The Boston Globe

Four people are born every second of every day. Conservative estimates suggest that there will be 10 billion people on Earth by 2050. That is billions more than the natural resources of our planet can sustain without big changes in how we use and manage them. So what happens when vast population growth endangers the world’s food supplies? Or our water? Our energy needs, climate, or environment? Or the planet’s biodiversity? What happens if some or all of these become critical at once? Just what is our future? In Tipping Point for Planet Earth, world-renowned scientists Anthony Barnosky and Elizabeth Hadly explain the growing threats to humanity as the planet edges toward resource wars for remaining space, food, oil, and water. And as they show, these wars are not the nightmares of a dystopian future, but are already happening today. Finally, they ask: at what point will inaction lead to the break-up of the intricate workings of the global society? The planet is in danger now, but the solutions, as Barnosky and Hadly show, are still available. We still have the chance to avoid the tipping point and to make the future better. But this window of opportunity will shut within ten to twenty years. Tipping Point for Planet Earth is the wake-up call we need.

Beyond Earth's Edge vividly captures through poetry the violence of blastoff, the wonders seen by Hubble, and the trajectories of exploration to Mars and beyond. The anthology offers a fascinating record of both national mindsets and private perspectives as poets grapple with the promise and peril of U.S. space exploration across decades and into the present.

A futuristic reimaging of the classic Greek myth, as a boy ventures through deep space and challenges the awesome power of black holes. The beauty of the book lies in the images, provided by NASA and the Hubble Space telescope, and printed on board rather than paper.

This book series is composed of peer-reviewed proceedings of selected symposia organized by the International Association of Geodesy. It deals primarily with topics related to Geodesy Earth Sciences : terrestrial reference frame, Earth gravity field, Geodynamics and Earth rotation, Positioning and engineering applications.

Does earth have spirit or soul? This is a question being asked ever more frequently, especially by those interested in the future of the natural world and the development of consciousness. The alchemists said ‘the greater part of the soul is outside the body’, and indigenous cultures have felt that soul or spirit resides in Nature and the physical environment. Such notions have been dismissed by modernity as illusions, but we are beginning to have second thoughts about the animation of the earth. Science and rationality have not taught us how to love or care for the earth, and in the modern era the environment has been disrespected. The mythic bonds to Nature such as those found in Aboriginal Australian cultures appear to have real survival value because they bind us to the earth in a meaningful way. When these bonds are destroyed by excessive rationality or a collapse of cultural mythology, we are left alone, outside the community of Nature and in an alienated state. In this state we do real damage to the environment, because it is no longer part of our spiritual body or moral responsibility. Jung was one of the first thinkers of our time to consider the psychic influence of the earth and the conditioning of the mind by place. Inspired by his writings and those of James Hillman, the field of ecopsychology has arisen as a powerful new area of inquiry. Edge of the Sacred: Jung, Psyche, Earth contributes to global ecopsychology from an Australian perspective.

More than a decade has passed since acclaimed nature photographer Art Wolfe created his painterly world landscape portrait LIGHT ON THE LAND. With this long awaited sequel, EDGE OF THE EARTH, CORNER OF THE SKY, Wolfe artistically pushes his craft to present his emotional vision of the Earths beauty. Photographed on seven continents, nine years in the making, this stylish and significant collectible is about our interconnectedness with the Earth expressed through Wolfes artistic use of light and perspective. Divided into five geographic regions: Desert, Ocean, Mountain, Forest and Polar, the book features a 3500-word essay by author Art Davidson to accompany each section. Davidsons text brings the human connection to each austere, haunting image. For art collectors, photographers, environmentalists, world travelers, or those who experience the world through books, the scope and design of EDGE OF THE EARTH, CORNER OF THE SKY transcends all other landscape books and represents the pinnacle of Art Wolfes 50 published books and his thirty-year career. Remarkable for its artistic vision, ethereal presentation and powerful yet understated environmental message, EDGE OF THE EARTH, CORNER OF THE SKY captures the sheer wonderment of nature in a stunning and dramatic presentation.

“Interesting and provocative. . . . Recommended for anyone interested in space policy and national security affairs.” —Choice The United States has long exploited Earth’s orbits to enhance security, generate wealth, and solidify its position as a world leader. America’s ambivalence toward military activities in space, however, has the potential to undermine our future security. Some perceive space as a place to defend and fight for America’s vital interests. Others?whose voices are frequently dominant and manifested in public rhetoric, funded defense programs, international diplomacy, and treaty commitments?look upon space as a preserve not to be despoiled by earthly strife. After forty years of discussion, the debate over America’s role in space rages on. In light of the steady increase in international satellite activity for commercial and military purposes, America’s vacillation on this issue could begin to pose a real threat to our national security. Steven Lambakis argues that this policy dysfunction will eventually manifest itself in diminished international political leverage, the forfeiture of technological advances, and the squandering of valuable financial resources. Lambakis reviews key political, military, and business developments in space over the past four decades. Emphasizing that we should not take our unobstructed and unlimited access to space for granted, he identifies potential space threats and policy flaws and proposes steps to meet national security demands for the twenty-first century. “Provides a wealth of details on a wide range of factors that contribute to space power.” —Air & Space Power Journal “Will trigger public debate, generate controversy and add creatively to the policy debate.” —John D. Stempel, author of Common Sense and Foreign Policy