An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), Dead Silence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives.

From the New York Times bestselling author of The Stolen Child comes a hypnotic literary horror novel about a young boy trapped inside his own world, whose drawings blur the lines between fantasy and reality. Ever since he nearly drowned in the ocean three years earlier, ten-year-old Jack Peter Keenan has been deathly afraid to venture outdoors. Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy's only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all. In the tradition of The Turn of the Screw, Keith Donohue's The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.

What doesn't kill you makes you stronger! Alan Gates, a cancer patient with a terminal diagnosis, is resigned to his fate...until he discovers that his tumor is actually a mysterious parasite! Granted a second lease on life and incredible, otherworldly powers, Alan must fight against an evil army buried beneath society's skin, all the while unlocking the secrets of his forgotten past. From the dark & twisted mind of James Wan, the creator and director of SAW, MALIGNANT MAN is a sci-fi thriller that can't be missed! Co-written by fan-favorite writer Michael Alan Nelson (28 DAYS LATER, DINGO) and illustrated by rising star artist Piotr Kowalski, with a cover by industry legend Trevor Hairsine!

Immerse yourself in the art and making of Aquaman, the movie chronicling Arthur Curry’s path to a future reign as King of the Seven Seas. The Art and Making of Aquaman takes readers behind the scenes of the highly anticipated 2018 Warner Bros. Pictures film based on the popular DC character. Featuring previously unseen photographs and breathtaking concept art, this book is a must-have for any fan. Witness the epic journey of Aquaman, a Super Hero who struggles to accept his heritage as undersea royalty in his first solo film. Follow along with the production team as these skilled artists create a unique undersea world for the big screen. Exclusive interviews highlight a comprehensive narrative that flows through this stunning collection of concept sketches, storyboards, set and costume photography, and effects imagery, giving readers an unparalleled look at the making of the film. Directed by James Wan, Aquaman features an all-star cast, with Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Ludi Lin, Yahya Abdul-Mateen II, Temuera Morrison and Nicole Kidman.

A magical turf war like you’ve never seen before! The London chapter of the Magic Order has entered the scene, and these tough Guy Ritchie-style gangsters have a problem with the Eastern European Warlocks moving into their territory. Can new leader Cordelia Moonstone keep the peace? The highly anticipated sequel to the smash-hit first volume by MARK MILLAR and OLIVIER COIPEL. This new arc is drawn by the peerless STUART IMMONEN (Empress, Star Wars, New Avengers) and is just as massive and captivating as the first! Collects THE MAGIC ORDER 2 #1-6

“A fascinating and frightening book” (Los Angeles Times)—the bestselling true story about a house possessed by evil spirits, haunted by psychic phenomena almost too terrible to describe. In December 1975, the Lutz family moved into their new home on suburban Long Island. George and Kathleen Lutz knew that, one year earlier, Ronald DeFeo had murdered his parents, brothers, and sisters in the house, but the property—complete with boathouse and swimming pool—and the price had been too good to pass up. Twenty-eight days later, the entire Lutz family fled in terror. This is the spellbinding, shocking true story that gripped the nation about an American dream that turned into a nightmare beyond imagining—“this book will scare the hell out of you” (Kansas City Star).

Understand the shared story in which we all play a part. Connect human creativity with the impulse of our Creator. Explore the relationship between images and imaging God. Do you like movies? Are you a cinephile? Do your friends consult YOU instead of IMDB? Were you raised on television? Spend hours talking cinema? This book is definitely for you. If you're a casual consumer who thinks Hollywood exists simply for diversion, this book may change your life. ""I am a Junior film and Television student... your interpretations of the films have helped formed the kind of filmmaker I am becoming, and also the way I experience films."" Humans crave narrative and usually don't stop to question why. Are we perhaps created to consume story, to create story, because we're image bearers of a Master Storyteller? In this book, movies meet God at the multiplex as the author challenges readers to redefine entertainment, understand the story they're in, and experience a new integrated level of spirituality and entertainment. ""You actually look at the film aspects and see how the artist's worldview really comes through."" What can we learn about God from Doctor Who and Han Solo? What are people like Jon Stewart and even Michael Bay helping us understand about story, good and bad? Peppered with movie quotes and metaphors, journey through the incredible changes film and storytelling have had on 21st century culture. Instead of an overly-academic offering on film and faith, Cinemagogue weaves a narrative from the author's own pop culture saturated life to the Greatest Story Ever Told, from Superman to Citizen Kane, Bertrand Russell to John Frame, Kurt Vonnegut to the apostle Paul, from our favorite narrative to our shared meganarrative. .".".I grew up on television in the 80s and relate to the context you grew up in.... I thank God for you and your ability to glorify him in everything, no matter what."" Classic notions of story structure, "monomyth" and universally shared themes in both popular and classic tales are examined in light of ancient scripture. From there, readers can see the genesis of creativity and worldview distortions from which conversation can bring us back to the future. After a dirty dozen examples of popular film in chapter five (with questions for discussion) the book tackles common objections with genre and content: horror movies, foul language, violence, sexuality, magic and more... and how many traditional objections are overshadowed by incredible opportunities for those brave enough to overcome fear and wade into the culture stream, secure in their faith. ""Your talk was one of the final confirmations of our move to Los Angeles to re-engage the film business by getting upstream in culture and trying to influence from the top down. Worked as an assistant on a TV series for a year, and now I'm working at a digital marketing agency that does a ton of film/TV work, as well as writing/producing my own projects."" The book ends with a call and commission to those who consider themselves spiritual and religious to get their heads out of the sand, to start realizing and utilizing the power of narrative. .".".really convicted me in both the movie and gaming arena to analyze what I am watching/playing and why. I had almost zero discernment before stumbling onto your series..."" A requested resource by movie-goers, movie-makers, pastors and teachers, Cinemagogue is an extension of a website and podcast, providing a "how-to" for those who want to experience the transforming power inherent in all story. ""Listening to your podcasts... opened my eyes to examine what I watch even closer."" Take your entertainment seriously while simultaneously having more fun with it than ever before. Learn how to watch to glorify, to be edified, and possibly to evangelize. Even better, create to

“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)

In 2013 an apparently simple, back-to-basics scary movie transformed horror cinema for the rest of the decade. Based on the allegedly true story of the Perron family haunting and subsequent investigation by ghost hunters Ed and Lorraine Warren, The Conjuring has to-date spawned six sequels and prequels, making up a Conjuring ‘universe’ that has taken over a billion dollars around the world. The New York Times called The Conjuring ‘a fantastically effective haunted-house movie’ which, following his earlier film Insidious, established director James Wan as a force in horror cinema. In this Devil’s Advocates, horror scholar Kevin Wetmore examines what elements in the film are truly terrifying, how the filmmakers’ claims of being based on a true story hold up against the actual history of the haunting and the Warrens, and the relationship between The Conjuring and the many films in its universe. Along the way this book also considers how games, toys and dolls play an important role in the series, offers a critique of gender roles in the films, and asks the question, what is actually ‘conjured’ in The Conjuring? The delightful result is an in-depth, close reading of a film that uses standard horror tropes masterfully to create a truly scary film.