The Chronicles of Mad Maxine tells one woman's story of training to be a lady wrestler at the Fabulous Moolah's School of Professional Wrestling. The novel, set on the 30-acre training camp in Columbia, South Carolina, is a fictionalized account of author Jeannine Mjoseth's experiences in the mid-1980s, when she became skilled at flying head scissors, the soaring suplex and the body slam. Both hardcore wrestling fans and people who've never seen a match will thrill to the raw action both inside and outside of Camp Moolah's training ring. The novel's main character, Pippi, is a passionate young reporter who wants to infiltrate the world of professional wrestling for a live-it, write-it journalism project. But she doesn't just observe the world of slaps, punches and bumps and she can't betray trainees with whom she's developed deep friendships. Instead, she throws herself into training and emerges as Mad Maxine, a 6'2" grappler with a mohawk. At the head of the enterprise is the Fabulous Moolah, an infamous lady wrestler turned manager who has clawed her way to the top from dirt-poor beginnings. Pippi gets a hard lesson about her deceitful ways during her first match for the World Wrestling Federation. Meanwhile, Pippi accepts a dangerous freelance assignment covering a KKK rally for an African American newspaper. Her wrestling and journalism worlds collide when the KKK invades Camp Moolah. Pippi and her wrestling buddies make a narrow escape from the Fabulous Moolah's clutches and speed to Albuquerque. Their mission: to rescue an underaged wrestler who Moolah has pimped out to a podiatrist with a taste for straining lady muscles.

Introduces the inhabitants and visitors of a sandy track that runs between the town of Klatsand and the Pacific Ocean and relates their experiences.

The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.

Describes the challenges and rewards faced by modern farms in the Midwest, and looks at the seasonal milestones of rural life

Maxine Dorfman has it all--sagging jowls, chubby elbows, sexual batteries that need repair, and frustrating fantasies about Burt Lancaster and her dentist, Dr. Ronald Kertler. But, there are two things she does not have: the notorious, hooked Kleinkopf nose that runs in her family, and a faithful husband. Mel, her laid-off CPA husband dumps her for an older woman--a sixty-five-year-old woman. Maxine is left on ground zero in denial, depressed and addicted to macadamia nuts. Hope arrives in the form of Connie Piccini, her best friend who encourages a reluctant Maxine to sign up for Earth Trek, a weeklong fitness adventure in the Catskill Mountains. Three hikes, two hot romances, and one environmental crisis later, transform our heroine from a fearful, depressed victim into a self-empowered woman with passion, power and purpose.

A power-mad High Born witch forms a new army of wacky wizards and witches who lost the last war. It’s a tough job. This brainless bunch prefers to guzzle gibber juice and clobber each other rather than follow orders.

The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage. From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage. Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.

James Holeva, aka "The Wingman," is as classy as he is crass. His life is a dirty ride of uncouth adventures involving weddings, proms, threesomes, soccer moms, models, strippers, balconies, bedrooms, backseats and bathroom stalls. No details are spared in this humorous,erotic, autobiographical novel depicting all of his hedonistic debauchery. Full of jaw-dropping moments, gut-busting laughs and multiple orgasms, "The Wingman Chronicles" will make you laugh and orgasm at the same time.Fast paced, in your face, and offensive, this swaggering young player degrades with class while providing a message to the world, "Don't ever let anybody stifle your adventure."

Shortlisted for the Victorian Premier's Literary Award for Non-Fiction Shortlisted for the Stella Prize 2017 'Against anything I had ever been told was possible, I was turning white. On the surface of my skin, a miracle was quietly brewing . . .' Suburban Australia. Sweltering heat. Three bedroom blonde-brick. Family of five. Beat-up Ford Falcon. Vegemite on toast. Maxine Beneba Clarke's life is just like all the other Aussie kids on her street. Except for this one, glaring, inescapably obvious thing. From one of Australia's most exciting writers, and the author of the multi-award-winning FOREIGN SOIL, comes THE HATE RACE: a powerful, funny, and at times devastating memoir about growing up black in white middle-class Australia.

From the national bestselling author of Alice comes a postapocalyptic take on the perennial classic "Little Red Riding Hood"...about a woman who isn't as defenseless as she seems. It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago. There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined. Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods....